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Dance links w/b Sunday November 12, 2017


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Links – Sunday November 12, 2017

 

Reviews - The Royal Ballet, The Illustrated ‘Farewell’, The Wind, Untouchable, London:

Luke Jennings, The Observer

Jeffery Taylor, Sunday Express

 

Reviews - Australian Ballet, The Sleeping Beauty, Sydney:

Jill Sykes, Sydney Morning Herald

Sue Williams, The Daily Telegraph

 

Reviews - Ballet Black, Dopamine (You make my levels go silly), Captured, Red Riding Hood, London:

Howard Loxton, British Theatre Guide

Vikki Jane Vile, Broadway World

 

Review - Dresden Semperoper Ballet, 5, Ganz leise kommt die Nacht, On the Nature of Daylight, Vertigo Maze, NY: Barnett Serchuk, Broadway World

 

Conversation - Robert Fairchild & Edward Villella: Jacob Jones, Playbill

 

Review - BalletBoyz, Fourteen Days, Edinburgh: Kelly Apter, The Scotsman

 

Review - Kim Yong-geo Dance Theater, Work, Washington: George Jackson, Danceviewtimes

 

Review - Joan Clevillé Dance, The North, London: Rachel Elderkin, Exeunt

 

Review - Anna Myer and Dancers, mixed bill, Boston: Jeffrey Gantz, Boston Globe

 

Review - Footnote Dance Company, Contrast, Dunedin: Hannah Molloy, Theatreview

 

Preview - H2DANCE, Staging Ages, London: Thea King, Londondance

 

Q & A - Gianluca Vincentini, choreographer and curator: Thea King, Londondance

 

News - UK dance this week: Judith Mackrell, The Guardian

 

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Links – Monday November 13, 2017

 

Review - Staatsballett Berlin, The Art of Not Looking Back (Shechter), Erde (Duato), Berlin: Katja Vaghi, Bachtrack

 

Review - National Ballet of Canada, The Winter’s Tale, Toronto: Michael Crabb, Toronto Star

 

Review - Richard Alston Dance Company / Rambert, Edinburgh: Mark Brown, Herald Scotland

 

Feature - Royal Ballet accused of 'gratuitous abuse': Hannah Furness, The Telegraph

 

Review - Nederlands Dans Theater, In the Event, Wake Up Blind, Shutters Shut, Safe as Houses, Hong Kong: Natasha Rogai, South China Morning Post

 

Review - Garth Fagan Dance, mixed bill, NY: Deborah Jowitt, DanceBeat

 

Review - Darbar Festival of Indian dance, London: Sanjoy Roy, The Observer

 

Preivew - West Australian Ballet, Peter Pan, Perth: William Yeoman, The West Australian

 

Review - Pivot Dance, London: Tia Asterope, The Place

 

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Links – Tuesday 14 November, 2017

 

Reviews - London Catch-Up:

 

David Dougill, Sunday Times     Vera Liber, BTG

Royal Ballet, The Illustrated Farewell,” The Wind, Untouchable

Birmingham Royal Ballet, Arcadia, Le Baiser de la Fée

 

Rachel Elderkin, Fjord Review

Royal, English National, Birmingham Royal, Northern & Scottish Ballets; Yorke Dance Project, MacMillan Celebration

- Interview – Yolande Yorke-Edgell, Staging “Sea of Troubles”: Rachel Nouchi, Londondance

 

Feature – Is sexual violence being trivialised in ballet? Judith Mackrell, Guardian

--- The Royal Ballet responds: Robert Dex, Evening Standard

 

Reviews – Acosta Danza, Mixed Bill, Edinburgh:

Mary Brennan, Herald

Lucy Ribchester, The List

 

Review – Australian Ballet, Sleeping Beauty (McAllister), Sydney: Michael Bailey, Australian Financial Review

 

Review – Hong Kong Ballet, Le Corsaire (Holmes), HK: Kevin Ng, Asian Times

 

Review  - Balletboyz“Fourteen Days” Quad Bill, Dundee: Lorna Irvine, Fjord Review

 

Reviews – Pennsylvania Ballet, “On Edge” Triple Bill, Philadelphia:

Merilyn Jackson, Fjord Review

Hilary Stroh, Bachtrack

 

Review – Hofesh Shechter, Grand Finale, New York: Apollinaire Scherr, Financial Times

 

Review – Garth Fagan Dance, Program B Mixed Bill, New York: Andrew Blackmore-Dobbyn, Bachtrack

 

Review – Ate9 Dance Company, Calling Glenn, Los Angeles: Jeff Slayton, Bachtrack

 

Review – Step Afrika! The Migration: Reflections on Jacob Lawrence, New York: Laura Collins-Hughes, NY Times

 

Review – LINK Dance Company, Im Spiegel, Perth: Margaret Mercer, Dance Australia

 

Preview – San Francisco International Hip Hop Festival: Maxine Marshall, SF Chronicle

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Links – Wednesday 15 November, 2017

 

Documentary – Joffrey Ballet/Christopher Wheeldon, “Making a new American Nutcracker”: Steve Johnson, Chicago Tribune

 

Comment – Cut the violence on stage, we don’t need to watch rape: Laura Freeman, Evening Standard

 

News – Casting for Sergei Polunin’s SATORI, London: Staff, London Theatre

 

Preview – Alonzo King/Lines Ballet, The Propelled Heart, San Francisco: Maxine Marshall, SF Chronicle

 

Review – Acosta Danza, Mixed Bill, Edinburgh: Kelly Apter, Scotsman

 

Review – Balletboyz“Fourteen Days” Quad Bill, Exeter: Emma Pritchard, Reviews Hub

 

Review – Joan Clevillé Dance, The North, London: Sara Veale, DanceTabs

 

