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  1. We are nearly at the end of the second decade of the twenty-first century and seasoned ballet goers in Britain, France, the USA and perhaps elsewhere are concerned about the loss through neglect of major works created during the twentieth century which having all but disappeared from the active repertory as on the rare occasions they are staged they look more like resurrections than revivals. Imagine you could save some of these ballets , which would you choose for preservation as part of a company's living repertory as its " twentieth century classics" ? Whose ballet's would you be prepared
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