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Dance Links w/b Sunday 26 February, 2017


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Links – Sunday 26 February, 2017

 

Review – Royal Ballet, The Sleeping Beauty (2 casts), London: David Dougill, Sunday Times

 

Review – San Francisco Ballet, Frankenstein, SF: Toba Singer, Culture Vulture

 

Feature – Crystal Pite, Kidd Pivot, Betroffenheit and more: Lou Fancher, SF Classical Voice

 

Film News – Sergei Polunin to play Soloviev in Nureyev Film: Dalya Alberge, Sunday Times

 

Review – Birmingham Royal Ballet, Cinderella (Bintley), Birmingham: Rebecca Moore, Redbrick

 

Review – DeNada Dance Theatre, Ham and Passion Triple Bill, London:

Lynette Halewood, DanceTabs

Graham Watts, Bachtrack

 

Reviews – Danza Contemporánea de Cuba, Reversible, The Listening Room, Matria Etnocentra, London:

Luke Jennings, Observer

Anna Winter, The Stage

 

Review – Gala FlamencaLondon: Jeffery Taylor, Sunday Express

 

News – Pavel Dimitrichenko ready to return to the Bolshoi stage: Roland Oliphant, Sunday Telegraph

 

Review – Paul Taylor Dance Company, Brandenburgs, Lines of Loss, Black Tuesday, Sarasota: Carrie Seidman, Sarasota Herald-Tribune

 

Review – Miami City Ballet, Walpurgisnacht, Polyphonia, The Fairy’s Kiss, Palm Beach: Demetrius Klein, PB Daily News

 

Rehearsal Gallery – Theo ClinkardThis Bright Field: Stephen Wright, DanceTabs    Further info here

 

Review – The Movement, Dance Sampled, Salford: Georgina Wells, BTG

 

Review – Resolution 2017, London – Final Week of Triple Bills

- 24 February – Siobhan Murphy & Maria HardcastleThe Place

 

Review – Fireside Series, Moving Forward .. dances in dire times, Santa Monica: Jeff Slayton, SeeDance

 

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Links – Monday February 27, 2017

 

Review - Boston Ballet, Artifact 2017 (Forsythe), Boston: Marcia B. Siegel, ArtsFuse

 

Review - Danza Contemporánea de Cuba, Reversible, The Listening Room, Matria Etnocentra, London: Jessica Wilson, SeeingDance

 

Review - Kidd Pivot & Electric Theatre Company, Betroffenheit, Perth: Rosalind Appleby, Limelight

 

Review - Batsheva Dance Company, Last Work, San Francisco: Rachel Howard, Fjord Review

 

Review - Gala Flamenca 2017, London: Jeffery Taylor, Sunday Express

 

Feature - Sergei Polunin: Hannah Furness, The Telegraph

 

Review - Dorrance Dance, ETM: Double Down, Hong Kong: Natasha Rogal, South China Morning Post

 

Review - Sadler’s Wells Sampled, Salford: Georgina Wells, British Theatre Guide

 

Review - Bayerisches Staatsballett II, The Triadic Ballet bill, Hong Kong: David Mead, SeeingDance

 

Reviews - Resolution 2017, Cul de Sac, The Ordinary Life of Lilly Lesloyd / Lumo Company, Lola / Feet off the Ground Dance, The Way They Were Then, London: Fiona Yates & Jenny Gilbert, The Place

 

Review - Lukas McFarlane, The Suffocating Truth, London: Lyndsey Winship, Evening Standard

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Links – Tuesday February 28, 2017

 

Review - Kidd Pivot & Electric Theatre CompanyBetroffenheit, Perth: Stephanie Convery, The Guardian

 

Feature - Crystal Pite and Flight Pattern for the Royal Ballet: Lyndsey Winship, Evening Standard

 

Review – DeNada Dance TheatreHam and Passion triple bill, London: Zoë Anderson, The Independent

 

Review - Danza Contemporánea de CubaReversibleThe Listening RoomMatria Etnocentra, London: Rhiannon Brace, Londondance

 

Feature/preview - Rosie Kay’s MK Ultra: Rosie Kay, DanceTabs

 

Review - Moscow City BalletThe Sleeping Beauty, Edinburgh: Kirsty Morgan, Bachtrack

 

Review - Doug Varone and Dancers, mixed bill, Dallas: Margaret Putnam, TheaterJones

 

Preview - Wendy Whelan & Brian BrooksSome of a Thousand Words, NY: Broadway World

 

Review - Danspace ProjectKo-bu, NY: Deborah Jowitt, DanceBeat

 

Review - Lucas McFarlaneThe Suffocating Truth, London: Anna Winter, The Stage

 

From the archive - India’s tribal dances: Taya Zinkin, The Guardian 1959

 

