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Found 9 results

  1. Apologies if this has been posted elsewhere but I got this email from Trafalgar Studios with details of new cinema cultural events. Some of them are plays and Metropolitan Opera season but there is the 2021/22 Bolshoi ballet season as well. https://outlook.live.com/mail/0/inbox/id/AQMkADAwATYwMAItZGQAMzQtOTFjMC0wMAItMDAKAEYAAAO%2FXQFqTsSFTrjvHgqOeEmSBwCPA1%2Fr9w2lRZyeVAuTnF7CAAACAQwAAAB4WvjRaiXXTIQShAX9COQgAAP%2FRTZNAAAA If this doesn't work (it is linked to my email) this is the Bolshoi link. https://drive.google.com/file/d/1FhxDwQIygZV9rHUGy69T83cS02Yn8NH-/view Spartacus Nov 7 2021 Nutcracker Dec 19 2021 Jewels Jan 23 2022 Swan lake Mar 6 2022 Pharaoh's daughter. May 1 2022
  2. The Sarasota Ballet Announces Its 2021 – 2022 Season The Company’s upcoming Season sees a return to live, in-person performances of extraordinary works from many of the most renowned choreographers of the 20th century Sarasota, FL (April 20th, 2021) – The Sarasota Ballet’s Director, Iain Webb, announces today the Company’s 2021 – 2022 Season and the return to full in-person theater programming. The Season also marks Webb’s 15th year heading the Company, and will feature seven programs that showcase not only the range of the Company’s choreographic repertoire, but also its artistry and athleticism. Highlights include two World Premieres – the first, by Resident Choreographer Ricardo Graziano, opening the Season in October; the second, by renowned British choreographer Sir David Bintley, with a full-length adaptation of William Shakespeare’s The Comedy of Errors, scheduled in March. The Season also sees the pairing of the Company Premiere of Mark Morris’ The Letter V in April, The Sarasota Ballet’s first foray into Morris’ distinctive choreography, with the March presentation of the Mark Morris Dance Group. Other highlights include the return of Sir Peter Wright’s heart wrenching Giselle and Summertide to celebrate the choreographer’s 95th birthday, and audience favorites such as Martha Graham’s Appalachian Spring, Sir Kenneth MacMillan’s Elite Syncopations, Twyla Tharp’s Nine Sinatra Songs, and Sir Frederick Ashton’s Valses nobles et sentimentales. “After a year full of unprecedented challenges, I can’t tell you how excited we all are to return to theater and share the breathtaking beauty of ballet with a live audience,” says Webb. “We’re being cautious and adventurous with this upcoming Season. Cautious in that the first two programs are featuring just two ballets each and designed so that our audiences’ first experiences in the theater are comfortably paced. Adventurous because this Season is filled with amazing works and the most ambitious commissioned world premiere that The Sarasota Ballet has ever undertaken.” Webb adds, “With this also being my 15th year, I wanted to celebrate it with some audience favorites like Balanchine’s Serenade; ballets that mean a great deal to me like Sir Fred’s Valses nobles et sentimentales; exciting premieres like Mark Morris’ The Letter V; and work with some old friends like Sir David Bintley and Johan Kobborg!” Program 1 – New World opens The Sarasota Ballet Season with a revisit to Martha Graham’s Appalachian Spring, a vibrant tribute to pioneer life and a hallmark display of Americana. Set to a score commissioned by Graham from Aaron Copland, this bucolic tale of a 19th century Pennsylvania farmhouse weaves four characters’ narratives together to face uncharted obstacles. Appalachian Spring is joined by an exciting World Premiere by Resident Choreographer Ricardo Graziano. This will mark his first new choreographed work since the January 2019 premiere of Amorosa and, paired with Graham’s iconic work, opens this important Season with a sense of optimism, hope, and