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Sergei Polunin - news


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SwissBalletfan.No one is going to endanger a major revival by casting a young dancer if they don't have faith in their ability to perform the role in question. As this is Ratmansky's production I imagine that the casting has to pass muster with him.It may be that casting a young dancer will actually be an advantage as he is far less likely to be wedded to a conviction that he knows how the prince's role should be performed.If anyone is going to unbalance the production it is likely to be the stars in the cast whose views on performance style might be at variance with Petipa's as far as minor matters such as tempi and height of arabesques are concerned. I wish I were able to see the production as I am curious about this reconstruction particularly after the Munich Paquita.Lucky you. It could well be that you are going to witness ballet history being made.

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I would also add that I doubt whether a dancer of Zakharova's standing would agree to dance with anybody she didn't think worthy of her, or able to partner her properly.

 

I very much look forward, SBF, to your review of the performance!

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Am I going crazy, or has a mod edited my post below? I think I wrote Zurich's stars or would have at least written dancers. 'performers' is not in my limited English vocabulary.

 

 

. I wanted to get an insight into how Mr Ratmansky's Swan Lake will be and how Zürich's performers will compare with Zakharova. 

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I hope Mr. Polunin gets better soon to the delight of all his fans; I will also add that Sergei Polunin as well as being a brilliant artist is a simple guy, always polite and friendly and certainly he doesn't deserve the accusations of dishonesty! Having said this, I think of great interest it's also the presence of the excellent Massimo Murru, which definitely worth to be seen

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I am in no way a member of 'Team Polunin" but in all fairness, even a minor neck injury can be pretty serious for a dancer.  The spine is like a string of cotton reels joined by a piece of elastic (well, that's how a back specialist described it to me) and just a slight misalignment in the neck vertebrae can lead to a major problem lower down.  That rules out pirouettes, jumps and many other steps required of a dancer.   Ballerinas can't even go on pointe with a back problem and I remember Cojocaru had a lengthy lay off when she injured her neck.

 

But anyone who booked tickets, flights, hotels etc for La Scala has my sympathy even if it is one of the perils of advance booking for ballet.  It will be very interesting to hear if this proves a career-maker for the new young dancer though.  Isn't that how Pavarotti made his name as a last minute Rudolfo?

 

Linda

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Thanks for the link SBF.  I don't think I read this article at the time it was published.

 

Having read it this morning, I can only say that it does nothing to alter my personal opinion that Mr Polunin was a young man who was put under the pressure of expectation from too many sides - his family, his peers, his boss and his public - and who left to find himself without those pressures.

 

Let's hope that Mr Polunin is now able, with the passage of time, to grow and enjoy his career in dance and beyond, wherever that may take him.

 

BTW SBF it may be worth searching the News forum and there are many threads about Polunin covering the last couple of years.

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Thanks for the link SBF.  I don't think I read this article at the time it was published.

 

Having read it this morning, I can only say that it does nothing to alter my personal opinion that Mr Polunin was a young man who was put under the pressure of expectation from too many sides - his family, his peers, his boss and his public - and who left to find himself without those pressures.

 

Let's hope that Mr Polunin is now able, with the passage of time, to grow and enjoy his career in dance and beyond, wherever that may take him.

 

BTW SBF it may be worth searching the News forum and there are many threads about Polunin covering the last couple of years.

 Dear Ms Mcnulty, 

 

Many thanks, I saw it on Twitter this morning an thought that it was a new article. I didn't notice the date as of October 2012.! (shock) I thought it was from the recent discussions. It was news for me that he had spoken about it, but I will pay more attention in future.

 

Thanks, and apologies

S

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 Dear Ms Mcnulty, 

 

Many thanks, I saw it on Twitter this morning an thought that it was a new article. I didn't notice the date as of October 2012.! (shock) I thought it was from the recent discussions. It was news for me that he had spoken about it, but I will pay more attention in future.

 

Thanks, and apologies

S

 

 

Hello SBF,

 

Please call me Janet - everyone else does!

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In our dreams indeed :)  

Based on what I read about him he is too undisciplined to fit into, and function well in a big company where dancers have to stick to the daily discipline of class, rehearsals and performance schedules. He also seems to be so unreliable.

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In this article Polunin is quoted as saying: "For artists to feel a real emotion to your partner is very important". 

 

There have been comments on other threads about the importance of chemistry between dance partners but many of the best dance partnerships have been strictly on-stage relationships.  They haven't needed to overlap into real life to be convincing, which is probably just as well for all concerned.  When real relationships break up they often have a negative affect on careers with one dancer feeling obliged to leave the company.

 

i agree with Nina G.  There are times when Polunin sounds like an amateur and not a true professional. 

 

Linda

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I am not a close observer of the Royal Ballet but I am really surprised that some dancers seem so ready to burn their boats when they leave the company. Kobborg was another. Given the fact that the RB is unquestionably one of the top 6 companies in the world with a unparalleled repertoire it seems to me that it would be both sensible and professional to make sure if you leave you do at least leave with the door slightly ajar.

 

The history of the company does indicate that even if you are one of the most outstanding dancers in the world if you are also unreliable and temperamental you cannot guarantee to be asked back when you feel like it.

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He's had a sad life in many ways I guess. .... or maybe not? Maybe that's a very conventional person's assessment? Maybe the same applies to our judgements on his career? Outrageously talented people often struggle to fit in and cope with life it seems.

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Hey what's going on?  I've been away from this for a while (death in the family) and was surprised my little post caused this reaction.  "Team" Polunin was a reference to David Cameron's famous tweet about the Nigella Lawson/Charles Saatchi breakup, that's all. 

 

I meant that I am not a particular supporter of this dancer - technically gifted though he undoubtedly is.  I can't help thinking his real talent lies in attracting attention from folk like Daisypop84.....

 

Linda

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But anyone who booked tickets, flights, hotels etc for La Scala has my sympathy even if it is one of the perils of advance booking for ballet.  It will be very interesting to hear if this proves a career-maker for the new young dancer though.  Isn't that how Pavarotti made his name as a last minute Rudolfo?

 

 

Pavarotti did indeed get his big break as a replacement, but it was actually on TV.  Di Stephano backed out of a TV programme called Sunday Night at the London Palladium at short notice and someone suggested a brilliant young tenor  called Luciano who was causing a sensation at Glyndebourne.  He went on air and wowed the audience and the rest is history. 

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