Review - Lucy Gaizely & Raedie Gaizely GardinerThe Ballad of the Apathetic Son and His Narcissistic Mother, Glasgow: Lorna Irvine, Fjord Review

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Links – Wednesday March 1, 2017

 

Review - Bolshoi BalletIvan the Terrible, Moscow: Janet Ward, Bachtrack

 

Review - Martha Graham Dance Company, mixed bill, NY: Leigh Witchel, dancelog.nyc

 

Review - Nederlands Dans TheaterThin SkinIn the EventStop-Motion, Taiwan: David Mead, SeeingDance

 

Review - Gala Flamenca, London: Graham Watts, Londondance

 

Review - Manuel LiñánReversible, London: Siobhan Murphy, Londondance

 

Video/feature - Matthew Bourne’s ‘mini-festival’ in Liverpool: Catherine Jones, Liverpool Echo

 

Interview - Lila York, choreographer: Gia Kourlas, New York Times

 

Photo gallery - Russell Maliphant CompanyMaliphantworks: Foteini Christofilopoulou, DanceTabs

 

Video - The Ailey Company’s tribute to Moonlight: Priscilla Frank, Huffington Post

 

Features - The Royal Ballet to go to Hull, the UK City of Culture: Jack Malvern, The Times / Anita Singh, The Telegraph / Giverny Masso, The Stage / James Pickford, Financial Times

 

Review - Lucy Gaizely & Raedie Gaizely GardinerThe Ballad of the Apathetic Son and His Narcissistic Mother, Glasgow: Mary Brennan, The Herald (scroll down)

 

Preview - Flamenco Festival Miami: Helena Alonso Paisley, Miami Herald

 

Preview - Les Ballets Trockadero de Monte Carlo, Berkeley: Andrew Gilbert, Mercury News

 

News - Montreal dancer to perform in silence after company wins rights to Leonard Cohen’s music: Morgan Lowrie, The Star

 

Review - House of SandCastles, Auckland: Carrie Rae Cunningham, NZ Theatreview

 

Review - Elijah KennarMea Tau, Auckland: Sarah Knox, NZ Theatreview

 

News - Ballet West’s 2017/18 season: Sean P. Means, Salt Lake Tribune

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Links – Thursday March 2, 2017

 

Review - Hamburg BalletDuse (Neumeier) Hamburg: Maggie Foyer, SeeingDance

 

Review - New York City BalletThe Times Are Racing (Peck), The Shimmering Asphalt (Lidberg), Fearful Symmetries (Martins), NY: Susan Yung, Brooklyn Rail

 

Review - The Royal BalletThe Sleeping Beauty cinema screening: Jim Pritchard, Seen and Heard International

 

Review - Birmingham Royal BalletCinderella, Salford: Jo Beggs, The Reviews Hub

 

Review - Alvin Ailey American Dance Theater, Miami season roundup: Jordan Levin, Miami Herald

 

Review - Wendy Whelan & Brian BrooksSome of a Thousand Words, NY: Elizabeth Kramer, Courier-Journal

 

Review - Compania Manuel LiñánReversible, London: Graham Watts, DanceTabs

 

Feature - Memoirs of Blacks in Ballet, a new digital platform: Taryn Finley, Huffington Post

 

Review - Batsheva Dance CompanyLast Work, NY: Ivan Talijancic, Brooklyn Rail

 

Review - Ira Glass & Monica Bill Barnes and CompanyThree Acts, Two Dancers, One Radio Host, NY: Nicole Loeffler-Gladstone, Brooklyn Rail

 

Feature - Hull revealed as hotbed of dance talent: Mark Brown, The Guardian

 

Review - Anna AzrieliMirror Furor, NY: Martha Sherman, dancelog.nyc

 

Review - House of SandCastles, Auckland: Raewyn White, New Zealand Herald

 

Preview - Flamenco Festival 2017, NY: Brian Schaefer, New York Times

 

Review - Aura Curiatlas Physical TheatreA Life With No Limits, Washington: Andrew White, Broadway World

 

Film review - Ballerina: Janet Smith, Georgia Straight

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Links – Friday March 3, 2017

 

Review - Australian BalletThe Sleeping Beauty, Brisbane: Deborah Jones, FollowSpot

 

Review - Russell Maliphant CompanyMaliphantworks, London: Vera Liber, British Theatre Guide

 

Reviews - Malpaso Dance CompanyDreaming of Lions, NY: 

Marina Harss, DanceTabs

Apollinaire Scherr, Financial Times

 

Review - Birmingham Royal BalletCinderella, Salford: Georgina Wells, British Theatre Guide

 

Review - Wendy Whelan & Brian BrooksSome of a Thousand WordsFirst Fall, NY: Leigh Witchel, dancelog.nyc

