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Viv

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  1. My thoughts are with you all in the UK right now, it must be devastating to head back into lockdown and zoom classes Hopefully this will cheer some dancers up, it is a short snippet about dancers at the Australian Ballet School in Melbourne and the semi-virtual performance they have been able to put on despite the challenging circumstances. https://www.abc.net.au/7.30/a-special-performance-for-aspiring-ballet-dancers/13037538
  2. I don't really know what my opinion is, but I stumbled across this from Sander Blommaert, former first artist of the Royal Ballet, which might be of interest. He seems to agree that if professionals with nice feet wear fake arches, it sets the bar even higher for students aspiring to be professional, and may make students without great feet think they don't have a chance. However, he thinks beautiful dancers with feet that aren't 'aesthetically pleasing' should be able to wear fake arches. I think that could potentially open up a whole other kettle of fish to decide "what is an aesthetically p
  3. Changing not just the UK, but potentially the world. I saw the below article on the Australian news last month and immediately remembered this thread. Thank you, Primrose, for continuing your advocacy. I'm sure it can't be easy for you and your family, but the changes you are fighting for will save lives xx https://www.abc.net.au/news/2020-09-22/disability-royal-commission-hears-of-drugs-effect-on-teenager/12689418
  4. I'm sorry but this makes me very uncomfortable... Not meaning to attack you or your comment but I feel like if we reverse the genders here, these are the kind of comments that perpetuate the dangerous views we're discussing in this thread. If I said "I have thought about her body shape in relation to ballet, it's not that she's too big I just don't think her muscles look long and lean. She doesn't have the body of a ballet dancer. She puts herself out there in a leotard, she's inviting these comments". That's obviously not what you said, I'm taking it a bit further to try and make the point, a
  5. I think there's a difference between helping children and young adults to understand barriers in the career they want, and building those barriers up for no apparent reason. In the ballet world, children learn about failure and favouritism and not being right for this particular part through the process of auditioning and exams and other things like that. They get to experience the rejection, or the joy of success, and they learn resilience on a small, child-size scale. That is a normal and healthy way to prepare children for the life they want and the obstacles they will face. Wha
  6. Sounds just like law school to me! And to a lesser extent, life in a top tier law firm (also not unionised I would note...) Pressure is heaped on young people because 'well they treated me worse than this and I survived', and also from the sense that you are toughening someone up for a challenging career. I recently heard from a friend that their coworker was bragging about belittling a graduate to the point that the poor grad burst into tears, and then the coworker continued to castigate the grad while they just stood there and sobbed! When seniors in the profession are challenged about the s
  7. I suppose it depends on what your goals are and what the alternative is. If you take the exam now by video, will you be able to move onto the next level and start progressing that or will there be some delay due to studio closures and summer holidays? If you don't do the video exam, how long do you think you would need to wait until you would be able to do a physical exam? Is there the opportunity to do class for a few months to regain strength and then do the exam, either in person or by video? Do you need to have passed a certain level to be able to qualify for the CBTS course? I
  8. If you're looking for inspiration or wondering why men might want to go en pointe, have a look at these Boston Ballet men killing it dancing La Bayadère! Obviously these men are at their peak in terms of technique and fitness and it would take years to dance at this level, but look at what can be achieved. If a man or boy wants to learn to dance en pointe, whether as a training aid to get stronger ankles, or simply because they think it looks beautiful, go for your life! The more versatile you can be as a dancer of the future, the better
  9. As a slightly different opinion, I have been recommended by a number of teachers that in order to get a flat grand jete in the air, it is necessary to be able to achieve a slight oversplit on the floor. You'll never be able to get your legs as high in the air as you can when sitting in a split so if you can sit in a slight oversplit, you'll be able to get your legs 'flat' in a grand jete. It could be argued that it's actually safer to have enough flexibility to achieve a slight oversplit, because then you're not right at the end of your range of motion in explosive motions like a split grand j
  10. Does anyone know of any good jazz or contemporary classes that are streaming at the moment? I am getting some really good ballet classes at the moment but I miss other genres
  11. I was able to find some sheet vinyl for sale at at the hardware store, 50% off and it's working a treat. A bit sticky but better sticky than slippery, and perfect for pointework.
  12. @trog I worry it'll rip up the satin too much and may end up not being the safest for pointe work. Excellent for tap though! I have found some vinyl floor tiles at bunnings which I could stick to a sheet of masonite, though they're a bit textured and will be a pain to try and line up. May be the best option in the end though. At least the old wooden floors have a nice spring to them!
  13. Has anyone found any good flooring materials that aren't from a dance flooring provider like harlequin? A non-slip vinyl floor or pond liner of some sort that won't cost an arm and a leg? I saw on the American site that people were using PVC shower pan liners as an alternative, but they aren't sold anywhere in Aus. I am keen to lay some kind of non-slip dance floor over my normal floor boards so I can practice pointe, but I don't think the 1mx1m harlequin square is big enough, and the Dot 2 Dance is prohibitively expensive at something like $400! I would consider buyin
  14. Actually, a friend of mine who has moved countries was reminding me of her old dance school the other day. I would definitely not trust them for ballet, but they have adult classes for jazz and contemporary that are later nights, close to my house and a much more reasonable price than most drop in adult classes. She raves about them and it looks like the adults are all having a lot of fun. However, the technique of their dancers I see on instagram (they have child classes and adult classes) show that 'fun' is more of a priority than technique. Which isn't necessarily a bad thing. I am wonderin
  15. Oh @LinMM you've pretty much hit the nail on the head! Two years ago the school started offering a classical/contemporary 'full time program' and since that point, everything has changed. Suddenly if you're not in the full time program you are simply there to pay your bill and stay out of the way of the future stars. It doesn't matter that I pay substantial fees and last year was dancing there 15 hours a week, or that I donate my time making costumes and helping with hair and makeup, sewing other peoples shoes, buying props with my own money, driving the girls with working parents home after e
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