Jan McNulty Posted March 6, 2017 Share Posted March 6, 2017 Today I have received my renewal notice for my subscriptions. The Birmingham season comprises: 27-30 September - mixed programme comprising Elite Syncopations, Concerto. Penguin Cafe 03-07 October - Aladdin 24 November - 13 December - Nutcracker 13-24 February - Sleeping Beauty 20-23 June - mixed programme - comprising Kin, new work, Upper Room 26-30 June - Romeo and Juliet Link to comment Share on other sites More sharing options...
Jan McNulty Posted March 6, 2017 Author Share Posted March 6, 2017 Press release with details of the main stage 2017/18 tour: New season announcement Birmingham Royal Ballet announce an exciting and diverse season for 2017/2018 Birmingham Royal Ballet is delighted to announce its 2017–18 season – 12 months of world-class dance and music in productions that range from traditional classical ballet, to works that celebrate some of the best choreographers of the 20th century, and to new ballets created for the Company. Performances start in autumn 2017 and include the return of family favourite Aladdin. To celebrate the work of one of the great British choreographers, Sir Kenneth MacMillan, 25 years after his death, the Company performs a Mixed Programme that includes two iconic works: Concerto and Elite Syncopations. These appear alongside David Bintley’s iconic ‘Still Life’ at the Penguin Café,which is also performed in a second mixed programme with Michael Corder’s Le Baiser de la fée and Arcadia, a new ballet by the Company’s own Ruth Brill. After the hugely popular and well-loved delights of Sir Peter Wright’s The Nutcracker in the run up to Christmas, we see the return of his glorious production of The Sleeping Beauty, classical ballet at its most exquisite. This is followed in the summer by an energy-filled mixed programme, featuring former Company dancer Alexander Whitley’s Kin. and the mesmeric In the Upper Room from dance legend Twyla Tharp, alongside a brand-new work. The year comes to a close with another work from MacMillan, the powerful and dramatic Romeo and Juliet. Alongside the main programme, Birmingham Royal Ballet continues to introduce new audiences of all ages to our world-class dance and music. Studio to Stage is an hour-long, entertaining and in-depth introduction to the world of ballet, demystifying the language, the artistry and the practicalities of all the leaps, legs and lifts. This inclusive, relaxed experience aims to prove that ballet really is for everyone. Younger audience members continue to enjoy Birmingham Royal Ballet’s First Steps programme. These hour-long, interactive shows are specially adapted for children aged 3+. A storyteller captures their imagination, introducing the music, leading characters and some of the technical magic – the perfect introduction to ballet. Further projects take place in Birmingham Royal Ballet’s touring venues across the country. From primary schools to care homes, community centres to museums, the Company unlocks amazing opportunities for people of all ages and abilities. Full dates and details of all performances appear on brb.org.uk as they go on sale ALADDIN September – October 2017 Step onto a magic carpet and soar into the fantastical world of David Bintley’s Aladdin, with music by BAFTA award-winning composer Carl Davis, played live by the Royal Ballet Sinfonia. The classic story of Aladdin and his adventures with a magic lamp is brought to life in this glittering production, featuring lavish sets and costumes, stunning special effects and beautiful choreography. “A delightful family show…it looks absolutely astonishing” Daily Telegraph Magic abounds when the Djinn of the Lamp appears, from a cave of dancing jewels to a larger than life Chinese lion. As our hero finds out, you can even become a prince overnight! Aladdin is a dazzling spectacle the whole family will enjoy. Music: Carl Davis Choreography: David Bintley Sets: Dick Bird Costumes: Sue Blane Lighting: Mark JonathanThe Lowry Lowry Outlet, Pier 8, The Quays, Salford M50 3AZ; Box Office: 0843 208 6000; www.thelowry.comWednesday 20 – Saturday 23 September Birmingham Hippodrome Hurst St, Southside, Birmingham B5 