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Found 8 results

  1. The Sarasota Ballet Announces Its 2021 – 2022 Season The Company’s upcoming Season sees a return to live, in-person performances of extraordinary works from many of the most renowned choreographers of the 20th century Sarasota, FL (April 20th, 2021) – The Sarasota Ballet’s Director, Iain Webb, announces today the Company’s 2021 – 2022 Season and the return to full in-person theater programming. The Season also marks Webb’s 15th year heading the Company, and will feature seven programs that showcase not only the range of the Company’s choreographic repertoire, but also its artistry and athleticism. Highlights include two World Premieres – the first, by Resident Choreographer Ricardo Graziano, opening the Season in October; the second, by renowned British choreographer Sir David Bintley, with a full-length adaptation of William Shakespeare’s The Comedy of Errors, scheduled in March. The Season also sees the pairing of the Company Premiere of Mark Morris’ The Letter V in April, The Sarasota Ballet’s first foray into Morris’ distinctive choreography, with the March presentation of the Mark Morris Dance Group. Other highlights include the return of Sir Peter Wright’s heart wrenching Giselle and Summertide to celebrate the choreographer’s 95th birthday, and audience favorites such as Martha Graham’s Appalachian Spring, Sir Kenneth MacMillan’s Elite Syncopations, Twyla Tharp’s Nine Sinatra Songs, and Sir Frederick Ashton’s Valses nobles et sentimentales. “After a year full of unprecedented challenges, I can’t tell you how excited we all are to return to theater and share the breathtaking beauty of ballet with a live audience,” says Webb. “We’re being cautious and adventurous with this upcoming Season. Cautious in that the first two programs are featuring just two ballets each and designed so that our audiences’ first experiences in the theater are comfortably paced. Adventurous because this Season is filled with amazing works and the most ambitious commissioned world premiere that The Sarasota Ballet has ever undertaken.” Webb adds, “With this also being my 15th year, I wanted to celebrate it with some audience favorites like Balanchine’s Serenade; ballets that mean a great deal to me like Sir Fred’s Valses nobles et sentimentales; exciting premieres like Mark Morris’ The Letter V; and work with some old friends like Sir David Bintley and Johan Kobborg!” Program 1 – New World opens The Sarasota Ballet Season with a revisit to Martha Graham’s Appalachian Spring, a vibrant tribute to pioneer life and a hallmark display of Americana. Set to a score commissioned by Graham from Aaron Copland, this bucolic tale of a 19th century Pennsylvania farmhouse weaves four characters’ narratives together to face uncharted obstacles. Appalachian Spring is joined by an exciting World Premiere by Resident Choreographer Ricardo Graziano. This will mark his first new choreographed work since the January 2019 premiere of Amorosa and, paired with Graham’s iconic work, opens this important Season with a sense of optimism, hope, and excitement for the future. Program 2 – Day & Night, at the Sarasota Opera House, features an energetic duo of ballets – Sir Peter Wright’s Summertide and Twyla Tharp’s Nine Sinatra Songs. An abstract expression of Felix Mendelssohn’s Piano Concerto No. 2, Wright’s Summertide distills the magnificence of a radiant day into a one-act ballet. Choreographed in 1976 for the Sadler’s Wells Royal Ballet with the principal role created on Margaret Barbieri, Summertide found an all too fitting home in Sarasota with a 2015 revival. Combining sunshine with swing, Tharp’s Nine Sinatra Songs follows with a series of legendary crooner Frank Sinatra’s tunes brought to life through dance. Each dance sequence expresses through movement the intrinsic human experiences of love and heartbreak so integral to Ol’ Blue Eyes’ oeuvre. In celebration of the choreographer’s 95th birthday anniversary, Program 3 brings Sir Peter Wright’s potent and enrapturing production of the classic Giselle to the Van Wezel Performing Arts Hall, after the ballet’s sold-out 2019 performances. Performed across the globe by many of the great ballet companies. Wright’s production is considered by many to be one of the most faithful and artistically rich, perfectly bringing to life this tale of young love, unrequited romance, and loss. Program 4 – Love & Betrayal sees the return to The Sarasota Ballet’s renowned triple bills, with the choreography of Royal Ballet alumni Dame Ninette de Valois, Sir Frederick Ashton, and Johan Kobborg coming together for the first Program of the new year. Ashton’s Valses nobles et sentimentales holds a special place in the history of The Sarasota Ballet. Having worked with Ashton on the 1987 revival, Webb returned the ballet to the stage after almost 25 years for The Sarasota Ballet’s 2012 American Premiere, reviving the almost-lost ballet and allowing audiences to experience Ashton’s vibrant musicality. In contrast to Valses’ romanticism is de Valois’ The Rake’s Progress, a dramatic cautionary tale of betrayal and excess, showcasing the downfall of a wealthy merchant’s heir through de Valois’ extraordinary choreography and theatricality. Kobborg’s production of August Bournonville’s Napoli rounds out Love & Betrayal. This marks the world-famous dancer, choreographer, and director’s return to Sarasota since 2014. For Program 5, The Sarasota Ballet is excited to present the acclaimed Mark Morris Dance Group for the first time. Founded in 1980 by dancer and choreographer Mark Morris, the group quickly garnered national and international attention as a result of Morris’ expressiveness and unique musicality. “Morris’ works unspool with airtight musical logic. His choreography follows the music in a rolling, running rhythm of phrasing and