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Jan McNulty

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Posts posted by Jan McNulty

  1. Links - Friday 22 March, 2024

     

     

    Reviews - Royal Ballet, Danses Concertantes, Different Drummer, Requiem, London:

    Louise Levene, FT

    Matthew Paluch, Broadway World

    Teresa Guerreiro, Culture Whisper

    Debra Craine, Times (share token)

    Nicola Rayner, Stage

    Marianka Swain, MSN via Telegraph (behind paywall)

     

    Reviews - Crystal Pite & Jonathan Young / Kidd Pivot, Assembly Hall, London:

    Lyndsey Winship, Guardian

    Bruce Marriott, Lifted Leg

    Charlotte Kasner, Seeing Dance

    Siobhan Murphy, Stage

    Mark Monahan, Telegraph (behind paywall)

     

    Review - New York City Ballet, mixed programme, Chicago:  Kyle MacMillan, Chicago Sun Times

     

    Review - National Ballet of Canada, UtopiVerse, islands, Suite en Blanc, Toronto:  Michael Crabb, Toronto Star

    Feature - William Yong, choreographer of UtopiVerse:  Osobe Waberi, Now Toronto

     

    Review - Joffrey Ballet, Anna Karenina, Berkeley:  David E Moreno, Culture Vulture

     

    Review - Company Wayne McGregor, UniVerse: A Dark Crystal Odyssey, London:  Anna Pujol Castiblanque, Seeing Dance

     

    Review - Ballet Icons Gala 2024, London:  Jim Pritchard, Seen and Heard International

     

    Review - 92NY 150th Anniversary Gala, New York:  Cecilia Whalen, Fjord Review

     

    Review Feature - Justin Peck, Illinoise, New York:

    Caedra Scott-Flaherty, NY Observer

    Victor Gluck, Theater Scene

     

    Review - San Francisco Ballet, Mere Mortals, San Francisco:  Jack Marquez, Splash Magazine

     

     

    Preview Feature - Yorke Dance Project, California Connections: Three Pioneering Women, London:  Joy Sable, Jewish Chronicle

     

    Preview Feature - Grand Kyiv Ballet, Giselle, Wichita:  Jedd Beaudoin, KMUW

     

     

    Feature - Leanne Benjamin, AD Queensland Ballet:  Phil Brown, In Qld

     

    News - Pam Tanowitz, choreographer, to receive 2024 Jacob’s Pillow Dance Award:  Staff, Berkshire Eagle

     

    Video Feature - Philadelphia Ballet helping to inspire young choreographers:  Jennaphr Frederick, Fox 24

     

    Feature - The Burkina Faso dance school opening doors for young talent:  Élia Borrás, Guardian

     

    Feature - Sunny Choi brings break-dancing to the Olympics:  Katja Vujić, MSN

     

     

     

     

     

    • Thanks 5
  2. 2 hours ago, Missfrankiecat said:

    How ridiculous.  I assume it applies to the men too?   I was astonished the French put up with that.

    Having done some googling, though, I see they are fully in favour and angry that Macron may change the pension rules - apparently, according to one ballerina  "Once you reach the age of 42, you're already suffering from arthritis, stress fractures, hernias and in some cases titanium hips." 


    Yes it does.

  3. Links - Thursday 21 March, 2024

     

     

    Obituary - Steve Paxton, Experimental choreographer & dancer:  Michael Quinn, Stage

     

     

    Review - Australian Ballet, Alice’s Adventures in Wonderland, Melbourne:  Stephanie Glickman, Australian Stage 

     

    Review - Company Wayne McGregor, UniVerse: A Dark Crystal Odyssey, London:  Franco Milazzo, Broadway World

     

    Review - Joffrey Ballet, Anna Karenina, Berkeley:  Lauren Harvey, Daily Californian

     

    Review - China Oriental Performing Arts Group & Meishan Song and Dance Theatre, Dongpo: Life in Poems, New York:  Jerry Hochman, Critical Dance

     

    Review - Justin Peck, Illinoise, New York:  Lora Strum, Broadway World

     

     

    Book Review - Deborah Jowitt, Errand into the Maze: The Life and Works of Martha Graham:  Elizabeth Zimmer, Village Voice

     

     

    Film Review - Akeim Toussaint Buck, Displaced, Dunedin:  Ellen Murray, NZ Theatreview

     

     

    Preview - La Scala Ballet, Giselle, Shanghai:  Zhang Kun, China Daily

     

    Preview - Hong Kong Ballet, The Rule Breakers (triple bill), Hong Kong:  Zabrina Lo, Tatler Asia

     

    Preview - Shechter ll, From England With Love, London:  Teresa Guerreiro, Culture Whisper

     

    Preview - Ballet BC, Take Form (mixed programme), Vancouver:  Kristi Alexandra, Straight

     

    Video Preview - Orlando Ballet's 'Director's Choice' highlights Celtic heritage:  Staff, Spot on Florida

     

    Preview - Ballet Austin, POE / A Tale of Madness, Austin:  Ryan Anderson, Hoodline

     

     

    Feature - William Yong: Meet the first Asian choreographer commissioned for the National Ballet of Canada's main stage:  Mary Wiens & Muriel Draaisma, CBC

     

    Audio Feature - Emma Portner, choreographer:  Tom Power, CBC

     

    Podcast - Phil Chan & Doug Fullerton:  Gino Diminish, Indianna Daily Student

     

     

    News - San Francisco Ballet names Associate Artistic Director & Director of Artist Development:  Stephi Wild, Broadway World

     

    News - Under Rubble Of War, Children Twirl In Tutus In Ukraine Bomb Shelter Ballet:  Staff, Strat News Global

     

     

     

     

     

     

    • Thanks 5
  4. Links - Wednesday 20 March, 2024

     

     

    Review - Paris Opera Ballet, La Fille Mal Gardée, Paris:  Jonathan Gray, Bachtrack

     

    Review - San Francisco:  Heather Desaulniers, Critical Dance

    San Francisco Ballet, British Icons

    San Francisco Ballet, A Midsummer Night’s Dream

    Joffrey Ballet, Anna Karenina

     

    Review - San Francisco Ballet, A Midsummer Night’s Dream, San Francisco:  Esther Huang, Daily Californian

     

    Review - Australian Ballet, Alice’s Adventures in Wonderland, Melbourne:  Alex First, J-Wire

     

    Reviews - Pacific Northwest Ballet, One Thousand Pieces, Seattle:

    Moira Macdonald, Seattle Times

    Rich Smith, The Stranger

     

    Review - Alvin Ailey American Dance Theater, mixed programme, Portland:  Amy Leona Havin, Oregon Arts Watch

     

    Review - Norwegian National Ballet, The Wild Duck, Oslo:  Maggie Foyer, Bachtrack

     

    Review - Ballet Icons Gala 2024, London:  Vera Liber, British Theatre Guide

     

    Review - Company Wayne McGregor, UniVerse: A Dark Crystal Odyssey, London:  Dean Wood, Everything Theatre

     

    Review - Doug Varone and Dancers, To My Arms/Restore, Purchase:  Carla Escoda, Bachtrack

     

    Review/Feature - Tero Saarinen, Macbeth, Helsinki:  Chris Wiegand, Guardian

     

     

    Preview Feature - Alvin Ailey American Dance Theater, mixed programme, Los Angeles:  Victoria Looseleaf, San Francisco Classical Voice

     

    Previous Feature - Atlanta Ballet, Querencia (Masero), Atlanta:  Robin Wharton, ArtsATL

     

    Preview - Spring dance, Portland:  Grant Butler, The Oregonian

     

