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The ballet was very warmly received, especially by those in the front rows and by the members of the company, who were in the best seats (meaning I couldn't couldn't book the seat I wanted!). Both the music and choreography were rather repetitive, perhaps necessarily so, given the theme of the book, although there are some nice solos for Martha Leebolt, as Julia, and one interesting pas de deux for Leebolt and Batley, which impressed people not very familiar with Macmillan. It's a fairly close depiction of the plot of the novel but cannot convey the philosophical complexities fundamental to the work. People unfamiliar with the novel may be confused about what is going on, unless they have bought the programme and managed to read the plot. The choreography for the Proles, and their costumes, were not sufficiently contrasted to those of Winston and his colleagues, and the Prole Woman is not characterised accurately- the audience might feel that Winston fancies her, while in the novel she fascinates him by her vulgarity rather than sexuality. But the dancers are very well rehearsed and individual dancers are convincing, Toby Batley and Martha Leebolt, in the leads but also Javier Torres who gives a chilling performance, very clearly danced. After Leeds, the ballet will be performed in seven theatres, culminating in London, Sadler's Wells, next May.