sudden punctuation, movements that fall somewhere between common activity and high stylization.” - The Washington Post Program 6 brings the World Premiere of A Comedy of Errors, a full-length balletic adaptation of William Shakespeare’s iconic comedy The Comedy of Errors, to the stage. Sir David Bintley, one of today’s most sought-after choreographers, puts his personal touch on this beloved story, with a score commissioned from renowned composer Matthew Hindson and sets and costumes by celebrated designer Dick Bird. Knighted by Queen Elizabeth II in 2020 for his services to dance, Bintley has spent the last 40 years choreographing for some of the world’s most prominent ballet companies. Simultaneously, he has created a reputation for choreographing works that seamlessly use dance as part of a rich narrative and has established himself as one of Britain’s finest choreographers. “Matthew, Dick, and I have dreamt of bringing our dance version of Shakespeare’s most outrageous comedy to the stage for almost a decade now,” explains Bintley. “I hope that it will provide a wonderful vehicle for the vibrant and energetic dancers and musicians of The Sarasota Ballet, and that Floridians will love its humor and joy – something which we desperately need after the past year.” The Season concludes with Program 7 – Serendipitous Movement, a triple bill that epitomizes the depth and range of The Sarasota Ballet, and features George Balanchine’s Serenade, the Company Premiere of Mark Morris’ The Letter V, and Sir Kenneth MacMillan’s Elite Syncopations. Balanchine’s gorgeous Serenade opens, coursing through the four movements of Tchaikovsky’s Serenade for Strings in a mesmerizingly graceful display. The Company Premiere of Morris’ dynamic The Letter V follows, marking the first time the Company will have worked with this astounding choreographer. Originally premiered in 2015 by the Houston Ballet, The Letter V sets Morris’ dynamic approach to dance and distinctive musicality to Joseph Haydn’s Symphony No. 88 in G, a pairing that Alistair Macaulay stated, in his New York Times review, “exemplifies the same qualities as Mr. Morris: high spirits, terrific humor, a strong inclination to the pastoral and a keen instinct for structural experimentation.” The long-awaited return of MacMillan’s Elite Syncopations closes the Program with a ragtime-fueled, comedy-infused dance-off. Created for The Royal Ballet in 1974 with MacMillan at his most whimsical, the curtain opens as Elite Syncopations’ cast dances wildly on a virtually bare stage surrounded by a live band. Executive Director Joseph Volpe adds, “Alongside celebrating the artistic achievements that The Sarasota Ballet has attained during Iain’s 15 years, this Season is also a tribute to the extraordinary support that our patrons and audience members have given us during this past Season. Throughout the pandemic we were able to look after the health and wellbeing of our dancers, staff, and students, which was made possible because of the commitment and generosity of our community. Safely returning to the theater and continuing to produce world-class artistry is our way of showing our heartfelt thanks to our Sarasota Ballet family.” Further details here: https://www.sarasotaballet.org/sarasota-ballet-announces-its-2021-–-2022-season
  2. Sarasota Ballet have announced a true 'Heritage' programme for their upcoming Autumn digital season and for which you can buy tickets to watch. I have a feeling that many hereabouts may want to do so as it features some true Ashton gems that we don't oft get to see hereabouts nowadays. PURITY IN MOTION (Program 1) 23 – 25 October 2020 FSU Center for the Performing Arts George Balanchine's Donizetti Variations Ricardo Graziano's Amorosa Paul Taylor's Company B BEYOND EXPRESSION (Program 2) 20 – 21 November 2020 Sarasota Opera House Sir Frederick Ashton's Birthday Offering Sir Frederick Ashton's Dante Sonata Sir David Bintley's The Spider's Feast ROMEO & JULIET (Program 3) 18 – 19 December 2020 Van Wezel Performing Arts Hall Sir Frederick Ashton's Romeo & Juliet Composed by Sergei Prokofiev
  3. I felt the company was a lot stronger in the Ashton works than in Balanchine's, but I suppose that's to be expected? There is definitely some young talent to keep an eye on, though! Here's my review of Program 2.
  4. Courtesy of today's Links (with a very funny typo corrected): Oct. 23-25, FSU Center for the Performing Arts: “Donizetti Variations,” George Balanchine; “Amorosa,” Ricardo Graziano; “Company B,” Paul Taylor Nov. 20-21, Sarasota Opera House: “The Spider’s Feast,” Sir David Bintley; “Dante Sonata” and”Birthday Offering,” Sir Frederick Ashton Dec. 18-19, Van Wezel: “Romeo & Juliet,” Ashton Feb. 26-March 1, FSU Center: “Othello,” Peter Darrell; “Changing Light,” Will Tuckett; and TBA March 26-27, Sarasota Opera House: “Serenade,” Balanchine; “The Letter V,” Mark Morris; “Elite Syncopations,” Sir Kenneth MacMillan April 9-10, Sarasota Opera House: Mark Morris Dance Group April 30-May 1, Sarasota Opera House: “Fall River Legend,” Agnes De Mille; “Checkmate,” Dame Ninette de Valois; “Les Biches,” Bronislava Nijinska Quite a bit there I'd rather like to see! May have to go to Sarasota to see Dante Sonata after all...
  5. Source - a moving one. Wonderful too that they have Hillaire aboard the artistic team.
  6. Lucky Sarasota (as usual): http://arts.heraldtribune.com/2014-04-25/section/ashton-time/ I was wondering whether anyone was lucky enough to be going to this, and whether, if so, they could report back from us? If only Star Trek's transporter really existed ...
  7. From this week's links, some news, among other things, of Sarasota's Ashton season, which sounds highly tempting: http://www.nytimes.com/2013/09/08/arts/dance/british-ingenuity-delivered-by-americans.html?_r=1&
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