4TB; Box Office: 0844 338 5000; www.birminghamhippodrome.comTuesday 3 – Saturday 7 October Theatre Royal, Plymouth Royal Parade, Plymouth PL1 2TR; Box Office: 01752 267222; www.theatreroyal.comWednesday 25 – Saturday 28 October Sadler’s Wells, London Rosebery Avenue, London EC1R 4TN; Box Office: 020 7863 8000; www.sadlerswells.comTuesday 31 October – Thursday 2 November PENGUIN CAFÉ MIXED PROGRAMME (Birmingham) September 2017Get swept up in ragtime fun in Kenneth MacMillan’s Elite Syncopations, where a host of eccentric characters flirt, dance and vie for the limelight. This playful combination of comedic flair, riotous colour and Scott Joplin’s iconic music is guaranteed to please. Youthful energy and technical precision collide in MacMillan’s Concerto. Set to Shostakovich’s Second Piano Concerto, MacMillan’s sprightly and vigorous choreography conveys the infectious joy of dancing. Finally, a colourful host of endangered animals seek shelter from the storm at the Penguin Café. Featuring a morris-dancing flea, a ballroom-dancing ram, a woolly monkey and many more, ‘Still Life’ at the Penguin Café is a witty and poignant look at man’s effect on the world. Performances feature live music from the Royal Ballet Sinfonia, conducted by Paul Murphy and Philip Ellis.Elite Syncopations Music: Scott Joplin and others Choreography: Kenneth MacMillan Designs: Ian Spurling Lighting: John B. ReadConcerto Music: Dmitri Shostakovich Choreography: Kenneth MacMillan Designs: Jürgen Rose Lighting: John B. Read ‘Still Life’ at the Penguin Café Music: Simon Jeffes Choreography: David Bintley Designs: Hayden Griffin Lighting: John B. Read Birmingham Hippodrome Hurst St, Southside, Birmingham B5 4TB; Box Office: 0844 338 5000; www.birminghamhippodrome.comWednesday 27 – Saturday 30 September PENGUIN CAFÉ MIXED PROGRAMME (London) November 2017 A colourful host of endangered animals seek shelter from the storm at the Penguin Café. Featuring a Morris dancing flea, a ballroom-dancing ram, a woolly monkey and many more, ‘Still Life’ at the Penguin Café is a witty and poignant look at man’s effect on the natural world. In Le Baiser de la fée a young boy’s life is marked from the moment a fairy saves his life in the snow, unleashing magical joys and sorrows in choreographer Michael Corder’s beautiful interpretation of this classic Hans Christian Andersen tale. Arcadia witnesses the ancient god Pan unleashed, as Birmingham Royal Ballet’s Ruth Brill first mainstage commissioned piece to a new score composed by renowned saxophonist John Harle is given its London premiere. Performances feature live music from the Royal Ballet Sinfonia. ‘Still Life’ at the Penguin Café Music: Simon Jeffes Choreography: David Bintley Designs: Hayden Griffin Lighting: John B. Read Le Baiser de la fée Music: Igor Stravinsky Choreography: Michael Corder Designs: John F. Macfarlane Lighting: Paule Constable Arcadia Music: John Harle Choreography: Ruth Brill Designs: Atena Ameri Lighting: Peter Teigen Sadler’s Wells, London Rosebery Avenue, London EC1R 4TN; Box Office: 020 7863 8000; www.sadlerswells.comFriday 3 – Saturday 4 November Sir Peter Wright’s production ofTHE NUTCRACKER November – December 2017 This world-famous production by Sir Peter Wright, with exquisite designs by John Macfarlane, is acclaimed as one of the best in the world. Join Clara as she is swept into an enchanting winter wonderland of dancing snowflakes and a Sugar Plum Fairy. Her magical Christmas tree and her handsome prince with his army of toy soldiers are an unforgettable delight. In this most festive ballet, gigantic sets, lavish costumes, 60 dancers and a full orchestra combine to make the perfect Christmas treat for the entire family. Performances feature live music from the Royal Ballet Sinfonia conducted for these performances by Koen Kessels, Paul Murphy and Philip Ellis. “No other version comes close” The Sunday Times Music: Pyotr Ilyich Tchaikovsky Choreography: Peter Wright, Lev Ivanov, Vincent Redmon Production: Peter Wright Designs: John F. Macfarlane Lighting: David A. Finn Birmingham Hippodrome Hurst St, Southside, Birmingham B5 4TB; Box Office: 0844 338 5000; www.birminghamhippodrome.comFriday 24 