    Preview - Nevada Dance Company, Artistry in Motion, Carson City & Reno:  Staff, Carson Now

     

    Preview - Chattanooga Ballet, Sleeping Beauty + new work, Chattanooga:  Karlene Claridy, The Pulse

     

     

    Feature - So you think you can choreograph:  Sophie Bress, Fjord Review

     

    Feature - Constance Devernay, Ballet Nights & ex-Scottish Ballet details lifelong struggle with asthma:  Joanne Fowler, Yahoo Lifestyle

     

    Feature - Arlene Phillips, choreographer, at 80:  Emine Saner, Guardian

     

     

    News - Rome Opera Ballet to perform in Dubai:  Anupriya Mishra, Curly Tales

     

    News - Justin Peck/Sufjan Stevens Illinoise transferring to Broadway:  David Gordon, Theater Mania

     

    News - Ballet Ireland accused of ‘dragging art into politics’:  Staff, The Journal

     

    News - Liverpool: Dance in motion as new culture funding awarded:  Staff, Liverpool Express

     

     

     

     

    • Thanks 3
  5. 3 hours ago, FionaM said:

    The video is two run through edited together.  If you check, in some parts his trousers are rolled up and the other they are loose.  Which actually means he performed the whole piece twice (at least) for the filming crew!!


    Gosh Fiona, I’ve watched this video loads of times and never even noticed the trousers!!!

     

    IIRC BRB published quite a few rehearsal clips to keep us going during the dark days of the first lockdown.

     

     

    • Like 1
  6. PRESS RELEASE DATE: 19/03/24

     

    Young dancers to Step Around Town this Spring

    Step Around Town is an annual dance event for young people around London & Essex to experience the joy of dance

     

    image1.thumb.jpeg.7a714fbe09b74921486e4b1ecb7b4dec.jpeg

    Photo credit: Marble and Sky.

     

     

    • Young people from across the London boroughs will participate in Step Around Town, a Step into Dance event created by Royal Academy of Dance (RAD) in partnership with Jack Petchey Foundation, which is celebrating its 25th anniversary
    • From 16 April – 9 May, Step Around Town 2024 will be a series of uplifting and energetic evenings of dance suitable for everyone
    • Events are based in London boroughs: Wandsworth, Barnet, Croydon, Newham, Southwark and Bexley
    • Step Around Town is one of a number of events organised by Step into Dance, a programme enabling young people from across London and Essex to discover their potential through the inspiration and discipline of dance.

     

    From 16 April – 9 May 2024, young people from across six London boroughs will participate in Step Around Town. Step Around Town is a series of energetic and uplifting performances for young people from London and Essex to come together and experience the joy of dance, created by Royal Academy of Dance (RAD) in partnership with Jack Petchey Foundation. Performances will be taking place at schools and colleges in Wandsworth, Barnet, Croydon, Newham, Southwark and Bexley.

     

    The Step Around Town performances – happening from 16 April until 9 May – are a chance to see the array of work from schools and youth organisations on the Step into Dance programme, as well as appearances by Step into Dance’s youth company, SYNC. The shows offer the chance for young people on the Step into Dance programme to come together with their peers and showcase the different dance styles they’ve learnt in front of friends, families and their local community.

     

    For the first time the programme will include relaxed performances for SEND groups at the RAD’s HQ in Wandsworth. Inclusivity is at the heart of all Step into Dance events and these sharings have been specifically curated to cater to students with additional needs.

     

    Step Around Town is one of the many events created by the Royal Academy of Dance’s Step into Dance programme, which is one of the UK’s largest inclusive secondary school programmes run in partnership with the Jack Petchey Foundation. Other Step into Dance events include Step into Dance’s Battle and Step Live, which provide further opportunities for young people to come together and dance.

     

    Speaking of the programme Tim Arthur Chief Executive of the RAD says: “Step Around Town is a brilliant series of events where young dancers from our Step into Dance programme share the wonders of dance. These events are highly anticipated by friends, families and the local communities, and really showcase the positive impact dance has on young people’s social skills and confidence.”

     

    Gemma Juma, Chief Executive Officer of the Jack Petchey Foundation, said: “The Step Around Town events are an opportunity for the local community to come together and celebrate young dancers. The talent and creativity on show is always exceptional, and their enthusiasm brings with it a joyful atmosphere. It’s a great showcase of what these young people can achieve with hard work and dedication.”

     

    Step into Dance, a Royal Academy of Dance programme in partnership with the Jack Petchey Foundation, enables young people to develop their passion, skills and understanding of dance. Working with mainstream and SEND schools across London and Essex, Step into Dance reaches around 3,000 students annually through a diverse and inclusive programme of weekly classes, workshops and performance opportunities, aiming to reach those that might not otherwise connect with dance.

     

    TICKETS

     

    Performances take place across London boroughs from 16 April – 9 May. Tickets are free although donations will be accepted on the door: https://www.royalacademyofdance.org/dance-with-us/step-into-dance/events/step-around-town-2024/   

     

    To learn more about Step into Dance programme visit: https://www.youtube.com/watch?v=4t_lH8mVC74

     

    If you’d like to be part of the Step into Dance programme visit: https://www.royalacademyofdance.org/dance-with-us/step-into-dance/schools/

     

     

    Notes to Editors

     

    Step into Dance

    Delivered by professional dance practitioners and artists, Step into Dance supports the general wellbeing and healthy development of young people, and enables them to develop knowledge, techniques, and experiences in dance, as well as acquiring personal skills that transfer to being successful in whatever their future lives may hold.

     

    The main objective of the Step into Dance programme continues to be to reach as many young people as possible in the London and Essex regions through regular dance sessions in schools, creating opportunities for youth to connect to dance, and reaching young people that might not otherwise have this possibility.

     

    Step into Dance is a Royal Academy of Dance programme in partnership with the Jack Petchey Foundation

     

    www.royalacademyofdance.org/step-into-dance

     

    Royal Academy of Dance

    Royal Academy of Dance (RAD) is one of the most influential dance education and training organisations in the world with a strong global membership in 85 countries.

     

    Established in 1920 to improve standards and re-invigorate dance training, the Academy helps and encourages its teachers to perfect their teaching skills and pass on this knowledge to their students. There are currently over 1,000 students in full-time or part-time teacher training programmes with the Academy and each year the examination syllabus is taught to thousands of young people worldwide, with around a quarter of a million pupils per year going on to take RAD exams.

    www.royalacademyofdance.org

     

    Jack Petchey Foundation

    Established in 1999, The Jack Petchey Foundation gives grants to programmes and projects that benefit young people aged 11-25, focusing on London and Essex. The Foundation exists to raise the aspirations of young people, to help them take advantage of opportunities and play a full part in society. Since it has been established, the Foundation has awarded grants totalling over £170 million. In 2024 the Foundation is celebrating its 25th anniversary with a series of events.

    www.jackpetcheyfoundation.org.uk

  7. Someone was recently asking in Doing Dance for used pointe shoes to decorate.

     

    Some companies have, in the past, offered used pointe shoes of principal dancers (signed) for sale, for prizes or gifts for donors.  (Not pointe shoes but friends arranged for me to get a signed pair of Chi Cao's shoes for a significant birthday).

     

    Coincidentally there is a feature in Links today about what Pacific North West Ballet does with used pointe shoes.

