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Dance Links w/b Sunday 12 March, 2017


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Links - Sunday 12 March, 2017

 

 

Reviews - San Francisco Ballet, Fusion, Salome (Pita), Fearful Symmetries, San Francisco:  

Claudia Bauer, DanceTabs

Janice Berman, SF Classical Voice

 

Review - Royal Danish Ballet, Infra, Falling Angels, Vertical Road, Copenhagen:  Eva Kistrup, Danceview Times

 

Review - Sarasota Ballet, The Two Pigeons, Scenes de Ballet, Sarasota:  Carrie Seidman, Sarasota Herald Tribune

 

Review - Ballet Black, House of Dreams, Captured, Red Riding Hood, London:  Bruce Marriott, DanceTabs

 

Feature - Robert Fairchild, star of American in Paris & NYCB:  Debra Craine, Times

 

Video feature - The wigs for Northern Ballet’s Casanova:  Alex Stanger & Claudia Redmond, BBC

 

Reviews - Company Wayne McGregor & Paris Opera Ballet,  Tree of Codes, London:

Jeffrey Taylor, Express

Alice Morby, Dezeen

 

Review - Julie Cunningham & Company, Returning, To Be Me, London:  Judith Mackrell, Guardian

 

Preview - National Ballet of Canada, Pinocchio, Toronto:  Madalina Hubert, Epoch Times

 

Feature - Steven McRae, Royal Ballet:  Alley Pascoe, Herald Sun

 

Feature - Steve Cantor on the making of Dancer (the Polunin Documentary):  Shilpa Ganatra, Irish Independent

 

Preview - Pittsburgh Ballet Theatre & Dance Theatre of Harlem, mixed programme, Pittsburgh:  Sara Bauknecht, Pittsburgh Post Gazette

 

Review - Complexions Contemporary Ballet, mixed programme, Kingston:  Richard Johnson, Jamaica Observer

 

Review - Dana Tai Soon Burgess Dance Company, Confluence; Korea National Contemporary Dance Company, Immixture, Washington:  George Jackson, Danceview Times

 

Review - Melbourne Ballet Company, Architecture of Loss, Being and Time, Four Ballet, Sydney:  William Abela, Tuckerman Times

 

Review - Charlotte Ballet, Sleeping Beauty, Charlotte:  Lawrence Toppman, Charlotte Observer

 

Preview - Ballet Victoria, Luminous, Victoria:  Adrian Chamberlain, Times Colonist

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Links - Monday 13 March, 2017

 

 

Reviews - Northern Ballet, Casanova, Leeds:

Mark Brown, Telegraph

Beverley Haigh, Reviews Hub

 

Review - National Ballet of Canada, Pinocchio, Toronto:  Michael Crabb, Toronto Star

 

Review - Paul Taylor American Modern Dance, Sacre du Printemps (The Rehearsal), Ports of Call, The Open Door, New York:  Apollinaire Scherr, FT

 

Review - Paul Taylor American Modern Dance, Airs, Black Tuesday, Syzygy, New York:  Carol Pardo, Danceview Times

 

Review - Company Wayne McGregor & Paris Opera Ballet, Tree of Codes, London:  David Dougill, Times

 

Review - Alvin Ailey American Dance Theatre, r-Evolution Dream, Untitled America, Ella, Revelations, Joshua Walker, Huffington Post

 

Review - Julie Cunningham & Company, Returning, To Be Me, London:  Luke Jennings, Observer

 

Reviews - Aakash Odedra, Echoes, I Imagine, London:  

Lynette Halewood, DanceTabs

Gerard Davies, Dancing Review

 

Review - Trisha Brown Dance Company, In Plain Site Los Angeles, Los Angeles:  Jeff Slayton, See Dance

 

Review - Joffrey Ballet, Winning Works Choreography Competition, Chicago:  Lauren Warnecke, Chicago Tribune

 

Review - Cloud Gate Dance Theatre, Rice, Auckland:  Raewyn Whyte, NZ Herald

 

Review - Matthew Bourne’s New Adventures, Early Adventures, Poole:  Staff, Bournemouth Echo

