Jump to content
Sign in to follow this  
John Mallinson

Dance links w/b Sunday October 21, 2018

Recommended Posts

Links – Sunday October 21, 2018

 

Review - Dimitris Papaioannou, The Great Tamer, London: Luke Jennings, The Observer

 

Reviews - Sydney Dance Company, Frame of Mind (Bonachela), Forever & Ever (Anthony Hamilton), Sydney: Deborah Jones, FollowSpot

 

Review - Tempo Dance Festival, Auckland: Raewyn White, New Zealand Herald

 

Review - Les Ballets Jazz de Montreal, Dance Me (Foniadakis & Lopez Achoa), Calgary: Katherine DeCoste, The Gateway

 

Share this post


Link to post
Share on other sites

Links - Monday 22 October, 2018

 

 

Review - English National Ballet, Manon, Manchester:  Sanjoy Roy, Guardian

 

Review - American Ballet Theatre, Songs of Bukovina, Garden Blue, In the Upper Room, New York:  Gay Morris, Danceview Times

 

Review - American Ballet Theatre, Le Jeune, Dream within a Dream (deferred), In the Upper Room, New York:  Christina Pandolfi, Broadway World

 

Feature - American Ballet Theatre, Too many cooks?:  Alastair Macaulay, NY Times

 

Video Feature - Svetlana Zakharova:  Al Jazeera

 

Review - William Forsythe, A Quiet Evening of Dance, Melbourne:  Maxim Boon, The Music

 

Review - Sydney Dance Company, Frame of Mind, Forever & Ever, Sydney:  Jo Litson, Limelight

 

Review - Pennsylvania Ballet, Romeo and Juliet (MacMillan), Philadelphia:  Lewis Whittington, Culture Vulture

 

Review - Lucy Guerin Inc, Split, Portland:  Nim Wunnan, Oregon Arts Watch

 

Review - Company Wang Ramirez, Borderline, New York:  Brian Seibert, NY Times

 

Review - Joel Brown & Eve Mutso, 111, Glasgow:  Lorna Irvine, Fjord Review

 

Review - Julie Cunningham, Botis Seva, Alesandra Seutin, Reckonings triple bill, London:  David Dougill, Times (scroll down)

 

Preview Feature - Sarasota Ballet, Appalachian Spring, Sarasota:  Su Byron, Sarasota Herald Tribune

 

Review - Atamira Dance Company, Pango/Black, Napier:  Kim Buckley, NZ Theatreview

 

Review - The Tap Pack, Sydney:  Jill Sykes, Sydney Morning Herald

Share this post


Link to post
Share on other sites

Links – Tuesday October 23, 2018

 

Review - American Ballet Theatre, Fall Gala & two triple bills, NY: Marina Harss, DanceTabs

 

Review - American Ballet Theatre, Le Jeune, Dream within a Dream (deferred), In the Upper Room, NY: Michael Popkin, Danceviewtimes

 

Review - Zurich Ballet, Winterreise (Christian Spuck), Zurich: Sarah Batschelet, Bachtrack

 

Review - Company Wayne McGregor, Tree of Codes, Hong Kong: Natasha Rogai, South China Morning Post

 

Review - Shobana Jeyasingh, Contagion, Manchester: Sanjoy Roy, The Guardian

 

Reviews - China National Peking Opera, The Emperor and the Concubine, The Monkey King and the Leopard, Crossroads Inn, London:

Louise Levene, Financial Times

Dondald Hutera, The Times

Charlotte Kasner, SeeingDance

 

Feature - Washington Ballet’s future and financial woes: Sarah L. Kaufman & Peggy McGlone, Washington Post

 

Review - LA Dance Project, Romeo and Juliet (Millepied), LA: Jim Farber, San Francisco Classical Voice

 

Feature - Sergei Polunin: Charlie Teasdale, Esquire

 

Review - Liss Fain Dance, A Recomposition: I Don’t Know and Never Will, SF: Heather Desaulniers, DanceTabs

 

Review - K-Arts Dance Company, Song of the Mermaid, NY: Rose Marija, Broadway World

 

Review - Larry Keigwin & Nicole Wolcott, Places Please!, Boston: Marcia B. Siegel, Artsfuse

 

Review - Aby Watson:-ish, Glasgow: Mary Brennan, Herald Scotland

 

Review - Company Wang Ramirez, Borderline, White Light Festival, NY: Apollinaire Scherr, Financial Times

 

Review - The Trocks, Canterbury: Victoria Bawtree, The Reviews Hub

 

Preview - Two NY shows: Martha Sherman, dancelog.nyc

 

News - West Australian Ballet’s 2019 season: Dance Australia

 

Share this post


Link to post
Share on other sites

Links – Wednesday October 24, 2018

 

Review - Miami City Ballet, Concerto Barocco, Company B, Tchaikovsky Piano Concerto No. 2, Miami: Sean Erwin, Danceviewtimes

 

Reviews - Jasmin Vardimon Company, Medusa, London:

Lyndsey Winship, The Guardian

Debra Craine, The Times

Vera Liber, British Theatre Guide
David Mead, SeeingDance

 