excitement for the future. Program 2 – Day & Night, at the Sarasota Opera House, features an energetic duo of ballets – Sir Peter Wright’s Summertide and Twyla Tharp’s Nine Sinatra Songs. An abstract expression of Felix Mendelssohn’s Piano Concerto No. 2, Wright’s Summertide distills the magnificence of a radiant day into a one-act ballet. Choreographed in 1976 for the Sadler’s Wells Royal Ballet with the principal role created on Margaret Barbieri, Summertide found an all too fitting home in Sarasota with a 2015 revival. Combining sunshine with swing, Tharp’s Nine Sinatra Songs follows with a series of legendary crooner Frank Sinatra’s tunes brought to life through dance. Each dance sequence expresses through movement the intrinsic human experiences of love and heartbreak so integral to Ol’ Blue Eyes’ oeuvre. In celebration of the choreographer’s 95th birthday anniversary, Program 3 brings Sir Peter Wright’s potent and enrapturing production of the classic Giselle to the Van Wezel Performing Arts Hall, after the ballet’s sold-out 2019 performances. Performed across the globe by many of the great ballet companies. Wright’s production is considered by many to be one of the most faithful and artistically rich, perfectly bringing to life this tale of young love, unrequited romance, and loss. Program 4 – Love & Betrayal sees the return to The Sarasota Ballet’s renowned triple bills, with the choreography of Royal Ballet alumni Dame Ninette de Valois, Sir Frederick Ashton, and Johan Kobborg coming together for the first Program of the new year. Ashton’s Valses nobles et sentimentales holds a special place in the history of The Sarasota Ballet. Having worked with Ashton on the 1987 revival, Webb returned the ballet to the stage after almost 25 years for The Sarasota Ballet’s 2012 American Premiere, reviving the almost-lost ballet and allowing audiences to experience Ashton’s vibrant musicality. In contrast to Valses’ romanticism is de Valois’ The Rake’s Progress, a dramatic cautionary tale of betrayal and excess, showcasing the downfall of a wealthy merchant’s heir through de Valois’ extraordinary choreography and theatricality. Kobborg’s production of August Bournonville’s Napoli rounds out Love & Betrayal. This marks the world-famous dancer, choreographer, and director’s return to Sarasota since 2014. For Program 5, The Sarasota Ballet is excited to present the acclaimed Mark Morris Dance Group for the first time. Founded in 1980 by dancer and choreographer Mark Morris, the group quickly garnered national and international attention as a result of Morris’ expressiveness and unique musicality. “Morris’ works unspool with airtight musical logic. His choreography follows the music in a rolling, running rhythm of phrasing and sudden punctuation, movements that fall somewhere between common activity and high stylization.” - The Washington Post Program 6 brings the World Premiere of A Comedy of Errors, a full-length balletic adaptation of William Shakespeare’s iconic comedy The Comedy of Errors, to the stage. Sir David Bintley, one of today’s most sought-after choreographers, puts his personal touch on this beloved story, with a score commissioned from renowned composer Matthew Hindson and sets and costumes by celebrated designer Dick Bird. Knighted by Queen Elizabeth II in 2020 for his services to dance, Bintley has spent the last 40 years choreographing for some of the world’s most prominent ballet companies. Simultaneously, he has created a reputation for choreographing works that seamlessly use dance as part of a rich narrative and has established himself as one of Britain’s finest choreographers. “Matthew, Dick, and I have dreamt of bringing our dance version of Shakespeare’s most outrageous comedy to the stage for almost a decade now,” explains Bintley. “I hope that