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Dance links w/b Sunday October 21, 2018

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Links – Sunday October 21, 2018


Review - Dimitris Papaioannou, The Great Tamer, London: Luke Jennings, The Observer


Reviews - Sydney Dance Company, Frame of Mind (Bonachela), Forever & Ever (Anthony Hamilton), Sydney: Deborah Jones, FollowSpot


Review - Tempo Dance Festival, Auckland: Raewyn White, New Zealand Herald


Review - Les Ballets Jazz de Montreal, Dance Me (Foniadakis & Lopez Achoa), Calgary: Katherine DeCoste, The Gateway


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Links - Monday 22 October, 2018



Review - English National Ballet, Manon, Manchester:  Sanjoy Roy, Guardian


Review - American Ballet Theatre, Songs of Bukovina, Garden Blue, In the Upper Room, New York:  Gay Morris, Danceview Times


Review - American Ballet Theatre, Le Jeune, Dream within a Dream (deferred), In the Upper Room, New York:  Christina Pandolfi, Broadway World


Feature - American Ballet Theatre, Too many cooks?:  Alastair Macaulay, NY Times


Video Feature - Svetlana Zakharova:  Al Jazeera


Review - William Forsythe, A Quiet Evening of Dance, Melbourne:  Maxim Boon, The Music


Review - Sydney Dance Company, Frame of Mind, Forever & Ever, Sydney:  Jo Litson, Limelight


Review - Pennsylvania Ballet, Romeo and Juliet (MacMillan), Philadelphia:  Lewis Whittington, Culture Vulture


Review - Lucy Guerin Inc, Split, Portland:  Nim Wunnan, Oregon Arts Watch


Review - Company Wang Ramirez, Borderline, New York:  Brian Seibert, NY Times


Review - Joel Brown & Eve Mutso, 111, Glasgow:  Lorna Irvine, Fjord Review


Review - Julie Cunningham, Botis Seva, Alesandra Seutin, Reckonings triple bill, London:  David Dougill, Times (scroll down)


Preview Feature - Sarasota Ballet, Appalachian Spring, Sarasota:  Su Byron, Sarasota Herald Tribune


Review - Atamira Dance Company, Pango/Black, Napier:  Kim Buckley, NZ Theatreview


Review - The Tap Pack, Sydney:  Jill Sykes, Sydney Morning Herald

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Links – Tuesday October 23, 2018


Review - American Ballet Theatre, Fall Gala & two triple bills, NY: Marina Harss, DanceTabs


Review - American Ballet Theatre, Le Jeune, Dream within a Dream (deferred), In the Upper Room, NY: Michael Popkin, Danceviewtimes


Review - Zurich Ballet, Winterreise (Christian Spuck), Zurich: Sarah Batschelet, Bachtrack


Review - Company Wayne McGregor, Tree of Codes, Hong Kong: Natasha Rogai, South China Morning Post


Review - Shobana Jeyasingh, Contagion, Manchester: Sanjoy Roy, The Guardian


Reviews - China National Peking Opera, The Emperor and the Concubine, The Monkey King and the Leopard, Crossroads Inn, London:

Louise Levene, Financial Times

Dondald Hutera, The Times

Charlotte Kasner, SeeingDance


Feature - Washington Ballet’s future and financial woes: Sarah L. Kaufman & Peggy McGlone, Washington Post


Review - LA Dance Project, Romeo and Juliet (Millepied), LA: Jim Farber, San Francisco Classical Voice


Feature - Sergei Polunin: Charlie Teasdale, Esquire


Review - Liss Fain Dance, A Recomposition: I Don’t Know and Never Will, SF: Heather Desaulniers, DanceTabs


Review - K-Arts Dance Company, Song of the Mermaid, NY: Rose Marija, Broadway World


Review - Larry Keigwin & Nicole Wolcott, Places Please!, Boston: Marcia B. Siegel, Artsfuse


Review - Aby Watson:-ish, Glasgow: Mary Brennan, Herald Scotland


Review - Company Wang Ramirez, Borderline, White Light Festival, NY: Apollinaire Scherr, Financial Times


Review - The Trocks, Canterbury: Victoria Bawtree, The Reviews Hub


Preview - Two NY shows: Martha Sherman, dancelog.nyc


News - West Australian Ballet’s 2019 season: Dance Australia


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Links – Wednesday October 24, 2018


Review - Miami City Ballet, Concerto Barocco, Company B, Tchaikovsky Piano Concerto No. 2, Miami: Sean Erwin, Danceviewtimes


Reviews - Jasmin Vardimon Company, Medusa, London:

Lyndsey Winship, The Guardian

Debra Craine, The Times

Vera Liber, British Theatre Guide
David Mead, SeeingDance


Reviews - Sasha Waltz & Guests, Körper, SF/Berkeley:

Heather Desaulniers, DanceTabs

Paul Parish, Bay Area Reporter

Janice Berman, San Francisco Classical Voice


News - 100-Dance Merce Cunningham centennial celebration coming to NY: Joshua Barone, New York Times


Review - Sydney Dance Company, Frame of Mind (Bonachela), Forever & Ever (Anthony Hamilton), Sydney: Chantal Nguyen, Bachtrack


Review - Nashville Ballet, Seven Deadly Sins (Christopher Stuart), Superstitions, Nashville: Cillea Houghton, Broadway World


Preview/Q & A - Carrie Ahern, Sex Status 2.0, NY: Gia Kourlas, New York Times

Review - Tom Dale Company, I Infinite, London: Graham Watts, DanceTabs


Review - Matthew Bourne, Swan Lake, Edinburgh: Kelly Apter, The List

Q & A - Ieva Kuniskis, choreographer: Graham Watts, DanceTabs


Feature - Fashion’s obsession with ballet (and Q & A’s with ENB Principals): Lisa Armstrong, The Telegraph


