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San Francisco Ballet's season of four mixed bills begins at Sadler's Wells tonight. All thoughts here, please. The bills are: 1. Ratmansky's Shostakovich Trilogy: "In a triptych of works, world renowned choreographer Alexei Ratmansky pays homage to Dmitri Shostakovich. Attracted by the theatricality of his music, Ratmansky has returned time and time again to the work of the Russian composer. The three works, Symphony #9, Chamber Symphony and Piano Concerto #1 reflect Shostakovich’s life and experiences in abstract form." 2. Liang / Marston / Pita: "In The Infinite Ocean, Taiwanese-born American choreographer Edwaard Liang interprets loss and letting go. Cathy Marston adapts Edith Wharton’s haunting tale of adultery, Ethan Frome, in Snowblind. And, in a match made in Wonderland, the fantastically surreal choreographer Arthur Pita is inspired by the music of the Icelandic icon, Björk Guðmundsdóttir for his Björk Ballet." 3. Welch / Scarlett / Peck: "Set to the violin concertos of Johann Sebastian Bach, Stanton Welch’s Bespoke explores dance itself in a love letter to ballet. The critically acclaimed Hummingbird by British choreographer Liam Scarlett is accompanied by Philip Glass’ Tirol Concerto, with shadowy designs by regular collaborator John Macfarlane. “Virtuoso of the form” (New York Times) Justin Peck uses the electronic music of M83 for Hurry Up, We’re Dreaming." 4. McIntyre / Wheeldon / Dawson: "With the title lifted from the work of Walt Whitman, Your Flesh Shall Be a Great Poem inhabits the eccentric world of Trey McIntyre’s grandfather. Sadler’s Wells Associate Artist Christopher Wheeldon joins forces once again with the composer Keaton Henson to take on the modern world in Bound To. And, in his first work for the company, David Dawson’s Anima Animus is ballet technique stretched to its outer limit, set to Ezio Bosso’s Esoconcerto."