News – Bangarra Dance Theatre’s 2018 Season: Staff, Dance Australia

 

Review – Yvonne Meier/Invisible Dog & Danspace Project, Double Bill; Jillian Sweeney, Arrows and Errors, New York: Gia Kourlas, NY Times

 

Preview – Slanjayvah Danza, 6 Feet, 3 Shoes, Edinburgh: Kelly Apter, The List

 

Interview – Choreographer Gillian Walsh: Siobhan Burke, NY Times

 

Diary – Coming up in New York: Martha Sherman, dancelog.nyc

 

Film Preview – “No Maps on my Taps,” “About Tap,” Boston: Marcia B. Siegel, Arts Fuse

 

Want to see your writing about Dance appear in these Links next year?  Then apply for Resolution Review 2018 via Londondance

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Links – Thursday 16 November, 2017

 

Feature – Why The Nutcracker is the perfect ballet for children: Mark Monahan, Telegraph

 

Reviews – Royal Ballet, The Illustrated ”Farewell,” The Wind, Untouchable, London:

Louise Levene, Spectator

Anna Winter, Exeunt

 

Feature – New Zealand School of Dance at 50: Dani McDonald, Dominion Post

 

Documentary Review – The Trocks, “Rebels on Pointe”: Jeanette Catsoulis, NY Times

 

Feature – Inside Cuba’s National Ballet School: Rachel Brown, National Geographic

 

Review – National Dance Company of Wales, “Roots” Quad Bill, Cardiff: Othniel Smith, BTG

 

Review – Darbar Festival, London: Indian Adventures of Sitar and Dance: Lynette Halewood, DanceTabs

 

Reviews– Big Dance Theater, 17c, New York:

Laura Collins-Hughes, NY Times

Miriam Felton-Dansky, Village Voice

 

Preview – Dimensions Dance Theatre, Ballet’s Pointe of Passion, Miami: Guillermo Perez, Miami Herald

 

Preview – Nava Dance Theatre, Broken Seeds (Still Grow), Oakland, SF Chronicle

 

News – SAFEhouse, a new San Francisco Dance Venue: John C. Sulak, SF Examiner

 

Preview – Spenser Theberge & Jermaine Spivey, Rather This, Then, Portland: Jamuna Chiarini, Oregon Artswatch

 

Preview – Dance in Vancouver, 2017: Shawn Conner, Vancouver Sun

 

Review – Unitec Dance Showcase 17, AucklandBrigitte Knight, Theatreview

 

Preview – Ragamala  Dance Company, Written in Water, Berkeley: Lou Fancher, SF Classical Voice

 

Preview – Ballet Ireland, Romeo and Juliet (Runacre-Temple): Charlie McBride, Galway Advertiser

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Links – Friday 17 November, 2017

 

Reviews – Christopher Wheeldon’s Brigadoon, New York:

Apollinaire Scherr, Financial Times

Jesse Green, NY Times

 

Book Feature – David Hallberg, A Body of Work: Sarah L. Kaufman, Washington Post

 

Review – Lines Ballet, The Propelled Heart, San Francisco: Steven Winn, SF Chronicle

 

Review – Ballet Nacional de España, SorollaMadrid: Cristina de Lucas, Bachtrack

 

Review – Kalypso Hip-Hop Festival, Créteil, Paris: Laura Cappelle, Financial Times

 

Diaries:

New York, This Week: Gia Kourlas, NY Times

Christmas in London: Staff, Londondance

 

Review – Meg Stuart & Others, Until Our Hearts Stop, London: Donald Hutera, The Times

 

Preview – Kyle Abraham, Pavement, London: Judith Mackrell, Guardian

 

Book Review – Laura Young, “Boston Ballerina: A Dance, a Company, an Era”Nina MacLaughlin, Boston Globe

 

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Links – Saturday 18 November, 2017

 

Obituaries:

Dudley Simpson, Composer & Conductor RB Touring Company: The Times   Guardian

Gemze de Lappe, Dancer: Richard Sandomir, NY Times

Girish Bhargava, Dance Film Editor: Neil Genzlinger, NY Times

 

 

Review – American Ballet Theatre, Work by Ratmansky & Millepied, New York: Leigh Witchel, dancelog.nyc

 

Feature – Making (and Seeing) Dance in the Politicised World: Siobhan Burke, NY Times

 

Feature – Alice Topp, Australian Ballet Dancer & Choreographer: Jane Albert, The Australian

 

Streaming Review – Bolshoi Ballet, The Taming of the Shrew: Daniel Morrison, The Yorker

 

Preview – Scottish Ballet, The Nutcracker (Darrell), Touring: Kelly Apter, The List

 

Feature – Preparing Boston Ballet’s NutcrackerLexi Peery, Boston Globe

 

Feature – Bangarra Dancer Kaine Sultan-Babij, Place, Sydney: Louise Schwartzkoff, Sydney Morning Herald

 

Review – Marjani Forté-Saunders, Memoirs of a … Unicorn; Gillian Walsh, Moon Fate Sin, New York: Alastair Macaulay, NY Times

 

Review – Protein, Border Tales 2017, London: Josephine Leask, DanceTabs

- Q&A: Director, Luca Silvestrini: Londondance

 

Review – Big Dance Theater, 17c, New York: Deborah Jowitt, Arts Journal/DanceBeat

 

Review – Complexions Contemporary Ballet, Mixed Bill, New York: Elizabeth Zimmer, Village Voice

 

Interview – Rachel Cook, New Director at ‘On The Boards,’ Seattle: Brendan Kiley, Seattle Times

 

News – Shelly Power to be CEO at Pennsylvania Ballet: Peter Dobrin, The Inquirer

 

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