Feature - Luz San Miguel dances her last show in Milwaukee Ballet’s Dracula: John Schneider, Shepherd Express


Preview - The Trocks in Scotland: Mary Brennan, Herald Scotland


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Links – Thursday 25 October, 2018


Review – San Francisco Ballet, “Unbound” Program A, Washington DC: Sarah L Kaufman, Washington Post


Interview – Cathy Marston, as SFB brings Snowblind  to Washington DC: Jane Franklin, DC Metro Theater Arts


Review – English National Ballet, ManonManchester: Louise Levene, Spectator


Interview – Marcelo Gomes, on Learning from the bad & a freelance career: Natasha Rogai, SCMP


Video Feature – Robert Fairchild: From Ballet to Broadway: Robert Araujo, Playbill


Review – Matthew Bourne/New Adventures, Swan Lake, Edinburgh: Sorel Read, The Student


Preview – Company Wang Ramirez, Borderline, Vancouver: Janet Smith, Straight.com


Review – Jasmin Vardimon Company, Medusa, London: Richard Maguire, Reviews Hub


Review – Dimitris Papaioannou, The Great Tamer, London: Siobhan Murphy, DanceTabs


Reviews – Sasha Waltz & Guests, KörperBerkeley:

Rita Felciano, Danceviewtimes

David E. Moreno, Culture Vulture


Review – Seeta Patel & Lina Limosani, Not Today’s Yesterday, Birmingham: David Mead, SeeingDance


Review – RiantoMedium, Sydney: Jill Sykes, Sydney Morning Herald


Review – Motionhouse/Kevan Finnan, Charge, Huddersfield: Rich Jevons, Reviews Hub


Review – K-Arts Dance Company, Song of the Mermaid, New York: Joel Benjamin, TheaterScene


Diary – DanceWatch, Portland: Jamuna Chiarini, Oregon Artswatch


Review – Su Wwen-Chi & Others, Infinity Minus One, Sydney: Jill Sykes, Sydney Morning Herald


Feature – 10 of the best places to enjoy dance in Cuba: Claire Boobbyer, Guardian

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Links – Friday 26 October, 2018


Feature – When City Center Was Balanchine’s House: Marina Harss, NY Times


Review – American Ballet Theatre, Gala & Fall Season performances, New York: Robert Gottlieb,  NY Observer


News – American Ballet Theatre, 2019 Spring Season: Peter Libbey, NY TImes


Review – San Francisco Ballet, “Unbound” Program A, Washington DC: Alexander C. Kafka, DC Theatre Scene


Review – English National Ballet, ManonTouring:

- Manchester: Aniqah Choudhri, Exeunt

- Milton Keynes: David Mead, SeeingDance


Reviews – Birmingham Royal Ballet, La Fille Mal Gardée, Salford:

Daisy Jackson, Manchester Evening News

David Cunningham, BTG


Reviews – Northern Ballet, The Three Musketeers, Sheffield:

Velda Harris, BTG

Beverley Haigh, Reviews Hub


Review – Conservatory of Dance, Watermill, New York: Alastair Macaulay, NY Times


Review – London, Louise Levene, Financial Times

Dein Perry, Tap Dogs

Jasmin Vardimon Company, Medusa


News – Lester McGrath, next Executive Director at Royal New Zealand Ballet: Dionne Christian, NZ Herald


5Q & A – Dane Hurst, Dancer 7 Choreographer: Bruce Marriott, DanceTabs


Diary – Coming Up in New York: Brian Schaefer, NY Times


Preview – American Modern Opera Company, With Care, San Francisco: Lily O’Brien, SF Classical Voice


Preview – BalletMetLineage: A Collection of Short Ballets, Columbus: Peter Tonguette, Columbus Dispatch


Review – Steve Prickett & Dancers, Four Go Wild in Wellies, Paisley: Mary Brennan, Herald


Reviews – Atamira Dance Company, Pango/Black, Gisborne:

Jo Thorpe, Theatreview

Michelle Ngamoki, Theatreview



And you have to see the grand jeté in the outfield: Boston 25 News

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Links – Saturday 27 October, 2018


Review – LA Philharmonic & LA Dance Project, Romeo and Juliet (Millepied), Los Angeles: Victoria Looseleaf, Fjord Review


Feature – Misty Copeland: Will Pavia, The Times


Review – San Francisco Ballet, “Unbound” Program B, Washington DC: Sarah Kaufman, Washington Post  (Can’t get a better URL)


Reviews – Birmingham Royal Ballet, La Fille Mal Gardée, Salford: Frances Scott, Reviews Hub


Reviews – Northern Ballet, The Three Musketeers, Sheffield: Ruth Deller, BWW UK


Review – Luca Veggetti/Conservatory of Dance, Watermill, New York: Gay Morris, Danceviewtimes


Review – Jasmin Vardimon Company, Medusa, London: Sara Veale, Fjord Review


Review – New York Dance Project & Taylor 2, “Dig Dance” Mixed Bill, New York: Carol Pardo, Danceviewtimes


Review – Colin Dunne, Concert, London: Siobhan Murphy, DanceTabs


Reviews– Eva Recacha, Aftermath, London:

Lyndsey Winship, Guardian

Maryam Philpott, Reviews Hub


Preview – Ballet Hispanico, Carmen (Sansano), New York: Britt Stigler, All Arts


Review – Dein Perry, Tap Dogs, London: Jessica Wilson, SeeingDance


Feature – Anna Halprin, inspiring an ageless dance community: Caille Millner, SF Chronicle


Diary – UK Highlights: Lyndsey Winship, Guardian  (Scroll way down)

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