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Momapalooza

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  1. I personally feel this as well, how it's so much tougher these days. I am just thinking 6 or so years ago and I don't think it was anywhere near like this. I have been wondering why, I think a big part of it is obviously social media and everything is just so much more visible and the world so much smaller. But it almost feels like ballet in general seems to have exploded in popularity and has become more "mainstream". With this comes what feels like a more and more intense and frenzied audition preparation to get into full time training, almost the younger the better. I expect the volume
  2. I am so pleased you went for it, and yes, ignorance can be bliss. I personally wish I haven't been on social media the last few years. At the same time, it's also good that you have now seen and experienced what you have this year. Although the last year has been very different, I still think the trend will continue and auditions will be more frantic and frenzied in the coming years. There are definitely kids out there who have been training for at least the last 2 or so years solely with the goal of gaining a place in vocational school in mind. Your DD has done amazingly well,
  3. I became curious with the American way of training too @rowan One of my DCs was offered scholarships to a couple of “full time” virtual places for pre-professional training (I think this is what they are called? And yes, I too was surprised such a thing existed virtually!) and when I looked at the timetables, they were actually during the day time! I did query this and it looks like most who undertake serious training are home schooled to be able to squeeze all the training hours in. We had to decline them because despite the time difference, the timings still encroached on school hours here o
  4. I very much like the idea of ballet as a hobby. I often have open conversations with DC and am honest enough to admit that if it were up to me, I’d rather DC consider auditioning at age 16. Part of this is because, based on my first hand experience alone, I find kids age 10/11 hardly know what they really want and are easily influenced by big names or what others want. Mine change their mind about most things every week! I don’t want DC, if by some miracle they get the opportunity to go away full time, to realise 1-2 years down the line that it isn’t what they wanted but then would be too gui
  5. This is my priority @Fudge, that all my DCs remain in a nurturing environment and there is no doubt in my mind that this is at home. It is of course a big factor if DC dreams big and is actually given the opportunity, pros and cons would need to be weighed but for me, personally, I do not want to miss any second of their growing up years. I know that someday they will move away but if I had my way I would try and delay this as much as possible as long as this doesn’t hinder their big dream AND provided it is actually their dream and not anyone else’s (me included).
  6. Thank you @Harwel I was actually just reading through a couple of other threads on this forum and combined with what stood out for me the most in your post (the last sentence), it really has helped me get a good dose of reality. After hearing and reading about other people’s experiences too, I do think I know how to manage DCs expectations and hope that DC sees the reality too - hopefully before the “should I or should I not audition” decision. I have my personal thoughts and preference on this (I like a quiet and easy life) but I am going to go with what DC wants.
  7. This may well be the case and you’re right there was and still is a wealth of free ballet classes through social media. However I do think there is a difference between “follow along” classes and actual classes and I think the reference on this thread is more about actual classes where teachers can feedback to students. And of course it’s also true that perhaps some were posts from previous schools or teachers celebrating past students’ successes as this does happen often too but I believe this thread is more to do with those who appeared to have been training quite at a very high le
  8. Precisely this. But for families who will have to make extra sacrifices to help their DC achieve their dream, perhaps more than others, it is good to go into this with open eyes. To go blindly is to assume that because your DC has been told to have heaps of potential and works really hard with what DCs got that’s it’s a level playing field. What if the family situation dictates that you cannot easily access quality training? That the nearest school is a small one that only does syllabus and exams every so often? that the nearest associate centre is miles away and the family cannot afford to se
  9. Thank you @Motomum. You managed to brilliantly express what I originally intended to be a valid discussion. I fear I’ve upset some due to my inability to maybe get across what I was trying to say x
  10. I think I’ve created a storm in a teacup here which was not my intention at all. I just want to reiterate that I never said these children didn’t get in on their own merits. Quite the opposite - the ones I’ve seen are stunning and appear very polished, amazingly trained, with all the seemingly right ingredients (plus hardwork, determination etc). Of course they got in on their own merits because at the end of the day it’s them who go into a studio in front of a panel regardless of training so each and every one completely deserve their place otherwise they wouldn’t have been offered it. So ye
  11. I’m sorry you feel this way. It was not my intention to make comments based on hearsay nor did I intend to be distasteful. I actually avoided mentioning specific schools, clearly stated that my observations were based on information easily seen by any other on social media, and did not speculate on anyone’s situation. The ballet world is very small, it’s hard not to encounter, perhaps even first hand on some occasion, these things.
  12. In line with @Jan McNulty’s amended title, I did wonder this weekend how many post year 7s (years 8, 9 etc) WL will take. Also I wonder if for this year only, there would be less internationals to finals due to the travel restrictions. Related to this, I read somewhere on this forum that there is a new 3-year training guarantee for the incoming year 7s. I do think this will make people think twice about applying for years 8 and 9 next year? I would have thought there would be very little, if no, movement. Anyone who would consider trying again must realistically aim for en
  13. @Bunnyyour DS has done extremely well and you should be very proud! I still think that’s how it should be - how your DS approached it. As some posts said, this year is not the “norm” (I am so hoping it won’t be for the following years) and might just be coincidence for this particular year. It won’t count for much as it’s just my personal opinion but I do think boys still have more of a chance even if they have potential alone and not extensive training. For boys, the time before auditions I think doesn’t get as intense as it does for some girls, which is always a good thing and shou
  14. I am not sure to be honest, I wouldn’t have thought so? Perhaps they get provided products for free to advertise. I don’t really know. I would like to think tagging won’t help them get places as ultimately it would be how they perform in auditions. I wouldn’t know what their rationale is for tagging. Maybe it’s institutional pride as most would already be in the school’s system anyway. I very much doubt schools browse through their own tags to identify potentials.
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