 

Preview - Nat Cursio, Tiny Slopes, Melbourne:  Annabel Ross, Brisbane Times

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Links – Tuesday March 14, 2017

 

Review - Los Angeles BalletDivertimento No. 15Who Cares?Prodigal Son, LA: Lewis Segal, Los Angeles Times

 

Review - Paul Taylor American Modern Dance, New York season: Deborah Jowitt, DanceBeat

 

Reviw - Kidd PivotBetroffenheit, SF: Janice Berman, San Francisco Classical Voice

 

Review - Russian Ballet Icons Gala, London: Vera Liber, British Theatre Guide

Photos - Dave Morgan, DanceTabs

 

Reviews - Northern BalletCasanova (Kenneth Tindall), Leeds: 

Graham Watts, Bachtrack

Sandra Callard, on: Yorkshire magazine

 

Reviews - Julie Cunningham & CompanyReturningTo Be Me, London: 

Jann Parry, DanceTabs

Louise Levene, Financial Times

Lyndsey Winship, Evening Standard

 

Review - San Francisco BalletFusionSalome (Pita), Fearful Symmetries, San Francisco: Leslie Katz, San Francisco Examiner

 

Review - New York Flamenco Festival 2017Gala Flamenca: Marina Harss, New Yorker

 

Review - Ballet BlackHouse of DreamsCapturedRed Riding Hood, London: Erin Whitcroft, The Independent

 

Feature - Rosie KayMK Ultra, and the Illuminati: Judith Mackrell, The Guardian

 

Interview - Liam Scarlett, choreographer: Daniela Sunde-Brown, Broadsheet Brisbane

 

Review - Trisha Brown Dance CompanyIn Plain Site Los Angeles, LA: Jane Rosenberg, Seen and Heard

 

Reviews - Aakash OdedraEchoesI Imagine, London: 

Neil Norman, The Stage

Charlotte Kasner, SeeingDance

 

Review - Pennsylvania BalletLe Corsaire, Philadelphia: Eri Yoneda, phindie

 

Interview - Steven McRae, The Royal Ballet: Louise Schwartzkoff, Sydney Morning Herald

 

Audio interview - Will Tuckett on his Pinocchio for the National Ballet of Canada: Tom Power, CBCradio

 

Feature - The diversity problem in classical ballet: Jane Onyanga-Omara, USA Today

 

Review - Les Grands Ballets CanadiensDeath and the Maiden (Stephan Thoss), Paris: Laura Cappelle, Financial Times

 

Reviews - Melbourne Ballet Company, Being & Time, Sydney: 

Jill Sykes, Sydney Morning Herald

Valerie Lawson, Dancelines

 

Feature - Ahmad Joudeh, a Palestinian dancer, moves from Syria to Amsterdam: Renate van der Zee, The Guardian

 

Review - Ellen MelaverMARTHA, Los Angeles: Gil Kaan, Broadway World

 

Review - TavazivaAfricarmen, Birmingham: Philip Preece, SeeingDance

 

News - £5 million for Birmingham Dance Hub: Tamlyn Jones, Birmingham Mail

 

And…

 

Review - The fate of the critic in the clickbait age: Alex Ross, New Yorker

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Links – Wednesday March 15, 2017

 

Review - Paul Taylor American Modern DanceLe Sacre du Printemps (The Rehearsal)Ports of CallCompany B, NY: Martha Sherman, Danceviewtimes

 

Reviews - Project Polunin, London: 

Katie Colombus, The Arts Desk

Lyndsey Winship, Evening Standard

Neil Norman, The Stage

 

Film review - Steven CantorDancer (the Polunin movie): Rosmary Waugh, Exeunt Magazine

 

Interview - Sergei Polunin: Ella Alexander, Harper’s Bazaar

 

Review - National Ballet of CanadaPinocchio, Toronto: Denise Sum, Danceviewtimes

 

Review - Julie Cunningham & CompanyReturningTo Be Me, London: Ka Bradley, Exeunt Magazine

 

