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Found 5 results

  1. Tonight was the first night of the Royal Ballet's last triple bill of the season. I'm afraid I didn't make it through to the end, but would be glad to hear from those who did!
  2. The Royal Ballet's latest triple bill: Obsidian Tear - Calvin Richardson, Matthew Ball. ©Dave Morgan; by courtesy of DanceTabs / Flickr Marguerite and Armand - Lauren Cuthbertson, Matthew Ball. ©Dave Morgan; by courtesy of DanceTabs / Flickr Elite Syncopations - Sarah Lamb, Ryoichi Hirano. ©Dave Morgan; by courtesy of DanceTabs / Flickr More… Dave Morgan - 15 photos By courtesy of DanceTabs / Flickr. By kind permission of The Royal Opera House Discussion of this programme is here
  3. Thread for all the mixed-company MacMillan celebrations at the Royal Opera House this autumn. It kicks off tonight with Birmingham Royal Ballet in Concerto, Scottish Ballet in Le Baiser de la fée (or The Fairy's Kiss, if you prefer) and a mixed-company performance of Elite Syncopations, if I'm not mistaken. And to start us off, here's a link back to David's notes on Le Baiser de la fée
  4. The Northern leg opened in York on Tuesday, at the Grand Opera House, a venue new to the company. Although overall successful, the tour was plagued with problems. There were no programmes as those for the North had been sent to the South and vice versa. There were few cast sheets and on the Wednesday evening some of those available were those for the matinee. But by far the worst problem was that at the end of the first ballet on Wednesday night, Delia Mathews had a nasty fall, causing serious injury, and resulting in the cancellation of the middle piece, Kin, in which she was scheduled to tak
  5. Um, if you're not a fan of gushing praise you'll probably want to take this opportunity to finish the ironing. WHAT A SHOW. Birmingham Royal Ballet are a company on absolute fire at the moment. This triple bill, as a showcase of the immense depth and diversity of their talent, is second to none. Les Rendezvous was a lovely start to the show. The setting was simple, the costumes sumptuous, and the dancing full of summery joy. I'm not necessarily Ashton's biggest fan, but this was a candy-store delight. While it was danced beautifully by all the cast, two things really stood out
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