art_enthusiast

I assume it helps if the cygnets are all of similar height? As they have to stay linked together the whole time. I don't think the casting is always the same height wise though.

I am hoping for colour blind casting, otherwise I hope they don't change much.

Yes and I have to say I found that hilarious, given that he is happily married in the book. I liked the actor for Mr Simpson though, I remember seeing him in Doctor Who around the same time. His bond with Petrova was sweet and well done on screen (loved the Petrova actress, though since this and Sarah Jane adventures I haven’t seen much of her which is sad). I think it was pretty well cast overall, all the sisters had a good family bond on screen. However, I do think it would have been a good idea to cast a more unknown actress who needed the exposure as Pauline, instead of Emma Watson - though she was so big at the time casting her was a guarantee loads of kids would watch it. I thought Theo was a good choice of actress minus the love story, lol. Loved Emilia Fox and Victoria Wood’s relationship on screen. I remember the actor who played Mr Dursley from Harry Potter was also in it as Gum. I watched it so many times as a kid (think we recorded it on a disc) and I used to act out scenes with my friends at sleepovers. Book sales must have had a resurgence around that time, I remember getting a copy for my Xmas present. Maybe because of nostalgia I will go and see this production, not sure yet! I assume they will definitely cast an actual ballet dancer as Posy this time - I very much liked Posy in the 2007 adaptation though. The main thing I didn’t like was how they made Winnifred out to be a bit catty, when she was a sweet child and friend of theirs in the book.

Yep, I was thinking that might be why she didn’t have a shot at the Mistress role in Manon (I imagine she would be amazing in that)

It’s certainly fine to hum along to the radio in your car, for example. But in a public place where people have paid to hear live music/a live performance, it does seem bizarre. It should be obvious that opera and ballet don’t require audience participation as maybe pantomimes or musicals do. Maybe they need to start putting that on the cast sheets. I certainly hope people don’t do it at the Proms (I haven’t been for a while so I don’t know)

How incredibly annoying. I’ve also had the unfortunate experience of sitting near someone who felt the need to bob their head and wave their fingers around as if they were the conductor… Extremely irritating!

Same! I am eager to see it live for the first time.

I’m so happy for her.

Just a query, I’m a bit confused as to why he was performing today if he had already pulled out of future shows due to his existing injury? I would have thought he’d be off fully.

Oh dear, I hope he’s OK.

I'm curious about Queen of Hearts casting - really loved Laura Morera and Zenaida Yanowsky in the recordings, not sure who else has done it?

Same here, I feel like Cinderella is way too soon - I really liked it but I remember it so well that I don't feel the need to see it again. It feels like they literally just did it (I felt the same when they brought back the Dante Project). I might go but only if there's an interesting debut (or to catch Hayward's portrayal as I missed her in the last run). I saw R&J so many times in the last run that I would mainly go if there are more debuts at first soloist/soloist level or potentially first artist/artist (Joseph Sissens, Mariko Sasaki, Isabella Gasparini, Marco Masciari, Daichi Ikarashi etc). Alice in Wonderland I haven't yet seen. I have watched clips from the main pas de deux online, and the Queen of Hearts/Rose Adagio spoof, they do look lovely but I don't know if I would like to watch the whole piece in full... also I don't know if it's something mainly for children, wondering if I would feel odd going without any! I would definitely be booking for Onegin if it was announced, for the others I'm really not sure and it would very much depend on the casting.

Yep, she was originally cast with Sambe who was injured so Edmonds stepped in.

Guess they can’t do Feb this time as that’s when Paris Opera are doing it

If so, good luck to him! I’m sure he’ll be brilliant.