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TerpsichoreLondon

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  1. Selling a spare ticket for this Thursday's 'Carlos at 50' performance at 7.30pm. C34 (end of row), £35 face value. Can forward e-ticket. Message if interested!
  2. Thank you all for sharing these wonderful, rich reactions to the various casts and performances -- having been away from London for a few years I have absolutely adored reading and experiencing them through you, both with great nostalgia for my favourite artists and excitement for the new debuts I'd have loved to see. Reading the fouetté conversation made me think of Tamara Rojo's heyday with the RB. I don't know if my memory is just dazzled, but I'm sure she used to do something like all doubles for the first 16 counts, followed by 2 singles and a triple for the last 16. Or perhaps she used to vary the front half and keep to singles at the back. Does anyone else recall? Either way, they were fabulous!
  3. At risk of causing an avalanche... watching those videos, I am mostly struck by the loss of finesse in Polunin's dancing. I'm not talking about the 'wildness' of his interpretation - I have always enjoyed his performances and find his characterisation passionate, naturalistic, and quite captivating - and his ballon is still a thing to behold. I don't need princely restraint from this role. But at many points, there is an evident lack of precision and polish in much of the actual dance quality - the landings; the pirouettes; some of the partnering - which I find a rather sad reminder of greatness let slip away. It's still there in glimmers, but what could have been... I know many will disagree, but especially compared to the (still) incredible brilliance and delicacy of Cojocaru's dancing - and I hold my hands up as a lifetime devotee, though not without good reason, I think - for me, there is a distinct gap that appears. (And as another member of the 'younger generation' - frankly people can tattoo themselves wherever they want, but I find his rebelliousness nothing short of childish. Again, each to their own heroes!) Other than that - it looks utterly fabulous, and I'm devastated to have missed it.
  4. Hi all, I unfortunately can no longer make the first night of Bayadère with Nunez / Muntagirov / Osipova, and so have an amphi ticket looking for a good home. C78, £16, and it’s an e-ticket so can send right over. Please let me know if interested!
  5. Hi all, I have a pair of tickets (L42 & L43) for tomorrow's performance. Happy to sell together or individually. £25 each fv. Please let me know if interested, if not will return to ROH tomorrow morning. Thanks
  6. Hi MAB, I'd like to take this, thanks - will PM you.
  7. One spare amphi ticket for tonight’s Osipova/Shklyarov Manon - L73, £25. Can hand over the ticket or arrange pick up from box office tonight. Will return to ROH this afternoon if no takers.
  8. Also posted on Twitter - spare e-ticket going for tonight's Giselle. Amphitheatre G69, face value £35. Hope it'll find a good home - if not will return to Box Office later this PM. Drop me a message if interested!
  9. FYI - the Times review of last night just up and highly impressed by all involved https://www.thetimes.co.uk/article/dance-review-giselle-at-covent-garden-v7kkpkvxx
  10. I agree entirely - I thought it was beautiful, a much more musical and ethereal version of the lift than the usual. Just lovely. As ever, Osipova was unparalleled in the role, and I was absolutely in raptures over the partnership with Hallberg until the ill-fated injury. But Matthew Ball did wonderfully to step in at such short notice and I was glad to get a sneak peek of the upcoming pairing for Swan Lake. Emotionally, though, I agree that the evening felt somewhat cruelly curtailed, with Hallberg & Osipova unable to bring the intensity of Act I to fruition, and Ball & Osipova not having had the chance to build up the connection over the course of the full ballet. I'm looking forward to seeing the full expression of this partnership in Swan Lake - and keeping everything crossed that Hallberg will be able to perform next week and give us the Giselle we were all hoping for.
  11. Long shot I know... but I find myself in possession of two tickets to the opening night of NYCB's winter season on Tuesday, which I can sadly no longer attend. Date: Tuesday, January 23, 2018 at 7:30 PM Venue: David H. Koch Theater Programme: ALL BALANCHINE NO. 1 Apollo: Chase Finlay, Sterling Hyltin, Ashley Bouder, Lauren Lovette Mozartiana: Maria Kowroski, Tyler Angle, Daniel Ulbricht Cortège Hongrois: Sara Mearns, Russell Janzen, Lauren King, Emilie Gerrity, Savannah Lowery, Ask la Cour Seats: 2nd ring, D17 and D15 Tickets can be picked up at the Box Office on the night and are $80 each. If anyone would be interested, or knows anyone in NY who might be, please let me know! Thanks
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