Jump to content

margarite

Members
  • Posts

    408
  • Joined

  • Last visited

Reputation

545 Excellent

1 Follower

Recent Profile Visitors

5,834 profile views
  1. Not sure I’ll have any useful advice for you, but I do sympathise as I went through similar with my DD in year 10/11. Interestingly, she was stronger in performance skills when she was younger, I think working so hard on her technique almost dulled some of her natural ‘spark’ for a while. She was told she needed to work on her eyeline and projection and be ‘more confident’ but was often overlooked by teachers for the more outgoing dancers in the room, which obviously didn’t help with the confidence issue. I too dreaded the upper school auditions, but she ended up with several solid offers, plus got finals for a couple of schools that we’d thought she wouldn’t ever be considered for. Fast forward to year 12 and she is having the time of her life, so much more confident, and has been selected for featured roles in her school’s latest production. I think in hindsight, getting performance experience in the holidays would have benefitted her more than just the classical intensives she went to – she already had the technique – just needed to have some fun dancing out of the school environment. Best of luck to your DD, I’m sure the right upper school will spot her beautiful technique, knowing that they can develop her performance skills.
  2. We paid £45 last year, doctor just signed the form, no appointment needed.
  3. My daughter was waitlisted for the last two years, last year for the upper school intensive. She didn’t get offered a place from the waitlist. However, I have heard of others getting places later on. We didn’t apply this year for financial reasons. edited to add: she did however get a place from the waitlist for the spring intensive in 2022, often places become available after the payment deadline has passed. Good luck everyone 🤞🏻
  4. Lots get no’s, but would be less likely to post than a yes or waitlist!
  5. There will also be some children with offers from other schools as well as Hammond, so some MDS might be handed back if they decide to go elsewhere.
  6. Each MDS award amount is dependent on an individual family’s income. There is a calculator on the Hammond fees page so you can work out how much you’d have to pay if your child received an award.
  7. As MDS and DaDa awards are from the government, they have to ask for evidence. I had to supply P60s and monthly payslips to evidence our income when we applied for a Dada.
  8. Hiya, just to clarify that people do get ‘no’s’ from the diploma audition. They also cut people halfway through the day, my DD and her friends saw this happen at several Hammond auditions last year. So to get through the day is good, and to get an offer is even better!
  9. It depends. My daughter’s year 7 started off with 19 (18 dancers and one theatre arts) - by year 11 there were around 26-28 pupils in her year - still around 18 dancers, the rest theatre arts. I think the current year 7/8 are quite small - around 15 children? I guess numbers depend on the amount of families each year who can afford to pay full fees once the MDS spots are taken.
  10. The school has a set amount of MDS awards, it’s not a pot of money (unlike DAda awards) the number of available MDS awards fluctuates from year to year depending on how many are given back from the outgoing year 11. When my daughter was in year 7 ( a while back!) 10 out of the 18 dancers had an MDS. Over the next few years about three dancers joined in years 8/9 also receiving an MDS award. A couple of children left over time and their awards were redistributed, sometimes to other years. Discussing awards is not really allowed, but the kids always talked about who had what quite freely! So I would say that on average a year 11 group would be handing back between 8-12 awards for the school to reallocate. These would normally go to new year 7’s and 8’s.
  11. My DD got a place on the spring intensive and waitlist for summer when she was in year 10 - we took the photos at home on my iPhone. The next year we had pro photos done for auditions so used them to apply for the summer intensive - she got waitlist again! I think for intensives, as long as poses are correct, the picture quality doesn’t have to be perfect.
  12. The bus from Richmond to St Margaret’s drive is the H37 which goes from directly outside the station. Trains from Waterloo to St Margaret’s station are every 15 mins during peak times, then every 30 minutes at other times. If you’re travelling during morning or late afternoon rush hour I would avoid the bus as the road between Richmond and St Margaret’s gets very congested and the journey takes forever. It’s better at other times.
  13. DD did solos for Tring, NBS, Hammond and Rambert last year 👍. Her solo was a minute-long, which was the general requirement. Apart from Rambert specifying no classical ballet, the genre was up to the applicant. DD did a contemporary routine. No solo at Central or Elmhurst.
  14. Last year we heard the Friday after Saturday’s audition via email. Glad your daughter found the audition ok. I was surprised that DD said it was quite complex last year as auditions do tend to be aimed at intermediate/adv 1 level and she was studying adv 2 at the time! I hope you get good news soon.
  15. No, she auditioned in January and was offered a place the week after. The Dada offer came in late March - my understanding is that they wait until all the audition days are finished and then they start to offer Dadas according to their ‘talent list’. I can’t remember exactly about year group sizes, 25 seems to come to mind, but i think if the classical route is chosen in the second year the classes are much smaller, as the majority seem to choose Jazz/musical theatre strand.
×
×
  • Create New...