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Dance links w/b Sunday March 13, 2016


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Links – Sunday, 13 March, 2016

 

Feature – Gelsey Kirkland’s Academy of Classical Ballet: Marina HarssNY Times

 

Review – Paris Opera & Paris Opera Ballet, Iolanta, The Nutcracker (Pita, Cherkaoui, Lock), Paris: Mark Pullinger, Bachtrack   

 

Preview – Miami City Ballet, A Midsummer Night’s Dream (Balanchine, but undersea), Miami: Jordan Levin, Miami Herald

 

Review – Australian Ballet, Forgotten Land, In the middle, somewhat elevated, DGV, Melbourne: Jordan Beth Vincent, Sydney Morning Herald

 

Reviews – Houston Ballet, Dyad 1929, Wings of Wax, West Side Story Suite, Houston:

Adam Castaneda, Houston Press

Theodore Bale, Culturemap

 

Review – Anne Teresa de Keersmaeker/Rosas, Golden Hours (As You Like It) Gecko, Institute, London: Luke Jennings, Guardian

 

Review – German CornejoImmortal Tango, London: Jeffery Taylor, Sunday Express

 

Feature – A Decade of Sarasota Contemporary Dance: Carrie SeidmanSarasota Herald-Tribune

 

Review – Dance COLEctiveRevelry/20 Years, Chicago: Laura Molzahn, Chicago Tribune

 

Review – EikoA Body In Places, NY: Martha Sherman, Danceviewtimes

 

Feature – Iain Mackay, the UK’s first male dance ambassador: Judith Duffy, Sunday Herald

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Links - Monday 14 March, 2016

 

 

Review – Paris Opera & Paris Opera Ballet, Iolanta, The Nutcracker (Pita, Cherkaoui, Lock), Paris:  Zachary Woolfe, NY Times

 

Review - Mariinsky Ballet, Woman in a Room, Carmen Suite, New York:  Marianne Adams, Danceview Times

 

Review - Australian Ballet, Forgotten Land, In the Middle, Somewhat Elevated, DGV, Melbourne:  Maxim Boon, Limelight

 

Review - Royal Ballet, After the Rain, Strapless, London:  Michelle Potter, Blog

 

Northern Ballet, Swan Lake, Leeds:  

Photo Essay - Simon Hulme, Yorkshire Evening Post

Review - Charles Hutchinson, York Press

 

Review - Dada Masilo, Swan Lake, New York:  Susan Yung, Brooklyn Rail

 

Review - Sokolow Theatre/Dance Ensemble, Ride the Culture Loop, Steps of Silence, Kurt Weill, New York:  Deborah Jowitt, Arts Journal

 

Review - Pam Tanowitz Dance, Heaven on One’s Head, the story progresses, New York: Erica Getto, Brooklyn Rail

 

Review - Texas Ballet Theatre, Cinderella, Richardson:  Margaret Putnam, Theater Jones

 

Review - Sarah Skaggs, The New Ecstatic 2.0, New York:  Tara Sheena, Brooklyn Rail

 

Review - Cleo Parker Robinson Dance, Be My Husband, Dry Each Other’s Tears…, Bamboula, Washington:  Rebecca Ritzel, Washington Post

 

Review - Ballet Flamenco de Andalucia, Images: 20 years, Washington:  Paula Durbin, Washington Post

 

Review - Delaware Theatre Company, Nureyev’a Eyes, Wilmington:  Rosanne DellAversano, Broadway World

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Links - Tuesday 15 March, 2016

 

 

Review - San Francisco Ballet, Coppelia, San Francisco:  Rita Felciano, Danceview Times

 

Review - Royal Danish Ballet, Romeo and Juliet, Copenhagen:  Michelle Potter, Blog

 

Reviews - Australian Ballet, Forgotten Land, In the Middle, Somewhat Elevated, DGV, Melbourne:  

Deborah Jones, Blog

Jana Perkovic, Guardian

Melinda Oliver, Daily Review

 

Review - Mark Morris Dance Group, L'Allegro, Il Penseroso ed Il Moderato, Berkeley:  Rita Felciano, Danceview Times

 

Review - Rambert, Hydrargyrum, The Three Dancers, Terra Incognita, Woking:  Bruce Marriott, DanceTabs

 

Review Bill T Jones, Analogy/Dora:Tramontaine, San Francisco:  Janice Berman, SF Classical Voice

 

Review - Houston Ballet, Dyad 1929, Wings of Wax, West Side Story Suite, Houston:  Molly Glentzer, Houston Chronicle

 

Review - Camille Boitel, L’Immédiat, New York:  Lauren Gallagher, DanceTabs

 

Review - Compagnie Hervé Kombi, Ce que le jour doit à la nuit, Boston:  Marcia B Siegel, Arts Fuse

 

Reviews - Mikhail Baryshnikov, Brodsky/Baryshnikov, New York:  

Robert Gottlieb, NY Observer

Max McGuiness, FT

 

Preview - Tanztheater Wuppertal Pina Baush require soil of perfect consistency, Wellington:  Laura Dooney, Dominion Post

 

Review - Joffrey Ballet, mixed programme, Palm Beach:  Demetrius Klein, Palm Beach Daily News