    • Like 2
  8. 13 minutes ago, Missfrankiecat said:

    I totally agree with your first sentence.  A whole performance constitutes much more than simply performing the steps correctly.  And everyone makes mistakes occasionally - part of a great dancer's judgment is knowing when to push and when it is necessary to adapt to mitigate a  clearly visible mistake or fall.  But ultimately ballet is a technical art and an ability to perform the steps as choreographed is the baseline of a principal dancer for me.  So I can't go along with the theory that performing 32 fouettés isn't integral to dancing Odile, so that an interpretation which doesn't contain those steps is as valid as one which does.  Of course, I'm talking about dancers who regularly substitute easier choreography in classics, not someone dealing with the odd 'bad day at the office'.

     

    It really wouldn't bother me if I never saw another fouetté.  I don't count them and I prefer (if they are done) to see singles rather than doubles.

    • Like 5
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  9. 22 minutes ago, TSR101 said:


    Yes there are other important elements to the role - can you embody both Odette and Odile for a start - but it is so iconic, and in a proper performance where you've have been picked by your company and had proper preparation and coaching, then personally I'd say it does matter. If you can't do it, when the role demands it, then you are exposing a technical deficiency regardless of how good otherwise a dancer you are. 

     

    I'm sorry but I think that is somewhat harsh.  Anyone can have a bad day at the office.  Fouettés do nothing for me during a full length performance and if a dancer substitutes a different step for whatever reason it absolutely doesn't bother me.

     

    As a Friend of various companies over the years I have seen dancers in class perform immaculate fouettés that subsequently they have struggled with during performance.  I would rather a different step or a neat ending.

    • Like 8
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  10. Links - Monday 18 March, 2024

     

     

    Review - London:  Sarah Crompton, Observer

    Company Wayne McGregor, Autobiography (v95 and v96)

    New York City Ballet, quad bill

     

    Review - San Francisco Ballet, A Midsummer Night’s Dream, San Francisco:  Charles Lewis lll, 48 Hills

     

    Reviews - Company Wayne McGregor, London:

    UniVerse: A Dark Crystal Odyssey:  Vera Liber, British Theatre Guide

    Autobiography (v95):  Graham Watts, Bachtrack

    Autobiography:  Nicola Claire, Seeing Dance

     

    Review - Australian Ballet, Alice’s Adventures in Wonderland, Melbourne:  Savannah Indigo, Arts Hub

     

    Review - Sao Paolo Dance Company, triple bill, Wolverhampton:  Alison Brinkworth, Birmingham Live

     

    Review - 92NY 150 years celebration, New York:  Caedra Scott-Flaherty, NY Observer

     

    Review - Belle - A Performance of Air, Wellington:  Jennifer Shannon, ... on dancing

     

    Review - The Farm, Stunt Double, Canberra:  Michelle Potter, ... on dancing

     

    Review - Deos Contemporary Ballet, Ember 24, Grand Rapids:  Marin Heinritz, Revue WM

     

     

    Preview - Top 10 dance picks for Spring, San Diego:  Marcia Luttrell, San Diego Union Tribune

     

     

    Roundup - Best in Queensland dance in 2023:  Denise Richardson, Dance Australia

     

    Q&A - National Ballet of Canada star Guillaume Côté finds new freedom in X (Dix):  Janet Smith, Stir

     

    Feature - Reka Gyulai is enjoying her transformation into choreographer:  Marcia Luttrell, San Diego Union Tribune

     

    Feature - The St Pat’s Dancers of Newfoundland:  Ryan Bradshaw, Dance Current

     

    Feature - NJK Co’s Kaguwa in Tokyo:  Donican Lam, Japan Times

     

    • Thanks 5
  11. I saw this production in my first year as a ballet-watcher in 1984 at the Liverpool Empire when the company was still Sadler's Wells Royal Ballet.  I've seen it many times over the intervening years.  One of the most memorable Auroras for me was Sandra Madgwick.  I saw a performance at the Royal Opera House where her rose adagio was so glorious I cried.  Not only was she the princess but her technique was so impeccable and she was holding her balances for so long that the orchestra had to slow down!

     

    Since then over the years BRB had some Auroras who were, perhaps, not quite ready for the role.  You could tell how confident the company were that the dancer would get through the rose adagio by the number of principal men dancing as a prince in that scene.

     

    Then along came Nao Sakuma and Ambra Vallo and the Auroras were right up there again.

     

    This year, I have been able to catch seven performances (including 3 in Sunderland this past week).  I can say that they have been some of the best I have seen Birmingham Royal Ballet perform - not only the glorious Auroras, Princes, Carabosses but the whole company.

     

    So onto Sunderland and Thursday evening.  Yu Kurihara continues to impress as the Princess.  In act 1 you can she is thrilled to be at her first "grown up" party.  She's initially overwhelmed when her father tells her she is to marry but then you see her visibly blossom and flirt with the princes.  Of course, Lachlan Monahan is her perfect prince and their duets in the vision scene and the gpdd sent shivers running down my spine.  Gabriel Anderson was very scary as Carabosse!

     

    What a treat on Friday afternoon!  The sublime Celine Gittens gave us a divine performance as Aurora - every tiny little gesture had meaning.  Her prince was soloist Yasiel Hodelín Bello.  He is a very fine dancer with a gorgeous leap and silent landings and he acted the love-lorn prince very well even if he ran out of a bit of puff towards the end of the gpdd.  Daria Stanciulescu gloried in her evilness as Carabosse.  Of the Lilac Fairies I have seen during this run Tori Forsyth-Hecken had the most authority on stage and she was a great match with Daria.

     

    So on Friday evening we were treated to the truly awesome Momoko Hirata who was absolutely transcendent in her performance.  What a privilege it was to be in the audience.  At this performance her prince was Tzu-Chao Chou who was brilliant.  Regan Hutsell was ferociously scary as Carabosse and while Yu was a beautiful Lilac I felt that Carabosse had the best of her on the night (if you see what I mean).

     

    Of course the rest of the company was on superb form and they all contributed to making the performances so very enjoyable.  Dancers I particularly enjoyed watching in various roles were Reina Fuchigami, Rosanna Ely, Olivia Chang Clarke, Gus Payne, Ryan Felix and Jack Easton but I feel almost unfair in selecting them above anyone else.

     

    Sadly I had to miss the final performance of the week but what a wonderful three performances I had seen.

     

    BRB are most certainly on fabulous form!

     

    • Like 12
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  12. On 15/03/2024 at 08:29, Cristina T. said:

    Ciao, mia figlia l'anno scorso era stata ammessa poi a causa di un infortunio ha dovuto rinunciare, una sua coetanea che era in lista d'attesa è stata poi ripescata dalla lista d'attesa.

    Quest'anno ci ha riprovato ed è stata ammessa al livello superior pro, ha 18 anni.

     

     

    Hello @Cristina T. and welcome to the Forum!

     

    Here is a google translate for our non-Italian speaking members:

     

    "Hi, my daughter was admitted last year then due to an injury she had to give up, one of her peers who was on the waiting list was then taken off the waiting list. This year she tried again and was admitted to the superior pro level, she is 18 years old."

    • Like 1
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  13.  

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    PRESS RELEASE

    14 March 2024

     

    DANCE UMBRELLA ANNOUNCES THE EUROPEAN PREMIERE OF ABBY ZBIKOWSKI’S RADIOACTIVE PRACTICE AT SADLER’S WELLS AS PART OF THE 2024 FESTIVAL IN OCTOBER

     

     

    In 2018 Abby Zbikowski was nominated by Stephen Petronio as a ‘Choreographer of the Future’ for Dance Umbrella’s Four by Four commission initiative, which marked the festival’s 40th anniversary. The resulting work, Radioactive Practice, was originally due to be performed at Dance Umbrella in 2020. Following delays caused by the global pandemic, a specially filmed version of Abby Zbikowski‘s Radioactive Practice was premiered at Dance Umbrella Festival 2022. It now has its European premiere at Sadler’s Wells as part of Dance Umbrella Festival 2024.