Review - Flamenco Festival 2017, NY: Brian Seibert, New York Times

 

Feature - The Cage, staging Robbins’ ballet for the Bolshoi: Gia Kourlas, New York Times

 

Interview - Rosie Kay & Adam Curtis, re MK Ultra: Gabriel Tate, iNews

 

DVD review - Reset, Benjamin Millepied at the Paris Opera Ballet: Jenny Gilbert, The Arts Desk

 

Review - MoveOpolis, NY: Deborah Jowitt, DanceBeat

 

Review - StopgapThe Enormous Room, London: Rachel Elderkin, Fjord Review

 

Review - BODYTRAFFIC, four pieces, Boston: Marcia B. Siegel, The Arts Fuse

 

Review - Ellen MelaverMARTHA, Los Angeles: Jeff Slayton, SeeDance

 

Review - Rhiannon NewtonBodied Assemblies, Brisbane: Jordan Beth Vincent, Brisbane Times

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Links – Thursday March 16, 2017

 

Review - Northern BalletCasanova (Tindall), Leeds: Roger Foss, The Stage

 

Review - Company Wayne McGregor/Paris Opera BalletTree of Codes, London: Bruce Marriott, DanceTabs

 

Review - Russian Ballet Icons Gala, London: Charlotte Kasner, SeeingDance

 

Review - Tree of Codes / Russian Ballet Icons Gala: Louise Levene, The Spectator

 

Reviews - Sarasota BalletScènes de balletThe Two Pigeons, Sarasota: 

Mary Cargill, Danceviewtimes

Carolan Trbovich, Broadway World

 

Review - San Francisco BalletFusionSalome (Arthur Pita), Fearful Symmetries, SF: Rita Felciano, Danceviewtimes

 

Interview - Tamara Rojo: Lyndsey Winship, Evening Standard

 

Reviews - Project Polunin, London: 

Clement Crisp, Financial Times

Mark Monahan, The Telegraph

Graham Watts, DanceTabs

Siobhan Murphy, Londondance

Vera Liber, British Theatre Guide

Anna Winter, Exeunt Magazine

Debra Craine, The Times

Judith Mackrell, The Guardian

 

Photo feature - Project Polunin, a backstage view: Sarah Lee & Matt Fidler, The Guardian

 

Review - National Ballet of CanadaPinocchio, Toronto: Kathleen Smith, NOW

 

Review - Arthur Pita & HeadSpaceDanceStepmother/Stepfather, London: Graham Watts, Bachtrack

 

Photo gallery - Christopher WheeldonAn American in Paris: Dave Morgan, DanceTabs

 

Review - Danza Contemporanea de CubaReversibleThe Listening RoomMatria Etnocentra, Edinburgh: Mary Brennan, The Herald

 

News - Patricia Delgado leaving Miami City Ballet: Jordan Levin, Miami Herald

 

Review - Melbourne Ballet CompanyBeing & Time, Sydney: Deboraj Jones, FollowSpot

 

Preview - Australian BalletFasterInfraSquander and Glory: Annabel Ross, Brisbane Times

 

Preview - DEMO: Song & Dance, Washington: Broadway World

 

Preview - Juilliard Dances Repertory 2017: Gia Kourlas, New York Times

 

Review - 2017 Taiwan International Festival of the Arts, Taipei: David Mead, SeeingDance

 

Feature - MOVE IT 2017, London: Rhiannon Brace, Londondance

 

Review - Roberta Dean at Nottdance 17, Brocade, Nottingham: Paul Hughes, Exeunt Magazine

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Links – Friday March 17, 2017

 

Reviews - American Ballet TheaterWhipped Cream (Alexei Ratmansky, premiere), Costa Mesa: 

Alastair Macaulay, New York Times

Paul Hodgins, Orange County Register

 

Feature - Mark Ryden, and the designs for Whipped Cream: Angelica Frey, Hyperallergic

 

Reviews - Mark Morris Dance GroupCurlew RiverDido and Aeneas, NY: 

Brian Seibert, New York Times

Gay Morris, Danceviewtimes

 