November – Wednesday 13 December THE SLEEPING BEAUTY January – March 2018 The curse of a wicked fairy, one touch of a spindle, and a beautiful princess falls into a deep, enchanted sleep which can only be broken by a kiss from a prince. The Sleeping Beauty is transformed into one of the grandest ballets ever created, with a classical score by Tchaikovsky and original choreography by Marius Petipa. Enter the opulent world of Imperial Russian ballet, with its marvellous mixture of virtuoso dance, fairy tale characters and dazzling spectacle that has delighted audiences for over a hundred years. An enchanting production for all the family. “Spectacular” The Times Performances feature live music from the Royal Ballet Sinfonia, conducted by Paul Murphy and Philip Ellis. Music: Pyotr Ilyich Tchaikovsky Choreography: Marius Petipa, Lev Ivanov, Peter Wright Production: Peter Wright Designs: Philip Prowse Lighting: Mark Jonathan Mayflower Theatre 22-26 Commercial Rd, Southampton SO15 1GE; Box Office: 023 8071 1811; www.mayflower.org.ukWednesday 31 January – Saturday 3 February Birmingham Hippodrome Hurst St, Southside, Birmingham B5 4TB; Box Office: 0844 338 5000; www.birminghamhippodrome.comTuesday 13 – Saturday 24 February The Lowry Lowry Outlet, Pier 8, The Quays, Salford M50 3AZ; Box Office: 0843 208 6000; www.thelowry.com Wednesday 28 February – Saturday 3 March Wales Millennium Centre Bute Place, Cardiff Bay, Cardiff CF10 5AL; Box Office: 029 2063 6464; www.wmc.org.ukWednesday 14 – Saturday 17 March Theatre Royal, Plymouth Royal Parade, Plymouth PL1 2TR; Box Office: 01752 267222; www.theatreroyal.comWednesday 21 – Saturday 24 March IN THE UPPER ROOM MIXED PROGRAMME June 2018 Alexander Whitley’s Kin is an athletic, abstract piece danced to a pulsing hypnotic score by Philip Kline. Kin celebrates the raw kinetics of dance, the virtuosity of ballet technique and the potential for movement to bring us together in different ways. In the Upper Room is an exhilarating ballet by American dance phenomenon Twlya Tharp. Dancers in sneakers and striking red pointe shoes dominate the stage with energy, flair and finesse. The final ballet is a new work created as part of Ballet Now, supported by the Oak Foundation – a unique five-year programme developing choreographers, composers and designers to create new and innovative works for the world stage. Kin. features live music from the Royal Ballet Sinfonia conducted for these performances by Koen Kessels, Paul Murphy and Philip Ellis. In the Upper Room Music: Philip Glass Choreography: Twyla Tharp Designs: Norma Kamali Lighting: Jennifer Tipton Kin. Music: Phil Kline Choreography: Alexander Whitley Designs: Jean-Marc Puissant Lighting: Peter Teigen Birmingham Hippodrome Hurst St, Southside, Birmingham B5 4TB; Box Office: 0844 338 5000; www.birminghamhippodrome.comWednesday 20 (PRESS NIGHT, 7.30pm) – Saturday 23 June ROMEO AND JULIET June – July 2018 Love at first dance, forbidden passions, dangerous secrets and star-crossed fate combine in this exhilarating ballet. Prokofiev’s glorious score, played live by the Royal Ballet Sinfonia, sets hearts alight in Kenneth MacMillan’s enduringly popular Romeo and Juliet. In the most famous love story ever told, a dangerous cocktail of arrogant youth, simmering tension and deadly feud erupts, leaving two young lovers at the mercy of powerful families and their own hearts. From the balcony scene’s ecstatic pas de deux, exploring love in all its soaring wonder, to the lovers’ heart-breaking end, Romeo and Juliet is dance at its most poignant and beautiful. All performances feature live music from the Royal Ballet Sinfonia conducted for these performances by Koen Kessels, Paul Murphy and Philip Ellis. Music: Sergei Prokofiev Choreography: Kenneth MacMillan Designs: Paul Andrews Lighting: John B. Read Birmingham Hippodrome Hurst St, Southside, Birmingham B5 4TB; Box Office: 0844 338 5000; www.birminghamhippodrome.comTuesday 26 – Saturday 30 June Bristol Hippodrome St Augustine's Parade, Bristol BS1 4UZ; Box Office: 0844 871 3012; www.atgtickets.com/venues/bristol-hippodromeWednesday 4 – Saturday 7 July 1 Link to comment Share on other sites More sharing options...
