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Ingrid

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Everything posted by Ingrid

  1. my thoughts about Cinderella are these: Cinderella does not want to go to the ball so she can meet the prince and marry him, she just wants one night for herself, where she is not abused by her family. Meeting the prince and they falling in love is something that happens but she’s not too hopeful about it ( given her circumstances). When she is back at home and prevented from coming forward as the girl the prince is looking for, she fights to free herself and try the glass sleeper because she is tired of the life of servitude and literal abuse she was forced upon by her step mom and sisters. The Prince does his part but Cinderella is part of the reason they meet again at the end. Now, I don’t know how that comes across in the Ashton ballet and to me if the narrative is one similar to the one above it should be different enough from SB and Aurora. I never thought of those 2 characters as being similar before anyway.
  2. As for a possible Magri and Ball casting I don’t think the problem is that they don’t get casted very often but that they would have a short time to prepare given he’s in Tokyo right now. It would be lovely though and they have done guests together which bodes well for her and their director to fell secure in casting him. I believe he also replaced Hay for O’Sullivans debut very last minute, right? I wouldn’t be mad if they go with Hirano, plus I liked those 2 in The Nutcracker. My hopes though are that Clarke is good to go by the 19th and no more change needs to be made.
  3. We have actually seen footage of those 2 dancing together so I think they will be just fine. And given that he is a solid partner should be great for Mayara’s debut in the role.
  4. Me too Dawn. I like Corrales but I think his partnering skills still needs to be more developed. And since the Royal has amazing first soloists partnering principals, it's fair of us to expect a bit more from him. He's still young, so I hope we see that skill getting more refined as the years go. Can I post a small clip (1:00 minute) of the performance that I found on instagram here?
  5. One has. She said it on a public social media so anyone can know but it’s in portuguese. I actually really love her choice because though all former dancers from this school have gone to The Royal Ballet School, she ended up choosing something kind of unexpected - since her school’s history with the Prix always made it seem like RBS was the place she’d go. Given the support she received to go to her choice of school and also her personal liking to the school and company, I think she’ll have a incredible future ahead of her there. When all the info is made available by the prix oficial channels, I’ll be sure to comeback here say more things in detail and other tidbits about the competition ( from her point of view) that I though were very interesting and insightful.
  6. Can we share or talk about any of the dancers choice for schools in here?
  7. Has it been confirmed she is going to be on the Nutcracker stream?
  8. could she be a student? Because I don’t believe she is one of the Aud Jebsen dancers.
  9. I think they also had more rehearsal time together ( 2 weeks I believe) while she had maybe 3 days for the Ukrainian Gala.
  10. Mayara Magri and William Bracewell will be dancing Victor Gsovsky’s Grand Pas Classique. And from the snippets I’ve seen on Instagram it looks incredible.
  11. Mayara Magri and Matthew Ball will be dancing Concerto ( 2nd mov.)
  12. My thoughts exactly! I wish they adapted certain styles/hair colors more often.
  13. I could be wrong but does this program actually impacts the RB repertoire? I know a few pieces from previous holders of the position were presented on mixed programs but it seems more like what this program does it to help choreographers understand, develop and work inside a huge company like RB. I do agree with the general sentiment that maybe they could’ve appointed someone with ballet background or even someone more focused on exploring and developing within the grounds of classical ballet.
  14. Joy has certainly talked about it but more in the sense “that’s the reason I wasn’t the star I thought I would be in Russian soil” which ends up tainting her arguments to be honest.
  15. After reading the Guardian review I really wish Woman with Water was part of the streaming, but as I was informed by Lukas Bjørneboe Brændsrød it won’t due to rights to the piece.
  16. Leticia Dias let it slip a rehearsal for a ballet that I don’t recall being announced for the 2021/2022 season (There is actually 2 casts for it) . Would they announce something else for the season still or could this be for a gala?? Any idea? I didn’t put the name of the ballet because I think this might infringe on the forum’s guidelines.
  17. I’ve been wondering if there is a reason behind Cinderella not being performed in so many years by the company. And if they were to do it again I imagine it would be very much like Coppelia was, a brand new ballet for the majority of the dancers.
  18. I believe Hayward will be performing opposite Sambe on Water for Chocolate, though there could be a casting with them too I suppose.
  19. I’m going to be watching the stream for this programme later and reading the replies in this post got me thinking about the performance a lot. I may have to get back to this after watching it, but from everything that has been announced for the 2021/2022 season it seems like the company didn’t want to rush the company into classics straight away in a effort to let the dancers gradually go back to their top physical form before the pandemic ( also avoiding unnecessary injuries). That’s not to say that what they are delivering now isn’t physically demanding but I’m sure the body can only take so much and be pushed to a certain limit. Given how they generally rehearse things in parallel the current programme may be a option that it’s better to start and warm up everyone for whats to come. I’ll probably be back to give my impressions later this weekend of the performance 🎭.
  20. What a great interview! I think what stuck to me the most during it was a sense o true partnership between Matthew and Mayara, they are very in tune with each other. Indeed a lovely couple ! It’s interesting how they pointed out that it was during lockdown that they really got to develop this exciting new stage partnership too (for the Royal Ballet and personal projects) . Having seen them dancing together twice during the ROH online streams, I truly hope they are more often cast together now that life is slowly getting back to a certain normal at the Royal Ballet. They showed such incredible chemistry in the two pieces shown, “Within the Golden Hour” (they’re still have my favourite interpretation of that pdd) and “Carrousel”, that made me wish we had more of them on the streams overall. Given the many opportunities for debuts next season where Magri will be a Principal with the company, I expect a few of them to hopefully be shared with Ball, maybe R&J or Giselle.
  21. She has spoken about specific roles a lot on her interviews in portuguese especially recent ones. I do wish I could translate them but the dancersdiary interview is a good alternative for people that wants to hear more about her story.
  22. To me Fumi’s best season was her last one and I believe she was 29 then. In my opinion Mayara was supposed to have hers, kicking off with Swan Lake, when the pandemic happened. I have talked about this elsewhere but I think ballet has a serious problem with profiling that keeps certain dancers performing certain roles and not others. Gonna give as an example Morera and how long it took for her to dance Giselle. Other dancers I think this has happened to are Magri and Calvert ( Heap too to a certain extent ). I hope my point about “profiling” is understood as english is not my first language. I also hope that with the promotion Magri can now lobby for roles that I know from interviews that she wishes to be given the chance to perform.
  23. I’M SOOOO HAPPY FOR MAYARA! BUT also Fumi and Anna, all 3 were my bets to be promoted together actually and it happened! I’m surprised for Corrales not gonna lie. I did expect to see as principal eventually but didn’t know when. I’m happy for him though! For those sad, I think Clarke and Bracewell will be promoted as well but they didn’t want to have six dancers promoted to principals at once. That’s my guess. I feel for Hay because I love all his performances I’ve seen. I remember watching him in Mayerling and just thinking how wonderful he is. Grace, Richardson, Sissens and Dias are not surprised in my mind at all and I’m very happy for them. In all, I wanna congratulate everyone that was promoted!
  24. Good article. I feel like I can’t properly put into words my sentiments about Liam’s passing. I certainly extend my condolences to his family and friends. The loss of any friend and/or relative is always something incredibly tough to deal with, especially someone as young as Liam. About the article, I’m gonna be brief. The mindset that cancel culture is responsible for what happened is to honestly disregard the fact that a investigation happened. And people spoke up. But also the many other variables that leads someone to a situation like the one that happened. I know this from experience in my own family. Thats about as far as I’m going to be talking about this subject here on the forum.
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