 

Review - Douglas Dunn DanceAntipodes, NY: Leigh Witchell, dancelog.nyc

 

Interview - Rosie Kay, choreographer and MK Ultra: David Mead, SeeingDance

 

Feature - James Cousins, choreographer, and Rosalind, his take on As You Like It: Judith Mackrell, The Guardian

 

Review - Resolution 2017Watts DanceWLA No.657005 / John Livingston DanceAm I a Waste of Space? / Alice Weber & Ben SaferInter/action, London: Bruce Marriott, DanceTabs

 

Review - Resolution 2017Cul de SacThe Ordinary Life of Lilly Lesloyd / Lumo CompanyLola / Feet Off the Ground DanceThe Way We Were Then, London: KaBradley, Exeunt Magazine

 

Photo gallery - Arthur Pita & HeadSpaceDanceStepmother/Stepfather: Stephen Wright, DanceTabs

 

Interview - Alonzo King: Janet Smith, Georgia Straight

 

Profile - Gennadi Nedvigin, AD of Atlanta Ballet: Andrew Alexander, Atlanta Journal-Constitution

 

Review - Meredith MonkSongs With and Without Words, Boston: Marcia B. Siegel, The Arts Fuse

 

Preview - Isabella BoylstonBallet Sun Valley festival: Gia Kourlas, New York Times

 

Film review - Mr Gaga, a portrait of Ohad Naharin: Jane Horwitz, Washington Post

 

Preview - Dimensions Dance Theatre of Miami: Jordan Levin, Miami Herald

 

Preview - Dance in New York this week: Siobhan Burke, New York Times

 

Review - ChoreoCo by FootnoteThe Dark Light, Wellington NZ: Leah MacLean, DANZ

 

Preview - Melbourne Ballet CompanyBeing & Time, Sydney: Elissa Blake, Brisbane Times

 

Review - Form Dance ProjectsIn Difference, Parramatta NSW: Emily Shaddick, Australian Stage

 

Feature - New York’s intimate dance salons: Erica Abeel, Huffington Post

 

And finally… The Royal Ballet in the village hallLynn News

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Links – Saturday 4 March, 2017

 

Exhibitions – Merce Cunningham: Common Time, Minneapolis & Chicago: Holland Cotter, NY Times

 

Review – Royal Ballet, The Sleeping Beauty (Takada & Osipova), London: Clement Crisp, Financial Times

 

Reviews – Arthur Pita & HeadSpaceDanceStepmother/Stepfather, London:

Judith MackrellGuardian

Siobhan Murphy, DanceTabs

 

Reviews – Houston Ballet, Cinderella (Welch), Houston:

Molly GlentzerHouston Chronicle

Jeanne Lyons Davis, Houstonia

Lawrence Elizabeth Knox, Houston Press

 

Reviews – Washington Ballet, Giselle, DC:

Sarah L. Kaufman, Washington Post

Alastair Macaulay, NY Times

Alexander C. Kafka, DC Theatre Scene

 

Interview – Mikhail Baryshnikov at 69: Will Pavia, The Times

 

Preview – Mara Galeazzi to grace Sydney stage: Laura Egan, Il Globo

 

Preview – Cloud Gate Dance Theatre, RICE, Auckland: Dione Joseph, NZ Herald

 

Film – Sergei PoluninDancer: Anna Winter, The Stage

 

Interview – Rosie Kay: Her Company and MK Ultra: Helen Knott, Birmingham Review

 

Review – New York Theatre Ballet, Tudor & Clarke Programme, NY: Barnett SerchukBWW

 

Review – New York Theatre Ballet, Chamber Works, NY: Gay Morris, Danceviewtimes

 

Review – Antony Hamilton & Alisdair Macindoe, Meeting, Perth: Dylan James, Australian Stage

 

Diaries:

Spring in New York: Marina HarssNew Yorker

UK Next Week: Judith MackrellGuardian

Spring in Vancouver: Kevin Griffin, Vancouver Sun

 

Reviews – Russell MaliphantMaliphantworksLondon:

Lyndsey WinshipEvening Standard

Rachel ElderkinExeunt

 

News – Sarasota Ballet dancers vote to join Union: Carrie SeidmanSarasota Herald-Tribune

 

Preview – Words on Dance with Lorna Feijoo & Yuri Possokhov: Leba Hertz, SF Chronicle

 

Review – Home Grown @ Bootleg, Mixed Bill, LA: Jeff Slayton, SeeDance

 

Review – Kinesis Dance, In Penumbra, Vancouver: Janet Smith, Straight.com

 

Review – Craig Bary & Others, In Difference, Perth: Julia Cotton, Brisbane Times

 

 

Live in Melbourne?  Got some spare time?  This might be for you: Brisbane Times

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