Lizbie1 Posted March 6, 2017 Share Posted March 6, 2017 Thank you! Do you know when they normally announce the Midscale tours? I can't see any mention of them for 2018. Link to comment Share on other sites More sharing options...
Jan McNulty Posted March 6, 2017 Author Share Posted March 6, 2017 I'm not expecting anything official until September or October for midscale. 1 Link to comment Share on other sites More sharing options...
alison Posted March 6, 2017 Share Posted March 6, 2017 Oh well, I'd been hoping they might bring Cinderella to London, but possibly Sadler's Wells isn't particularly suitable for it? Some solid enough bankers in there. Can't remember Corder's Baiser - how old is it? Link to comment Share on other sites More sharing options...
Jan McNulty Posted March 6, 2017 Author Share Posted March 6, 2017 Oh well, I'd been hoping they might bring Cinderella to London, but possibly Sadler's Wells isn't particularly suitable for it? Some solid enough bankers in there. Can't remember Corder's Baiser - how old is it? About 10 years old I think. I didn't like it... Link to comment Share on other sites More sharing options...
Don Q Fan Posted March 6, 2017 Share Posted March 6, 2017 Nice rep with the only pity IMHO that they are not reprising the stunning King Dances I want to see it again (preferably with William Bracewell who was fabulous as the King). 1 Link to comment Share on other sites More sharing options...
Douglas Allen Posted March 6, 2017 Share Posted March 6, 2017 Sunderland appears to have been dropped from the schedule. Has anywhere else been similarly removed? At first sight Salford seems to be the furthest north BRB intends to travel and the eastern half of the country seems similarly to be ignored? Has anywhere new been added? Link to comment Share on other sites More sharing options...
Jan McNulty Posted March 6, 2017 Author Share Posted March 6, 2017 Not new but the company don't go to Cardiff every year. I am devastated about Sunderland because I love going there to see the company. I suspected they may not go in the Autumn because I doubted Bayadere would fit but had fully expected them to go back in the Spring. I do hope it is only a temporary measure and that they will be back in Autumn 2018. Durham and York have been the mainstays of midscale north and I don't think that will change. Link to comment Share on other sites More sharing options...
alison Posted March 6, 2017 Share Posted March 6, 2017 For Sunderland's (and neighbouring areas') sake, I certainly hope so, but you have said over the years that it appeared to be difficult to get audiences, and they had to offer very cheap tickets, didn't you? Perhaps when push comes to shove it's got beyond being affordable Link to comment Share on other sites More sharing options...
Two Pigeons Posted March 6, 2017 Share Posted March 6, 2017 (edited) I cannot say i am that inspired by this programme but it could be redeemed by some interesting castings. Time for me to have my regular whinge that by the time the casting comes out all the good seats will have gone. Edited March 6, 2017 by Two Pigeons Link to comment Share on other sites More sharing options...
RMM1 Posted March 7, 2017 Share Posted March 7, 2017 Southampton and Bristol have only become regulars these last two years. Corder's Baiser was created in 2008. I wasn't keen on it myself, not sure if it was the music or the choreography. I quite liked the costumes but I can't remember the set at all. Link to comment Share on other sites More sharing options...
alison Posted March 7, 2017 Share Posted March 7, 2017 Southampton and Bristol have only become regulars these last two years. And both are day-trippable from London, about which I am delighted (Mind you, the last time I went to Bristol, for ENB's Giselle, the coach took 3 hours on the way back ) 1 Link to comment Share on other sites More sharing options...
Tony Newcombe Posted March 7, 2017 Share Posted March 7, 2017 And both are day-trippable from London, about which I am delighted (Mind you, the last time I went to Bristol, for ENB's Giselle, the coach took 3 hours on the way back ) As you know, Alison, I regularly make that trip the other way round. No matter which way you are doing the journey, I find it's the getting into or out of London, An hour from Victoria to Hammersmith is not unusual Link to comment Share on other sites More sharing options...
