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Ian Macmillan

Dance links w/b Sunday March 31, 2019

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Links – Sunday 31 March, 2019

 

Obituary – Genevieve Oswaid, Dance Librarian & Archivist: Marina Harss, NY Times

 

 

Reviews – Northern Ballet, Victoria, London: Vera Liber, BTG

 

Review – Royal Ballet, Romeo and Juliet, London: Sarah Crompton, The Observer

 

Review – Mark Morris Dance Group, Pepperland; Royal Ballet, Romeo and Juliet, London: David Dougill, Sunday Times

 

Review – Mark Morris Dance Group, Pepperland, Salford: Georgina Wells, BTG

 

Feature – Our one language – why Dance is more popular than ever: Sarah Crompton, The Observer

 

Review - Scottish Ballet, Dextera (Premiere), Elite Syncopations, Inverness: Mark Brown, Telegraph

 

Preview – English National Ballet, She Persisted Triple Bill, London: Georgina Butler, Culture Whisper

 

Review – Dorrance Dance, Lessons in Tradition, Harlequin and Pantalone, Jump Monk, SOUNDspace, New York: Gay Morris, Danceviewtimes

 

Review – CUNY Dance Initiative, Mixed Bill, New York: Carla Escoda, Bachtrack

 

Review – Christine Devaney & Dancers, We Are All Just Little Creatures, Edinburgh: Dominic Corr, Reviews

 

Review – Kate Weare Company & Union Tanguera, Sin Salida, Sarasota: Carrie Seidman, Herald-Tribune

 

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Links - Monday 01 April 2019

 

 

Reviews - San Francisco Ballet, Lyric Voices programme, San Francisco:

Rita Felciano, Danceview Times

Heather Desaulniers, DanceTabs

 

Reviews - Northern Ballet, Victoria, London:

Graham Watts, DanceTabs

John O’Dwyer, Seen and Heard International

 

Coming up:

16 essential ballet shows to book for this spring:  Mark Monahan, Telegraph

Best dance and opera at Covent Garden this summer:  Claudia Pritchard, Culture Whisper

 

Reviews - Dorrance Dance, Jungle Blues, Basses Loaded programme, New York:

Marina Harss, DanceTabs

Siobhan Burke, NY Times

 

Review - Bill T Jones/Arnie Zane Company, Analogy Trilogy, Washington:  Mary Lincer, Broadway World

 

Dance Diary - March 2019:  Michelle Potter, ... on dancing

 

Featurette - Men now best at ballet, says Darcey Bussell:  David Sanderson, Times

 

Feature - Johan Anger, choreographer:  Karen Van Ulzen, Dance Australia

 

Review - I married an Angel (starring Sara Mearnsof NYCB), New York:  Faye Arthurs, Fjord Review

 

Review - Aspen Santa Fe Ballet, 1st Flash, Silent Ghost, Huma Rojo, Herzliya:  Ora Brafman, Jerusalem Post

 

Preview Feature - Southern California Ballet, Cinderella, San Diego:  Michael James Rocha, San Diego Union Tribune

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Links - Tuesday 02 April, 2019

 

 

Reviews - San Francisco Ballet, Space Between programme, San Francisco:

Claudia Bauer, DanceTabs

Janice Berman, SF Classical Voice

 

Reviews - Royal Ballet, Romeo and Juliet, London:

Jann Parry, DanceTabs

Emma Byrne, Standard

 

Review - Northern Ballet, Victoria, London:  Mark Pulling, Bachtrack

 

News - Sarasota Ballet announces 2019/20 season:

Jay Handelman, Sarasota Herald Tribune

Niki Kottmann, Sarasota Observer

 

Review - Mark Morris Dance Group, Pepperland, Salford:  Peter Jacobs, Reviews Hub

 

Review - Queensland Ballet, Dangerous Liaisons, Brisbane:  Deborah Jones, Follow Spot

 

Feature - Liam Scarlett:  Denise Richardson, Dance Australia

 

Interview - Kyle Abraham:  Barnett Serchuk, Broadway World

 

