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  1. Whilst the ROH was resounding with the noise (as some say) of a new McGregor piece, Sadler's Wells was filled last night with a fine performance of Haydn's ever colourful The Creation, providing the motive force for Mark Baldwin's contemporary work for Rambert. This had been premiered at Garsington Opera back in the summer, using the same Gothic tracery screen, behind which sat an orchestra and chorus (the BBC Singers), with conductor (Paul Hoskins) and soloists visible in arched openings. So, on that foundation, and with Sarah Tynan, James Gilchrist and Neal Davie in front, the music was ne
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