SheilaC Posted March 7, 2017 Share Posted March 7, 2017 (edited) It's just not true that it's difficult to get good audiences in Sunderland, although it is the biggest theatre in the region, so more difficult to fill, and if it were located in nearby Newcastle audiences would be better still (there's not much love lost between the 2 cities). The seats are no longer cheap.... and it's an ATG theatre, which doesn't help. Nor does the inability of BRB to get key information about the following season to the theatre to enable audiences to book while they are attending BRB performances. In the autumn, booking for the spring started the week after the BRB performances finished so people had to contend with the high ATG booking fees, dreadful ATG website and long delays in answering the phone, when they could have just booked with the friendly box office staff while at the theatre. This delay has happened at least once before, more, I think. I'm not sure yet that Sunderland has been dropped, there have been times in the past that dates for Sunderland have been released later than those for other theatres because agreements having been finalised. I have had a long term debate with BRB over Sunderland, over decades (it's my nearest theatre for BRB main rep, albeit 60 miles away) but management always insist that they won't drop it. We shall see! Edited March 7, 2017 by SheilaC 1 Link to comment Share on other sites More sharing options...
trog Posted March 8, 2017 Share Posted March 8, 2017 Not a good season IMO, with four ballets that I don't like or I'm bored with seeing - viz In The Upper Room, Aladdin, R&J and Sleeping Beauty. The London Peguin Cafe program is more interesting than the Brum one. I wonder why the change? Link to comment Share on other sites More sharing options...
FLOSS Posted March 8, 2017 Share Posted March 8, 2017 (edited) I am afraid that as we shall be celebrating the Petipa bicentenary in 2018 it may be rather difficult to avoid Petipa ballets in the 2017-18 and the 2018-19 seasons. As far as Sleeping Beauty is concerned Sir Peter Wright's production has some Petipa choreography in it which is not something that can necessarily be said about productions of Swan Lake where it is the white acts generally attributed to Lev Ivanov rather than those sections of the ballet by Petipa which generally make it onto the stage relatively unscathed..It will be very amusing if the RB's contribution to the bicentenary is its new production of Swan Lake as most of the iconic choreographic text is by Ivanov rather than Petipa and if the stager has been given a free hand who can say what whether we shall actually see any of Petipa's choreography on stage apart., perhaps, from the pas de trois? I think that I shall wait until the casting is announced before I decide whether or not BRB's forthcoming season is in fact going to be as boring as it may appear when we only have the bare bones available. I can think of several casts for Sleeping Beauty and for Romeo and Juliet that would persuade me that a trip to Birmingham was necessary. Edited March 8, 2017 by FLOSS 1 Link to comment Share on other sites More sharing options...
RMM1 Posted March 8, 2017 Share Posted March 8, 2017 The London Peguin Cafe program is more interesting than the Brum one. I wonder why the change? Sadlers Wells likes new productions so that is why Arcadia is there. Maybe BRB think La Baiser is a better fit with Arcadia and Penguin Cafe than one of the Macmillan pieces. Or maybe BRB feel that they don't need to celebrate Macmillan in London as there is a resident company there that can do that. Link to comment Share on other sites More sharing options...
Two Pigeons Posted March 8, 2017 Share Posted March 8, 2017 We will have had Arcadia and Baiser in Birmingham by then. They are both being performed at the Hippodrome in June. 1 Link to comment Share on other sites More sharing options...
Two Pigeons Posted March 8, 2017 Share Posted March 8, 2017 I hope that the production of a proper subscription leaflet this year is a sign of better things to come. 1 Link to comment Share on other sites More sharing options...
Lizbie1 Posted October 5, 2017 Share Posted October 5, 2017 According to their newsletter the Bristol R&J has been replaced with Fille - I had wondered what had happened to the R&J as all references had disappeared from the BRB website. Possibly it's because ENB are presenting the Nureyev R&J there next month, and I guess that it's due at the RB in 18/19 unless normal service is very much interrupted. I'm disappointed in a way, but I'd never pass up an opportunity to see Fille - multiple viewings might be in order 1 Link to comment Share on other sites More sharing options...
alison Posted October 5, 2017 Share Posted October 5, 2017 I assume it's because of the clash with ENB. It's a shame, because I far prefer BRB's to ENB's, but hoping Fille will prove a success 2 Link to comment Share on other sites More sharing options...
alison Posted November 27, 2017 Share Posted November 27, 2017 I didn't think I'd seen notification of this previously. Retrieved from my junk mail folder, a BRB news email including: "Summer season at Sadler's WellsIn the summer we return again to London and Sadler's Wells, bringing Romeo and Juliet with us alongside a bill comprising a new piece for Birmingham Royal Ballet. The first of our Ballet Now commissions, choreographed by George Williamson, will be performed as part of a mixed programme at Sadler’s Wells from 15 to 16 June 2018, with In the Upper Room and Kin. Tickets for these exciting performances go on sale at 10am on Monday 20 November; full dates and times can be found here." Can't remember whether it clashes with ENB's Sleeping Beauty: I do hope not. Link to comment Share on other sites More sharing options...