Review - Malandain Ballet Biarritz, Marie-Antoinette, Versailles:  Laura Cappelle, FT

 

Review - Saburo Teshigawara, The Idiot, London:  Graham Watts, Bachtrack

 

Feature - Black ballerinas finally get shoes to match their skin:  Lyndsey Winship, Guardian

 

Review Feature - Ballet Austin, Grimm Tales, Austin:  Thomas High, Cool Hunting

 

Exhibition Review - Lincoln Kirstein at MoMA, New York:  Ariella Budick, FT

 

Review - Damian Woetzel’s Demo, Now, Washington:  George Jackson, Danceview Times

 

Review - Kansas City Ballet, New Moves programme, Kansas City:  Hilary Stroh, Bachtrack

 

Interview - Lanre Malaolu, staring down the stigma of black men’s mental health:  Bridget Minamore, Guardian

 

Preview Feature - Cleveland Ballet, Coppelia, Cleveland:  Gwendolyn Kochur, Cleveland Scene

 

Features - Dior’s Maria Grazia Chiuri breaks into costume design:

Avery Felman, L'Officiel

Giacomo Minazzi, Vogue

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Links – Wednesday April 3, 2019

 

Review - San Francisco Ballet, Die Toteninsel (Scarlett), Rodeo (Peck), The Bjork Ballet (Pita), SF: Janice Berman, San Francisco Classical Voice

 

Review - San Francisco Ballet, programs 5 & 6, SF: Paul Parish, Bay Area Reporter

 

Reviews - Russian Ballet Icons Gala 2019, London:

Vera Liber, British Theatre Guide

Vikki Jane Vile, Broadway World

Jim Pritchard, Seen and Heard International

photos - Emma Kauldhar, Dance Europe

 

Preview - Martha Graham Dance Company, new works by Pam Tanowitz and Maxine Doyle and Bobbi Jene Smith: Gia Kourlas, New York Times

 

Preview - Natalia Osipova, Pure Dance: Lauren Wingenroth, Playbill

 

Interview - Ivan Putrov on his forthcoming programme Against the Stream: Jann Parry, DanceTabs

 

Interview - Sophie Laplane, Scottish Ballet’s resident choreographer: Kelly Apter, The List

 

Reviews - Dorrance Dance, NY:

Apollinaire Scherr, Financial Times

Robert Gottlieb, Observer

 

Review - Ballett Zürich, Nijinsky (Marco Goecke), Zurich: Maggie Foyer, SeeingDance

 

Review - CoDance Festival 2019, Taipei: David Mead, SeeingDance

 

Review - ICI-ICN Montpelier, une maison, Taipei : David Mead, SeeingDance

 

Interview - Robert Een, on composing music for dance: Rachel Hellwig, ARTS ATL

 

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Links – Thursday April 4, 2019

 

Obituary - Jonathan Taylor, dancer, choreographer, AD of Australian Dance Theatre: Michelle Potter, … on dancing

 

 

Reviews - The Royal Ballet, Romeo and Juliet / Russell Maliphant, The Thread, London: Laura Freeman, The Spectator

 

Reviews - New York City Ballet, Composer’s Holiday, Kammermusik No. 2, Opus 19, The Dreamer, Symphony in C, NY:

Sarah L. Kaufman, Washington Post

George Jackson, Danceviewtimes

 

Review - Martha Graham Dance Company, Secular Games, Herodiade, Deo, I Used to Love You, NY: Ivy Lin, Bachtrack

 

Review - Northern Ballet, Victoria, Leicester: Sally Jack, British Theatre Guide

 

Exhibition - Lincoln Kirstein’s Modern, MOMA New York: Wendy Perron

 

Review - Hamburg Ballet, Beethoven Project & The World of John Neumeier gala, HK: Kevin Ng, Hong Kong Economic Journal

 

Interview - Judith Jamison, Alvin Ailey artistic director emerita: Makeda Easter, Los Angeles Times

 

Interview - Akram Khan and the Sky Arts series Why Do We Dance: Neil Armstrong, The Telegraph