 

Review - Compania Manuel Liñán, Nómada, New York:  Brian Seibert, NY Times

 

Review - Richmond Ballet ll, The Friar’s Tale, Stolen Moments Excerpt, Rachmaninoff Rhapsody, Fairfax:  George Jackson, Danceview Times

 

Review - Lydia Johnson Dance, mixed programme, New York:  Siobhan Burke, NY Times

 

Review - Chunky Move, The Complexity of Belonging, Wellington:  Ann Hunt, Dominion Post

 

Review - Collide Theatrical Dance Company, Dracula, Minneapolis:  Jilly Schaffer, Broadway World

 

Feature - Montreal Dancers show a ‘different perspective’ on love and intimacy:  Robert Everett Green, Toronto Globe and Mail

 

Review - Duda Paiva Company, Blind, Southbank:  Anne-Marie Peard, Brisbane Times

 

Conversation - Barack Obama and Misty Copeland:  Time

 

Book Feature - Balancing Acts, meet the prima ballerinas who became mothers:  Rachel Lowry, Time

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Links - Wednesday 16 March, 2016

 

 

 

Review - Paris Opera & Paris Opera Ballet, Iolanta, The Nutcracker, Paris:  Laura Cappelle, FT

 

Review - National Ballet of Canada, Four Temperaments, Rubies, Cacti, Toronto:  Penelope Ford, Fjord Review

 

Review - Ballet Semperoper Dresden, COW, Dresden:  Sarah Batschelet, Bachtrack

 

Reviews - Bartabas & Andrés Marín, Golgota, London:  

Judith Mackrell, Guardian

Zoe Anderson, Independent

Mark Monahan, Telegraph

Lyndsey Winship, Standard

Howard Loxton, British Theatre Guide

Rachel Elderkin, Stage

Gallery - Foteini Christofilopoulou, DanceTabs

 

Review - Mikhail Baryshnikov, Brodsky/Baryshnikov, New York:  Robert Greskovic, Wall Street Journal

 

Preview - Pacific Northwest Ballet, Year of the Rabbit, Seattle:  Moira MacDonald, Seattle Times

 

Review - Farruquito, Improvisao, New York:  Marianne Adams, Danceview Times

 

Review - Abraham.In.Motion, The Quiet Dance, Absent Matter, The Gettin, Portland:  Nim Wunnan, Oregon Arts Watch

 

Feature - Vidya Patel on dancing for Richard Alston:  Vidya Patel, London Dance

 

Feature - How Chita Rivera keeps dancing at 83:  Sarah L Kaufman, Washington Post

 

Review - Texas Ballet Theatre, Cinderella, Richardson:  Manuel Mendoza, Dallas Morning News

 

Featurette - Matthew Powell, My first audition:  John Byrne, Stage

 

Preview - Festival Ballet Theatre, Sleeping Beauty, Irvine:  Kaitlin Wright, Orange County Register

 

Inspirational Corner - Ballerina receives pointe foot prosthesis:  Janet Tappin Coelho, Independent

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Links - Thursday 17 March, 2016

 

 

Reviews - Paul Parish, Bay Area Reporter

San Francisco Ballet, Coppelia, San Francisco

Mark Morris Dance Group, L'Allegro, Il Penseroso ed Il Moderato, Berkeley:

 

Review - Paul Taylor’s Modern American Dance, Mercuric Tidings, Dilly Dilly, Esplanade, New York:  Alastair Macaulay, NY Times

 

Review - Akram Khan, Toro, Los Angeles:  Laura Bleiberg, LA Times

 

Reviews - London:  Ismene Brown, Spectator

Akram Khan Company, Kaash

Anna Teresa de Keersmaeker, Golden Hours

 

Reviews - Bartabas & Andrés Marín, Golgota, London:  

Clement Crisp, FT

Sarah Kent, London Dance

 

Review - Eifman Ballet, Rodin, Madrid:  Alexandra Villarreal, Huffington Post

 

Review - Marc Brew Company, For Now, I am…, London:  Graham Watts, DanceTabs

 

News - Rambert launches new choreography fellowship:  Carmel Smith, London Dance

 

Feature - Dominique Mercy, Tanztheater Wuppertal Pina Bausch:  Sara Catherall, Dominion Post

 

Review - Northern Ballet, Swan Lake, Sheffield:  Beverley Haigh, Reviews Hub

 

Review - Royal New Zealand Ballet, Selon Desir, In the Middle, Somewhat Elevated, Cacti, Dunedin:  Penny Nelson, Otago Daily Times

 

Review - Hong Kong Ballet, Pas de Trois from A Room of Her Own, Castrati, In Light and Shadow, New York:  Gia Kourlas, NY Times

 

Review - Sokolow Theatre/Dance Ensemble, Ride the Culture Loop, Steps of Silence, Kurt Weill, New York:  Joel Benjamin, Theater Scene

 

Preview - Miami City Ballet, A Midsummer Night’s Dream, Miami:  Artburst Miami, Miami New Times

 

Preview - Atlanta Ballet, 20/20, Atlanta:  Scott Freeman, Arts Atlanta

 