     

    Dance Umbrella Artistic Director and Chief Executive Freddie Opoku-Addaie said: ‘Astonishing individual physicality meets collective perseverance in this remarkable show. Radioactive Practice by Abby Z and the New Utility is a cheerleader for our bodies’ disparate histories and a masterclass in showcasing the plurality of movement languages that exist in contemporary dance composition - it makes visceral the common ground in our existences. I cannot wait for London’s global audiences to see this work in our most bespoke and intimate setting at Sadler’s Wells to date.’

     

    Hurtling onto the stage with explosive physicality, six performers challenge their physical and mental limits in a genre-bending new work named one of New York Times’ ‘Best Dance Performances of 2022.’

     

    Drawing influences from street dance, synchronised swimming, post-modern dance, tap, football, martial arts and contemporary African forms; Radioactive Practice from award-winning American choreographer Abby Zbikowski and crew, shatters movement expectations and explores our instincts for survival.

     

    With audiences seated on multiple sides, this powerful piece incorporates the work of Senegalese dance artist Momar Ndiaye as dramaturg to interrogate the complexities of contemporary living.

    Abby Zbikowski and her company Abby Z and the New Utility create contemporary dance works that pay homage to the effort of living. Zbikowski’s rigorous training in African and Afro-diasporic forms, playing sports and performing manual labour informs her craft.

     

    Radioactive Practice is presented by Dance Umbrella and Sadler’s Wells. The full DU2024 programme announcement will be in June.

     

    LISTINGS INFORMATION

    European Premiere

    Abby Zbikowski and the New Utility

    Radioactive Practice

    Friday 18 October (Press Night) & Saturday 19 October, 7.30pm Sadler’s Wells

    BSL Interpreted Post Show Talk – Friday 18th October Approx. 60 minutes, no interval

     

    Credits:

    Choreographer/Director: Abby Zbikowski
    Performers/Collaborators: Indya Childs, Fiona Lundie, Mya McClellan, Jennifer Meckley, Benjamin Roach, jinsei sato
    Rehearsal Directors: Fiona Lundie, Jennifer Meckley
    Dramaturg: Momar Ndiaye
    Lighting Designer: Jon Harper
    Touring Technical Manager: Sarah Chapin
    Original Music: Matthew Peyton Dixon

    Warning: There are flashing lights for about 40 seconds in the last 15 minutes of the work.

     

    BIOGRAPHIES

     

    Abby Z and the New Utility

    Choreographer Abby Zbikowski created Abby Z and the New Utility in 2012 with dancers Fiona Lundie and Jennifer Meckley to experiment with the potential and choreographic possibility of the body being pushed beyond perceived limits, creating a new movement lexicon that triangulates dancing/moving bodies across multiple cultural value systems simultaneously. In 2016, Abby expanded the company to nine performer/collaborators for her first evening-length commission. “abandoned playground” premiered to a sold-out run at the Abrons Arts Center in New York in April 2017, leading to Zbikowski being honoured with the Juried Bessie Award, and was awarded the inaugural Caroline Hearst Artist in Residence at Princeton University, along with commissions from national and international organisations. Abby Z and the New Utility have been presented at Jacob’s Pillow Dance Festival, the Boston ICA, 92nd St Y, Movement Research at Danspace Project, Gibney Dance Center, Bard College, New York Live Arts, and the Fusebox Festival in Austin, Texas, among others. In 2021 the company was granted residency support at the Wexner Center for the Arts in Columbus, Ohio to rebuild work following a year long pandemic shutdown. Currently, they are working out of Columbus and New York City with collaborators locally, nationally, and internationally.

    Abby Zbikowski

    Abby Zbikowski (she/her) is a choreographer creating contemporary dance works that pay homage to the effort of living, tactics of survival, and the aesthetics produced as a result, utilising the physical aspects and psyche-emotional experience of her rigorous training in African and Afro-diasporic forms, playing sports, and performing manual labour. She founded Abby Z and the New Utility in 2012 and received the 2017 Juried Bessie Award In 2018 she received a “Choreographer of the Future” commission from Dance Umbrella and in 2020 a United States Artists Fellowship. She is a Caroline Hearst Choreographer-In-Residence at the Lewis Center for the Arts at Princeton University, and artist-in-residence at New York Live Arts. Abby has had past residencies at the Bates Dance Festival, American Dance Festival, the STREB Lab for Action Mechanics, and the Wexner Center for the Arts. She is currently an Associate Professor of Dance at The Ohio State University, and on faculty at the American Dance Festival. She has taught at the Academy of Culture, Latvia; at Festival Un Pas Vers L’Avant, Ivory Coast; and studied at Germaine Acogny’s L’École de Sables, Senegal. Zbikowski has created commissioned work for the Dayton Contemporary Dance Company, as well as universities across the USA.

     

    NOTES TO EDITORS

     

    About Dance Umbrella

    Dance Umbrella is a London festival 45 years in the making and moving with the times. Every year our festival ignites London and online with the next generation of trailblazing artists. Since 1978, we have been an international home for dance across a global city, presenting more than 1000 artists from 45 countries to over one million people. We have brought outstanding dance to more than 145 venues throughout London and online; from the high-profile stages of Sadler’s Wells, Southbank Centre and Barbican to local arts centres – and taking in the more unexpected locations of canal boats, ice rinks and car park rooftops in between.

     

    Since 2020, we have also given online audiences the chance to experience the festival through a curated programme including dance films and artist encounters. Dance Umbrella is also a commissioner of new work, co-producing with partners based in the UK and abroad, to invest in the next wave of international choreographic talent. Alongside this, we create year-round creative learning initiatives for all ages and nurture the development of arts professionals.

     

    Appointed in 2021, Dance Umbrella’s new Artistic Director/CEO Freddie Opoku-Addaie's vision for the festival builds on its 45-year track record of commissioning and producing excellent work. This new chapter introduces a programme that puts emerging and diverse talent at its heart, reflecting the global identity of our London home.

     

    Dance Umbrella Festival 2024 will take place 6-31 October, across London and online.Watch this space for more spectacle shows announced in the coming months before the full festival LAUNCH in June.

     

    Danceumbrella.co.uk

     

    Dance Umbrella 4 x 4 Commissions

     

    In 2018 all three of Dance Umbrella’s Artistic Directors – Val Bourne CBE, Betsy Gregory and Emma Gladstone – invited an established artist from their time at the helm to nominate a ‘choreographer of the future’ as part of a new commissioning project, Four by Four, to celebrate Dance Umbrella’s 40th anniversary. Four by Four is a transformational intervention for these young artists as they emerge as dance makers and create a piece of repertoire which, after premiering in London, is then available for touring worldwide.

     

    To change and to diversify audiences for dance in the future, Four by Four disrupts the top-down approach to curation, introducing more creation and risk into our programme. It gives four artists, previously unknown to DU, a platform at one of the world’s leading dance festivals. Their fresh perspectives will help us continue to attract new and younger attendees for dance while providing bold work for established audiences.

     

    The artists selected for Four by Four:

    Mythili Prakash – nominated by Akram Khan
    Georgia Vardarou – nominated by Anne Teresa de Keersmaeker 

    Jon Maya Sein – nominated by Rocío Molina
    Abby Zbikowski – nominated by Stephen Petronio

     

    Thanks to your generous funding and support, we presented two new works at the 2019 Dance Umbrella festival from our first two Four by Four artists: Here and Now by Mythili Prakash, which premiered at Fairfield Halls and Why Should It Be More Desirable ... ? by Georgia Vardarou at the Lilian Baylis Studio, Sadler’s Wells.