it will provide a wonderful vehicle for the vibrant and energetic dancers and musicians of The Sarasota Ballet, and that Floridians will love its humor and joy – something which we desperately need after the past year.” The Season concludes with Program 7 – Serendipitous Movement, a triple bill that epitomizes the depth and range of The Sarasota Ballet, and features George Balanchine’s Serenade, the Company Premiere of Mark Morris’ The Letter V, and Sir Kenneth MacMillan’s Elite Syncopations. Balanchine’s gorgeous Serenade opens, coursing through the four movements of Tchaikovsky’s Serenade for Strings in a mesmerizingly graceful display. The Company Premiere of Morris’ dynamic The Letter V follows, marking the first time the Company will have worked with this astounding choreographer. Originally premiered in 2015 by the Houston Ballet, The Letter V sets Morris’ dynamic approach to dance and distinctive musicality to Joseph Haydn’s Symphony No. 88 in G, a pairing that Alistair Macaulay stated, in his New York Times review, “exemplifies the same qualities as Mr. Morris: high spirits, terrific humor, a strong inclination to the pastoral and a keen instinct for structural experimentation.” The long-awaited return of MacMillan’s Elite Syncopations closes the Program with a ragtime-fueled, comedy-infused dance-off. Created for The Royal Ballet in 1974 with MacMillan at his most whimsical, the curtain opens as Elite Syncopations’ cast dances wildly on a virtually bare stage surrounded by a live band. Executive Director Joseph Volpe adds, “Alongside celebrating the artistic achievements that The Sarasota Ballet has attained during Iain’s 15 years, this Season is also a tribute to the extraordinary support that our patrons and audience members have given us during this past Season. Throughout the pandemic we were able to look after the health and wellbeing of our dancers, staff, and students, which was made possible because of the commitment and generosity of our community. Safely returning to the theater and continuing to produce world-class artistry is our way of showing our heartfelt thanks to our Sarasota Ballet family.” Further details here: https://www.sarasotaballet.org/sarasota-ballet-announces-its-2021-–-2022-season
  3. Just back from seeing Spartacus at my Picturehouse and it was great, despite a technical break-down in act 3- which, thank goodness, sorted itself out eventually. It was delightful to be back in Moscow again and the interviews- with some old footage as well this time- were excellent. Not my favourite ballet but, after such a long hiatus, it somehow suited the mood for me: a bit of over the top, full-on emotional overload.....
  4. I have the brochure for the new season. Ballets are: Play (Ekman) Le Rouge et le Noir (Lacotte) Rhapsody (Ashton) / l'Après-midi d'un Faune (Eyal) / Rite of Spring (after Nijinsky) Don Quixote Body and Soul (Pite) Uprising / In your rooms (Schechter) La Bayadère Carmen / Another Place / Bolero (Ek) Midsummer Night's Dream (Balanchine) Giselle I know we haven't had the official announcement but as the news is very much out there to previous subscribers (with no caveats!) I hope it's OK to post this.
  5. In anticipation of the Royal Ballet's Autumn season which starts on Tuesday 5th October, here are some rehearsal photos to whet your appetite! William Bracewell and Fumi Kaneko certainly seem to make a lovely pairing - which is good as I am seeing them on the 9th! https://www.flickr.com/photos/royaloperahouse/albums/72157719943466395
  6. The Royal Ballet School have just announced “exciting changes” to their audition process. I can see that the dates have been brought earlier than they were this year, but it just looks like they’re reverting to the pre-Covid system of in person prelims. Am I missing something?