Lizbie1 Posted December 20, 2017 Share Posted December 20, 2017 Can anyone tell me the running time for the BRB Sleeping Beauty? For some reason the website's only giving the lengths of each act, which doesn't help when I'm trying to find a cheap train ticket! (I've tried the Hippodrome website but that doesn't seem to say anything either.) Or am I being stupid? Link to comment Share on other sites More sharing options...
Two Pigeons Posted December 20, 2017 Share Posted December 20, 2017 I haven't seen it for about 4 years but it goes on pretty close to 10.25-10.30. With this production we have The Prologue, interval, Act 1, short pause, Act 2, interval, Act 3. 1 Link to comment Share on other sites More sharing options...
Lizbie1 Posted December 20, 2017 Share Posted December 20, 2017 Very helpful, thank you! 1 Link to comment Share on other sites More sharing options...
Jan McNulty Posted January 8, 2018 Author Share Posted January 8, 2018 So it's not long now to the start of the Sleeping Beauty season. Today I just popped onto the website and I love the Sleeping Beauty header which is a short video clip rather than a photograph. Enjoy: https://www.brb.org.uk 1 Link to comment Share on other sites More sharing options...
zxDaveM Posted January 8, 2018 Share Posted January 8, 2018 26 minutes ago, Jan McNulty said: So it's not long now to the start of the Sleeping Beauty season. Today I just popped onto the website and I love the Sleeping Beauty header which is a short video clip rather than a photograph. Enjoy: https://www.brb.org.uk Daily Prophet ready press release :-) Link to comment Share on other sites More sharing options...
alison Posted March 29, 2018 Share Posted March 29, 2018 On 27/11/2017 at 00:17, alison said: "Summer season at Sadler's Wells In the summer we return again to London and Sadler's Wells, bringing Romeo and Juliet with us alongside a bill comprising a new piece for Birmingham Royal Ballet. The first of our Ballet Now commissions, choreographed by George Williamson, will be performed as part of a mixed programme at Sadler’s Wells from 15 to 16 June 2018, with In the Upper Room and Kin. Tickets for these exciting performances go on sale at 10am on Monday 20 November; full dates and times can be found here." Can't remember whether it clashes with ENB's Sleeping Beauty: I do hope not. I'm afraid it clashes completely with ENB's Sleeping Beauty. Which in turn clashes with the latter part of the RB Swan Lake run Even so, I was very surprised to go on the Sadler's website just now and find that there are only 3 scheduled performances of R&J. What on earth???!! Link to comment Share on other sites More sharing options...
Jan McNulty Posted March 29, 2018 Author Share Posted March 29, 2018 1 hour ago, alison said: I'm afraid it clashes completely with ENB's Sleeping Beauty. Which in turn clashes with the latter part of the RB Swan Lake run Even so, I was very surprised to go on the Sadler's website just now and find that there are only 3 scheduled performances of R&J. What on earth???!! I think the rest of the week is taken up with the mixed programme. Standard format of a touring week for areas still lucky enough to get mixed programmes. 1 Link to comment Share on other sites More sharing options...
alison Posted March 29, 2018 Share Posted March 29, 2018 But it's only 2 days, Jan, hence the 3 performances. Then a "dark" day, then the triple bill. Or at least that's how it's showing at the moment. Link to comment Share on other sites More sharing options...
Jan McNulty Posted March 29, 2018 Author Share Posted March 29, 2018 Possibly they need the dark day to do the set change. Link to comment Share on other sites More sharing options...
alison Posted March 29, 2018 Share Posted March 29, 2018 I thought "black" didn't sound quite right! Duly corrected Link to comment Share on other sites More sharing options...
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