     

    A specially filmed version of Abby Zbikowski‘s Radioactive Practice was premiered at Dance Umbrella Festival 2022.

     

    About Sadler’s Wells 
    Sadler's Wells is a world-leading dance organisation. We strive to make and share dance that inspires us all. Our acclaimed year-round programme spans dance of every kind, from contemporary to flamenco, Bollywood to ballet, salsa to street dance and tango to tap. 

    We commission, produce and present more dance than any other organisation in the world. Since 2005, we have helped to bring more than 200 new dance works to the stage, embracing both the popular and the unknown. Our acclaimed productions tour the world. Since 2005 we’ve produced 64 new full-length works and performed to audiences of more than two million, touring to 51 countries. 

     

    Each year, over half a million people visit our three London theatres - Sadler’s Wells Theatre, Lilian Baylis Studio and Peacock Theatre. Millions more attend our touring productions nationally and internationally or explore our digital platforms, including Sadler’s Wells Digital Stage.

     

    In 2024 we’re opening a fourth London venue in Stratford’s Queen Elizabeth Olympic Park. Sadler’s Wells East will house a 550-seat mid-scale theatre, as well as facilities for the new Rose Choreographic School and the hip hop theatre training centre, Academy Breakin’ Convention.

     

    Sadler’s Wells is an Arts Council England National Portfolio Organisation. 

     

     www.sadlerswells.com
    Stay up to date with everything Sadler’s Wells on social media

    Facebook: @SadlersWells 

    Twitter: @Sadlers_Wells

    Instagram: @sadlers_wells

    YouTube: Sadler’s Wells Theatre 

     

    Radioactive Practice Funder Credits

     

    The creation of Radioactive Practice was supported in part by a commission from New York Live Arts’ Live Feed Residency program with additional support from the Joseph and Joan Cullman Foundation for the Arts, the Mertz Gilmore Foundation, the National Endowment for the Arts, the New York City Department of Cultural Affairs in partnership with the City Council with special thanks to Council Member Corey Johnson, the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature, the Jerome Robbins Foundation, the Fan Fox & Leslie R. Samuels Foundation, the Scherman Foundation, and the Shubert Foundation.

    Radioactive Practice is a National Performance Network/Visual Artist Network (NPN/VAN) Creation & Development Fund Project co-commissioned by New York Live Arts, Dance Place, American Dance Festival, Wexner Center for the Performing Arts and NPN/VAN. The Creation & Development Fund is supported by the Doris Duke Charitable Foundation, the Andrew W. Mellon Foundation, and the National Endowment for the Arts (a federal agency). For more information: www.npnweb.org.

     

    Radioactive Practice is commissioned by ADF with support from the Doris Duke/SHS Foundations Award for New Works. Additional commissioning funds provided by the Caroline Hearst Choreographer-In-Residence Program at Princeton University’s Lewis Center for the Arts, Dance Umbrella’s Four by Four program, United States Artists Fellowship, the University of Illinois, Urbana-Champaign, and the Wexner Center for the Arts.

  14. And the press release:

     

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    For immediate release: Thursday 14 March 2024

    World-renowned choreographer and dancer Akram Khan returns to the stage as Sadler’s Wells announces autumn 2024 season

    World-renowned choreographer and dancer Akram Khan returns to his roots and delves into his past in his latest creation: GIGENIS: The generation of the Earth as part of Sadler’s Wells autumn season. The new work sees Khan joined onstage by acclaimed dancers who specialise in different Indian classical styles and live musicians. The full season, announced today, features South Asian dance, ballet, flamenco, contemporary, hip hop, folk, and tap, and includes two world premieres and seven UK premieres.
     
    Sir Alistair Spalding CBE, Artistic Director and Co-Chief Executive of Sadler’s Wells said: “Today we are delighted to unveil the remaining 2024 productions on our stages in Angel and the West End. There’s new work from leading international contemporary choreographers including our Associates Michael Keegan-Dolan, Akram Khan and Hofesh Shechter, and our International Associate Company Rosas led by Anne Teresa De Keersmaeker. There’s an opportunity to see work from some of the most exciting, cutting-edge emerging dance makers in the Lilian Baylis Studio, and a fabulous entertainment offer at the Peacock.”
     
    Highlights from acclaimed contemporary choreographers on Sadler’s Wells Theatre stage:
     
    The UK premiere of Akram Khan’s GIGENIS: The generation of the Earth, a Sadler’s Wells co-production, which explores nature, Mother Earth and mythology. Khan is joined onstage by renowned dancers who specialise in different Indian classical styles including Kathak, Kutiyattam and Bharatanatyam, and seven live musicians.

     

    Anne Teresa De Keersmaeker retraces her steps to the roots of dance and Western pop music in the UK premiere of EXIT ABOVE - after the tempest / d'après la tempête / naar de storm by Sadler’s Wells International Associate Company Rosas.
     
    New full-length work from Hofesh Shechter, co-commissioned by Sadler’s Wells, delves into the world of the subconscious: revealing fears, hopes, desires and a myriad of emotions from dreaming minds and waking thoughts. 

    Michael Keegan-Dolan presents the London premiere of NOBODADDY. This new work for his company Teaċ Daṁsa is a collaboration with celebrated folk musician Sam Amidon and is co-produced by Sadler’s Wells. 

    Abby Zbikowski draws on street dance, synchronised swimming, post-modern dance, tap, football, martial arts and contemporary African forms in the UK premiere of Radioactive Practice, presented with Dance Umbrella. 

    A world-class international ballet offer:
     
    Birmingham Royal Ballet presents two productions: Luna, a celebration of the pioneering women of Birmingham from an all-female, international creative team featuring choreography from Iratxe Ansa, Wubkje Kuindersma, Sadler’s Wells Associate Artist Seeta Patel, Arielle Smith, and Thais Suárez, and Frederick Ashton’s comical ballet La Fille mal gardée.

    Akram Khan’s acclaimed version of Giselle for English National Ballet returns to Sadler’s Wells Theatre.
     
    These productions join the previously announced Resurgence by London City Ballet, a mixed bill by National Ballet of Canada and Matthew Bourne’s Swan Lake: The Next Generation this autumn as part of Sadler’s Wells year-round Ballet with Attitude programme.
     
    Inspiring new dance innovations:

    Sadler’s Wells shares innovative choreography from some of the most exciting choreographers in the intimate Lilian Baylis Studio. marikiscrycrycry's DARK, HAPPY, to the CORE: a three-act work taking audiences into a world of ecstasy and euphoria, receives its UK premiere. Inspired by Hieronymus Bosch’s “The Garden of Earthly Delights”, Eva Recacha’s The Picnic, co-commissioned by Sadler’s Wells, explores themes of utopia and misogyny and is devised by a cast of professionals and participants.
     
    Mufutau Yusuf makes his Sadler’s Wells debut with Impasse, a physical exploration into the Black diasporic experience while Claire Cunningham examines the act of journeying in Songs of the Wayfarer, a Sadler’s Wells co-commission. Presented in partnership with Serpentine, Greek choreographer and dancer Lenio Kaklea contemplates the forest as a place for metamorphosis in Αγρίμι (Fauve).
     
    Following a two-year programme developing their practice, Sadler’s Wells Young Associates BLUE MAKWANA, Elisabeth Mulenga, Maiya Leeke and Roseann & Sula scale up their work and ambition to fill the Sadler’s Wells Theatre stage in Four, a mixed bill of new dance.
     
