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Found 4 results

  1. Just wondering if anyone went to the preview night, or has read any reviews of it? We're going tonight...
  2. Although from 2010, I am posting this as a new topic, following some discussion within the McGregor mixed bill thread. Here is a clip of Kim Brandstrup talking about his intentions in creating this work, with glimpses of Leanne Benjamin and Edward Watson in rehearsal: https://m.youtube.com/watch?v=zw9MZceVa1E I thought that this work had been created on Benjamin and Watson, but would be interested to know if Brandstrup originally made this on other dancers, as he did in part with Ceremony of Innocence before it was staged at the ROH.
  3. Kim Brandstrup's Transfigured Night is one of the parts of Rambert's triple bill at the Sadlers Wells Theatre this week together with Three Dancers and Rooster. Here are some pictures from yesterday's rehearsal of Transfigured Night with two duets and the company as chorus. Miguel Altunaga, Simone Damberg Wurtz and members of the company Hannah Rudd and Dane Hurst More pictures on www.johnrossballetgallery.co.uk
  4. So just as Charlie and I had met, we were joined by Alex Beard, who I interviewed for the London Ballet Circle recently, who gave us a mini tour of the ROH redevelopment plans exhibition - well worth seeing in my opinion. Then up to the Clore where Kim Brandstrup was rehearsing Deirdre Chapman and Bennet Gartside in Ceremony of Innocence. Although I've already seen it performed in Snape and Copenhagen, Kim used this opportunity to amend and fine tune this work. Although there is no narrative as such, this scene was inspired by a memory from Benn's character's childhood when a day at the beach was marred by getting separated from his mother. Years later his mother still remembers being frantic with worry and it appears the experience scarred her for life, still worrying about him as a grown man. Liam Scarlett's work Age of Anxiety is still in development. Based on the book, the first section that was rehearsed saw Matthew Ball and Natalie Harrison as the young couple very much in love in a late night bar. Liam's ability to articulate every facet of the characters helped his dancers find their unique interpretation. It was great fun to watch the development of that section. The evening concluded with Liam rehearsing Tristan Dyer's solo which was a masterclass in the eloquence of the smallest of movements. Many thanks once again Charlie for the opportunity to sit in on the rehearsal this evening. Kind regards Allison
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