Preview - Orlando Ballet, Don Quixote, Orlando:  Matthew J Palm, Orlando Sentinel

 

DVD Review - Royal Ballet - Fonteyn & Nureyev, Romeo and Juliet:  Graham Watts, London Dance

 

Feature/preview - Ballet Jorgen, Sleeping Beauty, Toronto:  Michael Crabb, Toronto Star

 

Review - HUANG YI & KUKA, Sydney:  Deborah Jones, Blog

 

Feature/preview - Cincinnati Ballet and BalletMet Columbus collaborate on triple bill:  Kathy Valin, Cincinnai City Beat

 

Feature/preview - Mariko Kondo, Alberta Ballet on preparing for Juliet:  Salena Kitteringham, Edmonton Journal

 

Feature - Michael Flatley:  Judith Woods, Telegraph

 

Feature - Nando Messias:  Nancy Groves, Guardian

 

Preview - Texture Contemporary Ballet, Reflections, Pittsburgh:  Jane Vranish, Pittsburgh Post-Gazette

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Links - Friday 18 March, 2016

 

 

Review - San Francisco Ballet, Dances at a Gathering, Swimmer, San Francisco:  Allan Ulrich, SF Chronicle

 

Review - Paul Taylor’s Modern American Dance, Mercuric Tidings, Dilly Dilly, Esplanade, New York:  Christine Landolfi, Broadway World

 

Q&A - Polina Semionova & Leonid Sarafanov (Mikhailovsky Ballet):  Natasha Rogai, South China Morning Post

 

Feature - Brendan Saye, National Ballet of Canada, dances Romeo on his recovery from Lyme’s Disease:  Michael Crabb, Tooronto Star

 

Feature - Lunkina & McKie (NBoC) look forward to Romeo and Juliet (Ratmansky) debuts:  Michael Crabb, Toronto Star

 

Review - Tanztheater Wuppertal Pina Bausch, Cafe Muller, Rite of Spring, Wellington:  Ann Hunt, 

Dominion Post

 

Review - Tanztheater Wuppertal Pina Bausch, Nelken, Adelaide:  Gracia Haby, Fjord Review

 

Review - Anna Teresa de Keersmaeker, Golden Hours, London:  Rachel Elderkin, Fjord Review

 

Review - Bartabas & Andrés Marín, Golgota, London:  Rachel Elderkin, Fjord Review

 

Review - Northern Ballet, Swan Lake, Leeds:  Susan Darlington, Morning Star

 

Review - Royal New Zealand Ballet, Selon Desir, In the Middle, Somewhat Elevated, Cacti, Dunedin:  Hannah Molloy, NZ Theatreview

 

Reviews - Black Grace & T.H.E. Company, Change and Constancy, Another letter from the Earth, Auckland:  

Corazon Miller, NZ Herald

Raewyn Whyte, NZ Theatreview

 

Review - Rebecca Lazier & Dan Truman, There Might Be Others, New York:  Gia Kourlas, NY Times

 

Interview - Aletta Collins:  Neil Norman, Stage

 

Review - HUANG YI & KUKA, Sydney:  Jill Sykes, Brisbane Times

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Links – Saturday March 19, 2016

 

Review - Paul Taylor’s American Modern Dance, premieres, NY: Alastair Macaulay, New York Times

 

Review - San Francisco BalletDances at a GatheringSwimmer, San Francisco: Gilly Lloyd, SF Performing Arts Examiner

 

Review - Mark Morris Dance GroupL'Allegro, il Penseroso ed il Moderato / San Francisco BalletDances at a GatheringSwimmer: Carla Escoda, Huffington Post

 

Review - Australian BalletForgotten LandIn the Middle, Somewhat ElevatedDGV, Melbourne: Deborah Stone, ArtsHub

 

Review - Bartabas & Andrés MarínGolgota, London: Graham Watts, DanceTabs

 

Review - Rocío MolinaDanzaora & Vinática, NY: Gia Kourlas, New York Times

 

Review - Candoco Dance CompanyBeheldLet’s Talk about Dis, Bristol: Rosemary Waugh, Exeunt

 

Review - Tanztheater Wuppertal Pina BauschCafé MullerThe Rite of Spring, Wellington: Sam Trubridge, NZ Theatreview

 

Review - Orlando BalletDon Quixote, Orlando: Matthew Palm, Orlando Sentinel

 

Video report - Carlos Acosta back in Cuba: Reuters

 

Feature - Scottish Ballet, David Dawson’s new Swan Lake: Mary Brennan, Herald Scotland

 

Feature - Angel Corella reinventing Pennsylvania Ballet: Michael Cooper, New York Times

 

Review - Sidi Larbi CherkaouiMilonga, Auckland: Jenny Stevenson, NZ Theatreview

 

Feature - Five of the best dance photographs: Judith Mackrell, The Guardian

 

Video feature - Juste Debout, street dance competition: Iman Amrani, Noah Payne-Frank & Jess Gormley, The Guardian

 

Feature - Diversity in dance: Zita Allen, NY Amsterdam News

 

Review - Company EGenerations, Washington: Rebecca Ritzel, Washington Post

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