    Entertainment at the Peacock Theatre:
     
    At the Peacock Theatre, Sadler’s Wells’ home in the West End, Flamenco Festival favourite Manuel Liñan challenges the defined roles of male and female forms in ¡VIVA! and the family-friendly TUTU from Chicos Mambo sees an all-male cast work their way through an ever-changing, increasingly flamboyant wardrobe.
     
    ¡VIVA! and TUTU join the previously announced A Night with Janis Joplin, Danny Beard’s Straight Expectations, Stories – The Tap Dance Sensation and The Snowman as well as a one-off evening with Graham Norton to complete the autumn season at the Peacock.

     

    Sadler’s Wells today unveils a new visual identity with bold logos for each of its venues designed by Chestnut Creative.

     

    Tickets for newly announced events are on public sale from Monday 25 March at 10 am via www.sadlerswells.com. Booking opens to members on Friday 22 March.

     

     

    English National Ballet                                                            SADLER’S WELLS THEATRE
    Akram Khan’s Giselle                                                              
    Wednesday 18 – Saturday 28 September
    Tickets from £15

    Following acclaimed performances around the world, Akram Khan’s Giselle returns to Sadler’s Wells Theatre in London for the first time in five years.

    As the curtain rises, dancers in the shadow push against a forbidding wall, in a bold reimagining of one of the greatest romantic ballets - a story of love, betrayal and redemption.

    Mark Henderson's atmospheric lighting and Academy Award-winner Tim Yip's towering set conjure up a condemned factory and the ghosts that haunt it. The score by Vincenzo Lamagna is adapted from the original by Adolphe Adam is performed live by English National Ballet Philharmonic.  

    Akram Khan is a Sadler's Wells Associate Artist

    Audio-described performance on Saturday 28 September at 2:30 pm with accompanying Touch Tour at 1 pm


    Chicos Mambo                                                                        PEACOCK THEATRE
    TUTU                                                               
    Tuesday 1 – Saturday 5 October
    Tickets from £18

    This family-friendly show features an all-male cast of six dancers adorned in ever-changing, flamboyant costumes. TUTU lovingly mocks the most classical outfit while the performers skilfully parody more than 40 characters, covering everything from classical ballet to contemporary dance. 

    Audiences are treated to a hip-hop version of Swan Lake, a clumsy take on Dirty Dancing, and a dainty version of The Haka, as the cast twists expectations, while maintaining the highest level of performance.



    Hofesh Shechter Company                                                      SADLER’S WELLS THEATRE
    New Creation                                                                           UK PREMIERE            
    Wednesday 9 – Saturday 12 October
    Tickets from £15

    This new full-length evening showcases the physicality and complexity of Hofesh Shechter’s choreography and his inimitable dancers, as they delve into the world of dreams and the subconscious.

    The dancers’ bodies will bring to life the interplay between poetry and reality, accompanied by live musicians and Shechter’s trademark cinematic sound-score. For this new creation, Shechter reunites with lighting designer, Tom Visser, to create a powerful, sculptured space to this dreamscape.

    Hofesh Shechter is a Sadler’s Wells Associate Artist

    New Creation is co-commissioned by Sadler’s Wells

    Recommended age guidance 13+

    BSL interpreted post-show talk with Hofesh Shechter and Rob Jones on Thursday 10 October 2024



    Young Associates                                                                 SADLER’S WELLS THEATRE
    Four                                                                                                           WORLD PREMIERE       
    Tuesday 15 October
    Tickets £20

    After a sold-out debut in the Lilian Baylis Studio in 2023, the 2023/24 Young Associates BLUE MAKWANA, Elisabeth Mulenga, Maiya Leeke and Roseann & Sula scale up their work to fill the Sadler’s Wells Theatre stage.

    This mixed bill is an opportunity for these emerging artists to share what they have developed during the Young Associates programme, each showcasing their distinct and diverse styles as they take the next step in their choreographic careers. 



    Manuel Liñán                                                                                     PEACOCK THEATRE
    ¡VIVA!                                                              
    Thursday 17 – Saturday 19 October
    Tickets from £18

    Award-winning choreographer and dancer, Manuel Liñán returns to Sadler’s Wells with ¡VIVA!, a flamenco drag show nominated for an outstanding achievement in dance at the Olivier Awards 2023.

    Inspired by childhood dreams of wearing his female idols’ costumes, Liñán’s work combines the strongest elements of the flamenco form with his own creative and comedic queer expression. 

    The performance features dances showcasing traditional rhythmic footwork, curving arms and slaps to the thighs such as alegrías, tárantos and bulerías.



    Dance Umbrella & Sadler’s Wells present                                           SADLER’S WELLS THEATRE
    Abby Z and the New Utility’s Radioactive Practice                               UK PREMIERE          
    Friday 18 – Saturday 19 October
    Tickets from £15


    Six performers challenge their physical and mental limits in a genre-bending new work named one of The New York Times’ ‘Best Dance Performances of 2022.’

    Drawing influences from street dance, synchronised swimming, post-modern dance, tap, football, martial arts and contemporary African forms; Radioactive Practice from award-winning American choreographer Abby Zbikowski and her company Abby Z and the New Utility incorporates the work of Senegalese dance artist Momar Ndiaye as dramaturge to interrogate the complexities of contemporary living.    

    Radioactive Practice marks the company’s UK debut as part of Dance Umbrella Festival 2024.

    BSL interpreted post-show talk with Freddie Opoku-Addaie and the creative team and on Friday 18 October 2024 



    Birmingham Royal Ballet                                                         SADLER’S WELLS THEATRE
    Luna 
    Tuesday 22 – Wednesday 23 October

    La Fille mal gardée                                                                  
    Friday 25 – Saturday 26 October
    Tickets from £15


    Birmingham Royal Ballet (BRB) returns to Sadler’s Wells with new work and a classically comedic ballet.


    Luna is a new piece inspired by the pioneering women of Birmingham that forms the final part of Carlos Acosta’s Birmingham trilogy (City of a Thousand Trades, Black Sabbath). With an all-female, international creative team, including choreographers Iratxe Ansa (Spain), Wubkje Kuindersma (Netherlands), Seeta Patel (UK), Arielle Smith (UK), Thais Suárez (Cuba) and music composed by Kate Whitley (UK), Luna will explore contemporary universal themes.

    BRB will also present Sir Frederick Ashton's celebrated La Fille mal gardée (The Wayward Daughter) which mixes classical ballet with slick comedy. This is the first time La Fille mal gardée has been presented by BRB under the directorship of Carlos Acosta, who, for many, is one of the definitive interpreters of Colas in this sunny, effervescent ballet.

    Audio described performance on Saturday 26 October at 2:30 pm with accompanying Touch Tour at 12 pm



    Serpentine & Sadler’s Wells present                                                    LILIAN BAYLIS STUDIO
    Lenio Kaklea - Αγρίμι (Fauve)                                                                       UK PREMIERE
    Thursday 31 October – Friday 1 November
    Tickets: £17  

    In new performance commission Αγρίμι (Fauve), Lenio Kaklea choreographs a ‘rewilding of bodies’. Through on-stage exercises, dances and rituals, she explores the forest as a place both physical and imaginary for identities to dissolve and bodies to metamorphose. Here, humans and animals scatter and hide, stalking, pursuing and trapping each other. Places of calm and meditation, of ecstasy and vivid life, forests can also be threatening and toxic environments.

    As the first performance that links Kaklea’s choreography to the geographical, environmental and poetic richness of forests, this work presents dance as a wild zone to be defended. 