Video feature - Laurel Lynch in Dido and AeneasNew York Times

 

Photo gallery - The Royal BalletThe Human SeasonsAfter the RainFlight Pattern (Crystal Pite, premiere): Dave Morgan, DanceTabs

 

Feature/interview - Kenneth Tindall and his Casanova for Northern Ballet: Mary Brennan, The Herald

 

Reviews - Russian Ballet Icons Gala, London: 

Jann Parry, DanceTabs

Naomi Cockshutt, Londondance

 

Review - Kidd PivotBetroffenheit / San Francisco Ballet, Programs 4 & 5: Paul Parish, Bay Area Reporter

 

Feature/interview - Misty Copeland: Moira Macdonald, Seattle Times

 

Review - Gauthier DanceNijinski (Marco Goeke), NY: Apollinaire Scherr, Financial Times

 

Review - Arthur Pita & HeadSpaceDanceStepmother/Stepfather, London: Rachel Elderkin, Fjord Review

 

Reviews - James Cousins CompanyRosalind, London: 

Judith Mackrell, The Guardian

Siobhan Murphy, DanceTabs

 

Review - Danza Contemporanea de CubaReversibleThe Listening RoomMatria Etnocentra, Edinburgh: Róisín O’Brien, SeeingDance

 

Review - Tom Gold DanceServedCounterpointOasis, NY: Mary Cargill, Danceviewtimes

 

Review - BOLD Festival, Canberra: Michelle Potter, …on dancing

 

Review - Dance Massive FestivalNick PowerBetween Tiny Cities, Melbourne: Andrew Fuhrman, Brisbane Times

 

Preview - Graeme Murphy & MADEFrock, Tasmania: Debbie Cuthbertson, Sydney Morning Herald

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Links – Saturday March 18, 2017

 

Reviews - The Royal BalletFlight Pattern (Crystal Pite premiere), The Human SeasonsAfter the Rain, London: 

Hanna Weibye, The Arts Desk

Mark Monahan, The Telegraph

Judith Mackrell, The Guardian

Graham Watts, Bachtrack

Siobhan Murphy, TimeOut

Martha Schabas, The Globe and Mail

 

Review - American Ballet TheatreWhipped Cream (Ratmansky premiere), Costa Mesa: Claudia Bauer, DanceTabs

 

Interview - Alexei Ratmansky: Kaitlin Wright, Daily Breeze

 

Interview/feature - Mikhail Baryshnikov on Joseph Brodsky: Neil Munshi, Financial Times

 

Preview - Paul Taylor’s American Modern DanceIcons: Graham, Cunningham, Taylor, NY: Gia Kourlas, New York Times

 

Interview/feature - Wayne McGregor & Max Richter prior to the performance of Infra by Australian Ballet: Nick Miller, Sydney Morning Herald

 

Feature - An American in Paris, the background to Christopher Wheeldon’s adaptation: Sarah Crompton, The Guardian

 

Feature/preview - Ashley Bouder Project to highlight female choreographers and composers: Chloe Angyal, Huffington Post

 

Review - Svetlana Lunkina & Friends, Toronto: Penelope Ford, Fjord Review

 

Review - Richard Move and MoveOpolisMartha@20XXYY, NY: Leigh Witchell, dancelog.nyc

 

Reviews - James Cousins CompanyRosalind, London: 

Debra Craine, The Times

Vera Liber, British Theatre Guide

 

Reviews - Project Polunin, London: 

G.J. Dowler, ClassicalSource

Hamish Bowles, Vogue

 

Q&A - NYCB’s Tiler Peck: Peter Stamelman, Brooklyn Daily Eagle

 

Feature - Ian Webb’s travails restaging Ashton’s Apparitions for Sarasota Ballet: Carrie Seidman, Sarasota Herald-Tribune

 

Review - Royal New Zealand BalletL’ArlésienneCarmen, Palmerston North, NZ: Tana Kopytko, NZ Theatreview

 

Review - Houston BalletDirector's Choice: Legends and Prodigy, Houston: Joseph Campana, Culturemap Houston

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