 

Review - Akram Khan, Xenos, Montreal: Philip Szporer, The Dance Current

 

Review - Tokyo Ballet, Swan Lake, Tokyo: Kris Kosaka, Japan Times

 

Review - San Francisco Ballet, Lyric Voices, SF: Sophie Kim, The Daily Californian

 

Review - Lori Belilove & The Isadora Duncan Dance Company, March Madness, NY: Joel Benjamin, TheaterScene

 

Feature - Henry Danton, still teaching ballet aged 100: Lici Beveridge, Hattiesburg American


Review - Alleyne Dance, The Other Side of Me, A Night’s Game, London: Graham Watts, DanceTabs
 

Review - Corali Dance Company / Thick & Tight, London: Josephine Leask, DanceTabs

 

Review - Russian Ballet Icons Gala, London: Charlotte Kasner, SeeingDance

 

Film review - The Heart Dances: Graeme Tucker, stuff

 

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Links – Friday April 5, 2019

 

Feature - Dance Theater of Harlem at 50 - dancers talk: Gia Kourlas, New York Times

 

Reviews - Natalia Osipova, Pure Dance, NY:

Marina Harss, DanceTabs

Siobhan Burke, New York Times

 

Review - Martha Graham Dance Company, mixed bill, NY: Brian Seibert, New York Times

 

Review - San Francisco Ballet, Die Toteninsel (Scarlett), Rodeo (Peck), The Bjork Ballet (Pita), SF: Rita Felciano, Danceviewtimes

 

Review - San Francisco Ballet Program 6, Space Between, SF: Sophie Kim, The Daily Californian

 

Review - Northern Ballet, Victoria, London: Sara Veale, Fjord Review

 

Feature - Alex Smith, a squaddie in the ballet and other mould breakers: Lucy Bannerman, The Times

 

Film review - The White Crow: Matt Dennis, Entertainment Focus

 

This weekend - Seven performances in NY: Gia Kourlas, New York Times

 

This week - Three of the best in the UK: Lyndsey Winship, The Guardian

 

And of course …

 

Prince Harry looks adorable in a ballet class with kids: Nicole Saunders, Harper's Bazaar

 

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Links – Saturday April 6, 2019

 

Reviews - English National Ballet, She Persisted, London:

Lyndsey Winship, The Guardian

Zoë Anderson, The Independent

Neil Norman, The Stage

Emma Byrne, Evening Standard

Mark Monahan, The Telegraph

Mark Pullinger, Bachtrack

Vera Liber, British Theatre Guide

Jim Pritchard, Seen and Heard International

Tiffany Pritchard, The Londonist
Alyson Lowe, Vogue

photos - Foteini Christofilopoulou, DanceTabs

 

Review - Martha Graham Dance Company, Herodiade, Deo, Untitled (Souvenir), NY: Apollinaire Scherr, Financial Times

 

Review - Washington Ballet, Three World Premieres, Washington: Sarah L. Kaufman, Washington Post

 

Review - Natalia Osipova, Pure Dance, NY: Gay Morris, Danceviewtimes

 

Review - Scottish Ballet, Dextera, Elite Syncopations, Inverness: Bruce Marriott, DanceTabs

 

Review - Russian Ballet Icons Gala 2019, London: Jann Parry, DanceTabs

 

Interview - Carlos Acosta: Elizabeth Davis, Classic FM

 

Review - Romeo and Juliet goes to the circus, Philadelphia: Stephen Pritchard, Bachtrack

 

Review - Les Ballets Trockadero de Monte Carlo, Sarasota : Carrie Seidman, Sarasota Herald-Tribune

 

Review - Philadelphia Ballet, Deco, Apollo, Stravinsky Violin Concerto, The Cage, Philadelphia: Nancy G. Heller, The Inquirer

 

Review - Toronto Dance Theatre, Persefony Songs, Toronto: Collette Murray, The Dance Current

 

Review - Milwaukee Ballet, Lambarena, Milwaukee: Elaine Schmidt, Journal Sentinel

 

 

 

 

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