    Αγρίμι (Fauve) is presented by Serpentine in partnership with Sadler’s Wells.

    Post-show talk with Lenio Kaklea on Thursday 31 October


    marikiscrycrycry                                                                      LILIAN BAYLIS STUDIO
    DARK, HAPPY, to the CORE                                        UK PREMIERE            
    Thursday 7 – Friday 8 November
    Tickets £17


    DARK, HAPPY, to the CORE is a three-act work that takes a boisterous peek into the study of the mythos of ecstasy and euphoria. Originally commissioned by Roskilde Festival, the performance explores what makes us human and what binds us together through archetypes: ‘The Goner’, ‘The Oracle’, ‘The Pop Star’, ‘The Athlete’, ‘Goth Chick’, ‘The Angel’ and ‘The Business Guy’. DARK, HAPPY, to the CORE journeys through ritual darkness, the happy hardcore all the way to calm, collective, Caribbeanist cool.  

    marikiscrycrycry (Malik Nashad Sharpe) is an award-winning choreographer and movement director known for provocative and engaging performance works. marikiscrycrycry presents works internationally in theatres, galleries, and festivals and in 2022, was featured on the Forbes 30 under 30 list. 

    Post-show talk with Malik Nashad Sharpe and Rob Jones on Thursday 7 November


    Anne Teresa De Keersmaeker / Rosas                               SADLER’S WELLS THEATRE
    EXIT ABOVE - after the tempest / d'après la tempête / naar de storm      UK PREMIERE            
    Tuesday 12 – Wednesday 13 November
    Tickets from £25

    Anne Teresa De Keersmaeker explores walking as a primary form of movement, and the tension between marching together and stepping out alone in EXIT ABOVE. As a soundtrack to this exploration, De Keersmaeker returns to the roots of Western pop and blues music. 

    Anne Teresa De Keersmaeker founded Rosas in 1983 in Belgium. Her choreographic practice draws its formal principles from geometry, numerical patterns, the natural world, and social structures and is grounded in a rigorous exploration of the relationship between dance and music.

    Rosas is a Sadler’s Wells International Associate Company

    BSL interpreted post-show talk with Anne Teresa De Keersmaeker and Sir Alistair Spalding on Tuesday 12 November 2024.

     

     

    Mufutau Yusuf                                                             LILIAN BAYLIS STUDIO
    Impasse                                                                                               
    Thursday 14 – Friday 15 November
    Tickets £17

    Mufutau Yusuf makes his Lilian Baylis Studio debut with Impasse, a physical exploration into the diasporic experience, particularly the Black African diaspora. 

    Impasse questions what it means to be a diasporic entity, how you inhabit spaces in which your existence is not clearly marked, and how memory becomes critical to your identity. It’s also an attempt to understand the nuances and complexities around the autonomy of Black bodies, in and out of western space.

    Post-show talk with Mufutau Yusuf and Rob Jones on Thursday 14 November

    Commissioned by Liz Roche Company through an Arts Council Commission Award / An Chomhairle Ealaíon. Funded by The Arts Council / An Chomhairle Ealaíon. Supported by Solstice Arts Centre, Dublin Dance Festival, Maison de la Danse, Dance Cork Firkin Crane, Irish Arts Centre, and Ultima Vez



    Productions Sarfati                                                                 SADLER’S WELLS THEATRE
    GIGENIS: The generation of the Earth                                                  UK PREMIERE  
    Akram Khan                                                                                      
    Wednesday 20 – Sunday 24 November
    Tickets from £15

    Akram Khan returns to Sadler’s Wells Theatre in GIGENIS: The generation of the Earth, sharing the stage with an ensemble of renowned artists of Indian classical dance and seven live musicians. A choreographer and dancer rooted in the tradition of his practice, and a creative interpreter of stories that need to be experienced - Khan has revolutionised the world of dance.  

    In GIGENIS, Khan returns to his roots, to his traditions, and to his past in this new production – to a time when we were more connected with nature, Mother Earth and our mythology.

    Akram Khan is a Sadler’s Wells Associate Artist

    GIGENIS: The generation of the Earth is a Sadler’s Wells co-production

    BSL interpreted post show talk on Thursday 21 November with Akram Khan and Sir Alistair Spalding CBE


    Michael Keegan-Dolan/ Teaċ Daṁsa                                                   SADLER’S WELLS THEATRE
    NOBODADDY                                                                                                   LONDON PREMIERE

    Tríd an bpoll gan bun
    Wednesday 27 – Saturday 30 November
    Tickets from £15


    Teaċ Daṁsa, the dance and theatre company based in Ireland’s West Kerry Gaeltacht, brings together familiar and new collaborators to make NOBODADDY. This new work invites audiences and performers on a journey that will quieten some of the tyrannies arresting us.   

      
    Led by choreographer and Sadler’s Wells Associate Artist Michael Keegan-Dolan in collaboration with celebrated folk musician and song collector Sam Amidon and an international company of dancers and musicians, NOBODADDYconfronts the flat-line experience of exploitation and cynicism.  

    Before arriving in London, NOBODADDY premieres as part of the BELFAST 2024 cultural celebrations and opens the 2024 Dublin Theatre Festival.  


    BSL interpreted post show talk on Thursday 28 November with Michael Keegan-Dolan and Rob Jones

    NOBODADDY is a Sadler’s Wells co-production

    Michael Keegan-Dolan is a Sadler’s Wells Associate Artist



    Eva Recacha                                                                                               LILIAN BAYLIS STUDIO
    The Picnic                                                                                       WORLD PREMIERE     
    Wednesday 27 – Friday 29 November
    Tickets £17


    Sadler’s Wells co-commission The Picnic is a new full-length work by Eva Recacha which presents a group of young people enjoying themselves in a surreal blend of parading, celebrating, indulging and co-operating activities, as they emerge from a dreamlike picnic scenario. 

    The work, co-created with a cast of professionals and participants, explores themes of utopia and misogyny and it is inspired by the painting The Garden of Earthly Delights by Hieronymus Bosch, which presents many human figures in a terrestrial paradise, indulging in worldly pleasures.

    Post-show talk with Eva Recacha and Rob Jones on Thursday 28 November

    Co-commissioned by Sadler’s Wells and South East Dance, with support from London Contemporary Dance School. 


    Supported using public funding by the National Lottery through Arts Council England.



    Claire Cunningham                                                                  LILIAN BAYLIS STUDIO
    Songs of the Wayfarer                                                UK PREMIERE            
    Wednesday 4 – Friday 6 December
    Tickets £17


    In this new solo from one of the UK’s most acclaimed and internationally renowned disabled artists, Claire Cunningham returns to the Lilian Baylis Studio to examine the act of journeying, drawing comparisons with the world of mountaineering and inspiration from Gustav Mahler’s Lieder eines fahrenden Gesellen (Songs of a Wayfarer). 


    She re-engages with her past as a classical singer to reframe our vision of journeying, craft, and outdoor encounter through a crip* lens. 

    *crip is a political and cultural identity embraced by some disabled individuals

    Co-commissioned by Sadler's Wells 


    Relaxed, BSL Interpretation, Captioning & Audio Description for all performances
    Touch Tour on Thursday 5 December at 7pm

    BSL-interpreted post show talk on Wednesday 4 December with Associate Artistic Director Rob Jones and Claire Cunningham

     


    ********************************************************************************************************

    Choreographer Conversations:

    Join acclaimed choreographers in conversation with Sadler’s Wells Artistic Director and Co-Chief Executive Sir Alistair Spalding CBE, to discover what moves the world’s most influential choreographers working in dance today. The live conversations are recorded for Sadler’s Wells Digital Stage.