  7. I thought it might be worth starting a thread bringing together season announcements for next year from UK opera companies and (though I monitor them less closely myself) possibly the bigger concert halls. I'll kick it off with this morning's from the wonderful Opera North: https://www.operanorth.co.uk/news/new-season-announced-for-2021-22/
  8. PRESS RELEASE Wednesday 16 June BIRMINGHAM ROYAL BALLET REVEALS 2021/22 PLANS, INCLUDING CARLOS CURATES: R&J REIMAGINED, SIR KENNETH MACMILLAN’S ROMEO AND JULIET, THE NUTCRACKER, AND MORE CURATED BY CARLOS AT SADLER’S WELLS WILL INCLUDE THE WORLD PREMIERE OF A DUET BY GOYO MONTERO PERFORMED BY CARLOS ACOSTA AND ALESSANDRA FERRI SPRING 2022 HERALDS CARLOS ACOSTA’S BRAND-NEW PRODUCTION OF DON QUIXOTE Following Birmingham Royal Ballet’s return to live performance with the Curated by Carlos season and Cinderella at Birmingham Repertory Theatre and Theatre Royal Plymouth, Acosta again balances the new and the classic in a season that begins with contrasting tellings of, arguably, the greatest love story ever told. For Birmingham Royal Ballet’s homecoming season at Birmingham Hippodrome, Sir Kenneth MacMillan’s passionate Romeo and Juliet choreography and Prokofiev’s glorious score will set hearts alight in this enduringly popular, classic interpretation of Shakespeare’s tragedy. From the balcony scene’s ecstatic pas de deux, exploring love in all its soaring wonder, to the lovers’ heart-breaking ends, Romeo and Juliet is ballet at its most poignant and beautiful. Performances at Plymouth Theatre Royal take place later in October. Carlos Curates: R&J Reimagined sees Romeo and Juliet get a very different treatment with the Company premiere of Romanian choreographer Edward Clug's Radio and Juliet, a reinvention of the classic story set to the music of Radiohead, featuring tracks from Kid A, Amnesiac and OK Computer. This version explores what could have happened if Juliet decided not to take her own life, and is an exhilarating, emotional rollercoaster that has toured the world to widespread acclaim since its premiere in 2005. Radio and Juliet forms a double bill with a new work from Birmingham-based choreographer Rosie Kay, details to be announced. Carlos Acosta said: ‘Shakespeare’s timeless story of love and passion has inspired so many versions over the centuries, not least translated into dance. We’re exploring some of this rich reinterpretation in our double bill Carlos Curates: R&J Reimagined, also in October. I really love Edward Clug’s contemporary reinvention of the story and I’m also thrilled that we are continuing to build relationships with other Birmingham arts companies and that we’ll be joined by Rosie Kay Dance Company who will complete this exciting programme.’ October sees the postponed and adapted London run of Curated by Carlos at Sadler’s Wells. The triple bill now opens with the Company’s love letter to Birmingham: City of a Thousand Trades, a new one-act abstract ballet inspired by and celebrating the richly diverse cultural and industrial heritage of the place it calls home. Commissioned as part of Birmingham Royal Ballet’s Ballet Now programme and produced in association with The REP, City of a Thousand Trades was created by choreographer Miguel Altunaga and co-directed with The REP Associate Director, Madeleine Kludje, with music inspired by the city’s soundscape, including its legacy as the birthplace of Heavy Metal, composed by Mathias Coppens and performed live by the Royal Ballet Sinfonia, with designs by Guilia Scrimieri and lighting by Michael Lee-Woolley. Brazilian/British choreographer Daniela Cardim’s Imminent, also a Ballet Now commission, has been created with a team of international talent, including composer Paul Englishby, designer April Dalton, dramaturg Lou Cope, assistant choreographer Peter Leung and lighting designer Peter Teigen. The new abstract work is inspired by the feeling that the balance we thought we could maintain is precarious to say the least. A tipping-point is approaching. Imminent invites us to recognise that a window of opportunity is now calling upon us. There is hope – and it is important to let go of the past, to take action and move boldly on. Completing the triple bill, Goyo Montero’s Chacona gets reworked for the London stage and features the world premiere of a new duet created for Carlos Acosta and Alessandra Ferri, a mouthwatering prospect to say the least. Having danced Manon together in Havana many years ago, this duet sees two of the all time greats reunited. Ferri said ‘We always wanted to do more together but never had the opportunity. Really I think this is a dream come true for both of us.’ Goyo Montero’s thrillingly physical work Chacona is set to electrifying music by J.S. Bach and performed live on stage by violin, guitar and piano, together with 16 dancers. For spring 2022, Birmingham Royal Ballet’s Director Carlos Acosta promises entertainment for all ages when he brings an explosion of Spanish sunshine, spectacular dance and vivacious comedy to stages across the country. In a new production created especially for Birmingham Royal Ballet, Don Quixote introduces us to Cervantes’ famous knight himself, lovers Kitri and Basilio, and a host of supporting characters. As the Don sets out on a quest to track down his true love, with his loyal friend and servant Sancho Panza at his side, he finds himself embroiled in an unlikely adventure of love and dreams. The first UK performances of Acosta’s sparkling new 21st-century production of this 19th-century masterpiece take place in February. This festive season, Birmingham Royal Ballet will bring The Nutcracker back to two iconic stages. Birmingham Hippodrome welcomes the return of Clara and the Sugar Plum Fairy in November and the Company will celebrate its fourth appearance at the Royal Albert Hall from 28 December. The enchanting Royal Albert Hall production features Simon Callow as the voice of Clara’s mysterious godfather, Drosselmeyer, and video and projection by Tony-Award-winning 59 Productions (An American in Paris, War Horse). Birmingham Royal Ballet’s superb dancers and the Royal Ballet Sinfonia weave their magic with the timeless choreography and glorious Tchaikovsky score to create a quintessential Christmas treat for all the family. Listings ROMEO AND JULIET Music Sergei Prokofiev; Choreography Kenneth MacMillan Birmingham Hippodrome Wednesday 6 - Saturday 9 October On sale 18 June brb.org.uk/romeo Plymouth Theatre Royal Wednesday 27 - Saturday 30 October On sale 30 June brb.org.uk/romeo CARLOS CURATES: R&J REIMAGINED RADIO AND JULIET Birmingham Hippodrome Thursday 14 - Saturday 16 October On sale 18 June brb.org.uk/carloscurates CURATED BY CARLOS CITY OF A THOUSAND TRADES IMMINENT CHACONA Sadler’s Wells 4 - 6 November On sale 6 July (Priority from 28 June) brb.org.uk/curated THE NUTCRACKER Birmingham Hippodrome Saturday 20 November - Saturday 11 December On sale brb.org.uk/nutracker Royal Albert Hall Tuesday 28 - Friday 31 December On sale brb.org.uk/rahnutcracker DON QUIXOTE Music Ludwig Minkus; Choreography Carlos Acosta after Marius Petipa Birmingham Hippodrome Friday 18 - Saturday 26 February On sale 18 June brb.org.uk/quixote Further dates to be announced Notes to Editors: Birmingham Royal Ballet Based at Birmingham Hippodrome, Birmingham Royal Ballet is the United Kingdom’s leading touring ballet company performing a range of traditional, classical and heritage ballets as well as ground-breaking new works with the aim of encouraging choreographers of the future. The Company’s Director since January 2020 is the internationally renowned Carlos Acosta. Birmingham Royal Ballet standardly performs at Birmingham Hippodrome for approximately ten weeks of the year and the remainder of the year tours throughout the United Kingdom and overseas. On average, the Company performs 175 shows a year nationally and internationally. The Royal Ballet Sinfonia is Birmingham Royal Ballet’s permanent orchestra, it is also Britain's busiest ballet orchestra. The Sinfonia also plays frequently for The Royal Ballet and other leading ballet companies, including performances withParis Opéra Ballet, New York City Ballet, Australian Ballet, Les Grands Ballets Canadiens, the Kirov, Norwegian Ballet, Atlanta Ballet, San Francisco Ballet and La Scala Ballet.
  9. From Instagram just now: We're delighted to announce promotions for The Royal Ballet’s 2020/21 Season and the forthcoming 2021/22 Season! @fumikaneko_ and @cesarcorrales926 are promoted to Principal with immediate effect and @maymagriofficial and @annaroseosullivan are promoted to Principal with effect from September 2021. @meaghangrace890, @nicol.edmonds and @calvin_richardson have been promoted to First Soloist with immediate effect. @ginastormjensen and @joseph.sissens have been promoted to Soloist with immediate effect. @leticiadias_, @marikosasaki448 and @harrychurches have been promoted to First Artist with immediate effect. Head to the link in bio to read the full announcement. A huge congratulations to all these dancers!
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