    Oona Doherty                                                              LILIAN BAYLIS STUDIO
    Saturday 13 July at 6.15 pm
    Tickets: £5

     

    NOTES TO EDITORS

    About Sadler’s Wells     
    Sadler's Wells is a world-leading dance organisation. We strive to make and share dance that inspires us all. Our acclaimed year-round programme spans dance of every kind, from contemporary to flamenco, Bollywood to ballet, salsa to street dance and tango to tap.  

     

    We commission, produce and present more dance than any other organisation in the world. Since 2005, we have helped to bring more than 200 new dance works to the stage, embracing both the popular and the unknown. Our acclaimed productions tour the world. Since 2005 we’ve produced 64 new full-length works and performed to audiences of more than two million, touring to 51 countries.  

     

    Each year, over half a million people visit our three London theatres - Sadler’s Wells Theatre, Lilian Baylis Studio and Peacock Theatre. Millions more attend our touring productions nationally and internationally or explore our digital platforms, including Sadler’s Wells Digital Stage.

     

    Sadler’s Wells East  
    In 2024 we’re opening a fourth London venue in Stratford’s Queen Elizabeth Olympic Park. Sadler’s Wells East will house a 550-seat mid-scale theatre, as well as facilities for the new Rose Choreographic School and the hip hop theatre training centre, Academy Breakin’ Convention. 

    Sadler’s Wells East joins the rich cultural heritage of Stratford, opening in London’s Queen Elizabeth Olympic Park as part of the East Bank development alongside the BBC, UAL’s London College of Fashion, UCL and the V&A. Sadler’s Wells East will support artist development and training, and the creation of new work. It will build the infrastructure for dance and make it accessible to more people. Sadler’s Wells East will house a flexible theatre presenting a wide variety of dance performances. Community will be at the heart of Sadler’s Wells East with a large open foyer that can be used by everyone as a meeting or performance space. There will also be dance studios and world-class dance facilities for dancemakers to train, create and rehearse productions.

     

    Supporting artists
    Supporting artists is at the heart of our work. We have associate artists and companies, which nurture some of the most exciting talent working in dance today. We host the National Youth Dance Company, which draws together some of the brightest young dancers from across the country. Sadler’s Wells Breakin' Convention runs professional development programmes to champion and develop the world’s best hip hop artists, as well as producing, programming and touring groundbreaking hip hop performances.  

     

    Learning and community links
    Around 30,000 people take part in our learning and engagement programmes every year. We support schools local to our theatres in Islington and Stratford, designing experiences for children and young people to watch, explore and critically engage with the arts. We also run Company of Elders, a resident performance company of dancers aged over 60 who rehearse with renowned artists to make new work for public performances locally, nationally and internationally.  

    Sadler’s Wells is an Arts Council England National Portfolio Organisation.  

     

    www.sadlerswells.com   
    Stay up to date with everything Sadler’s Wells on social media    
    Facebook: @SadlersWells    
    Twitter: @Sadlers_Wells    
    Instagram: @sadlers_wells    
    YouTube: Sadler’s Wells Theatre

     

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  15. And the press release (issued a couple of days ago but I've been in glorious Sunderland for Sleeping Beauty):

     

    PRESS RELEASE

      

    14 March 2024

     

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    FULL PROGRAMME AND CASTING ANNOUNCED FOR

     

    TCHAIKOVSKY CLASSICS AT SYMPHONY HALL

     

    A CELEBRATION OF THE MUSIC OF THE LEGENDARY COMPOSER

     

     

    image002.jpg.37e443d1cc07cb8b99f662160469f61a.jpg

     

     

    The award-winning Birmingham Royal Ballet and Royal Ballet Sinfonia return to the city’s famous Symphony Hall on 28 March with a spectacular night of Tchaikovsky Classics.

     

    Tchaikovsky Classics celebrates the music of the legendary composer whose classical ballet scores for Swan Lake, The Sleeping Beauty and The Nutcracker, a feature in BRB’s classical ballet programming, are recognised across the globe.

     

    The evening features world class dancers from BRB’s main company including principals Lachlan Monaghan, Max Maslen, Miki Mizutani, Momoko Hirata and Tzu-Chao Chou, as well as students from Birmingham’s Elmhurst Ballet School

     

    Performance highlights include excerpts from Tchaikovsky’s great works including the tender and romantic white swan pas de deux from Swan Lake; The Sleeping Beauty’s heart-stopping, bravura pas de deux for the Bluebird and Princess Florine from Act IV and the beautiful grand pas de deux for the Prince and the Sugar Plum Fairy from The Nutcracker.

     

    Alongside these, the Royal Ballet Sinfonia, conducted by Principal Conductor Paul Murphy, who will be BRB’s new Music Director and Principal Conductor from July, will play some of Tchaikovsky’s orchestral music that inspired the greatest 20th-century choreographers such as George Balanchine (Theme and Variations).

     

    Further highlights include the Russian Dance from Swan Lake, rarely performed in current versions of the ballet, and features one of the most prominent and virtuosic violin solos in the repertoire performed by Leader of the Royal Ballet Sinfonia Robert Gibbs.

     

    Finally, making his conducting debut performance with the Sinfonia, will be Yi Wei, BRB’s Constant Lambert Conducting Fellow, who will be taking the baton for Marche Slave, Op.31.

     

    The full programme and casting has now been announced:

     

    Polacca from Suite no.3

     

    Swan Lake: White Swan pas de deux
    Cast: Miki Mizutani and Max Maslen

    Swan Lake: Cygnets pas de quatre
    Cast: Rosanna Ely, Reina Fuchigami, Frieda Katoch, Rachele Pizzillo

     

    Swan Lake: Russian Dance

     

    The Sleeping Beauty: Garland Dance
    Cast: Elmhurst Ballet School

    The Sleeping Beauty: Sarabande and the Prince's Solo
    Cast: Tzu-Chao Chou

    The Sleeping Beauty: Bluebird pas de deux
    Cast: Sofia Linares and Enrique Bejarano

     

    Marche Slave, Op.31

     

    Polonaise from Eugene Onegin

     

    The Nutcracker grand pas de deux
    Cast: Yu Kurihara and Lachlan Monaghan

     

    Capriccio Italien

     

    Swan Lake: Act III pas de deux
    Cast: Momoko Hirata and Mathias Dingman

     

    Tickets for Tchaikovsky Classics at Symphony Hall, part of B: Music, on 28 March at 7.30pm are available at www.bmusic.co.uk

     

     

     

    Notes to Editors

     

    Birmingham Royal Ballet 

    Based at Birmingham Hippodrome, Birmingham Royal Ballet is the United Kingdom’s leading touring ballet company performing a range of traditional, classical and heritage ballets as well as ground-breaking new works with the aim of encouraging choreographers of the future. The Company’s Director since January 2020 is the internationally renowned Carlos Acosta. Birmingham Royal Ballet standardly performs at Birmingham Hippodrome for approximately ten weeks of the year and the remainder of the year tours throughout the United Kingdom and overseas. On average, the Company performs 100 shows a year nationally and internationally. 

     

     

    Royal Ballet Sinfonia 

    Royal Ballet Sinfonia is Birmingham Royal Ballet’s permanent orchestra, it is also Britain's busiest ballet orchestra. The Sinfonia also plays frequently for The Royal Ballet and other leading ballet companies, including performances with Paris Opéra Ballet, New York City Ballet, Australian Ballet, Les Grands Ballets Canadiens, the Kirov, Norwegian Ballet, Atlanta Ballet, San Francisco Ballet, and La Scala Ballet.

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