Reviews - Sasha Waltz & Guests, Körper, SF/Berkeley:

Heather Desaulniers, DanceTabs

Paul Parish, Bay Area Reporter

Janice Berman, San Francisco Classical Voice

 

News - 100-Dance Merce Cunningham centennial celebration coming to NY: Joshua Barone, New York Times

 

Review - Sydney Dance Company, Frame of Mind (Bonachela), Forever & Ever (Anthony Hamilton), Sydney: Chantal Nguyen, Bachtrack

 

Review - Nashville Ballet, Seven Deadly Sins (Christopher Stuart), Superstitions, Nashville: Cillea Houghton, Broadway World

 

Preview/Q & A - Carrie Ahern, Sex Status 2.0, NY: Gia Kourlas, New York Times
 

Review - Tom Dale Company, I Infinite, London: Graham Watts, DanceTabs

 

Review - Matthew Bourne, Swan Lake, Edinburgh: Kelly Apter, The List
 

Q & A - Ieva Kuniskis, choreographer: Graham Watts, DanceTabs

 

Feature - Fashion’s obsession with ballet (and Q & A’s with ENB Principals): Lisa Armstrong, The Telegraph

 

Feature - Luz San Miguel dances her last show in Milwaukee Ballet’s Dracula: John Schneider, Shepherd Express

 

Preview - The Trocks in Scotland: Mary Brennan, Herald Scotland

 

Share this post


Link to post
Share on other sites

Links – Thursday 25 October, 2018

 

Review – San Francisco Ballet, “Unbound” Program A, Washington DC: Sarah L Kaufman, Washington Post

 

Interview – Cathy Marston, as SFB brings Snowblind  to Washington DC: Jane Franklin, DC Metro Theater Arts

 

Review – English National Ballet, ManonManchester: Louise Levene, Spectator

 

Interview – Marcelo Gomes, on Learning from the bad & a freelance career: Natasha Rogai, SCMP

 

Video Feature – Robert Fairchild: From Ballet to Broadway: Robert Araujo, Playbill

 

Review – Matthew Bourne/New Adventures, Swan Lake, Edinburgh: Sorel Read, The Student

 

Preview – Company Wang Ramirez, Borderline, Vancouver: Janet Smith, Straight.com

 

Review – Jasmin Vardimon Company, Medusa, London: Richard Maguire, Reviews Hub

 

Review – Dimitris Papaioannou, The Great Tamer, London: Siobhan Murphy, DanceTabs

 

Reviews – Sasha Waltz & Guests, KörperBerkeley:

Rita Felciano, Danceviewtimes

David E. Moreno, Culture Vulture

 

Review – Seeta Patel & Lina Limosani, Not Today’s Yesterday, Birmingham: David Mead, SeeingDance

 

Review – RiantoMedium, Sydney: Jill Sykes, Sydney Morning Herald

 

Review – Motionhouse/Kevan Finnan, Charge, Huddersfield: Rich Jevons, Reviews Hub

 

Review – K-Arts Dance Company, Song of the Mermaid, New York: Joel Benjamin, TheaterScene

 

Diary – DanceWatch, Portland: Jamuna Chiarini, Oregon Artswatch

 

Review – Su Wwen-Chi & Others, Infinity Minus One, Sydney: Jill Sykes, Sydney Morning Herald

 

Feature – 10 of the best places to enjoy dance in Cuba: Claire Boobbyer, Guardian

Share this post


Link to post
Share on other sites

Links – Friday 26 October, 2018

 

Feature – When City Center Was Balanchine’s House: Marina Harss, NY Times

 

Review – American Ballet Theatre, Gala & Fall Season performances, New York: Robert Gottlieb,  NY Observer

 

News – American Ballet Theatre, 2019 Spring Season: Peter Libbey, NY TImes

 

Review – San Francisco Ballet, “Unbound” Program A, Washington DC: Alexander C. Kafka, DC Theatre Scene

 

Review – English National Ballet, ManonTouring:

- Manchester: Aniqah Choudhri, Exeunt

- Milton Keynes: David Mead, SeeingDance

 

Reviews – Birmingham Royal Ballet, La Fille Mal Gardée, Salford:

Daisy Jackson, Manchester Evening News

David Cunningham, BTG

 

Reviews – Northern Ballet, The Three Musketeers, Sheffield:

Velda Harris, BTG

Beverley Haigh, Reviews Hub

 

Review – Conservatory of Dance, Watermill, New York: Alastair Macaulay, NY Times

 

Review – London, Louise Levene, Financial Times

Dein Perry, Tap Dogs

Jasmin Vardimon Company, Medusa

 

News – Lester McGrath, next Executive Director at Royal New Zealand Ballet: Dionne Christian, NZ Herald

 

5Q & A – Dane Hurst, Dancer 7 Choreographer: Bruce Marriott, DanceTabs

 

Diary – Coming Up in New York: Brian Schaefer, NY Times

 

Preview – American Modern Opera Company, With Care, San Francisco: Lily O’Brien, SF Classical Voice

 

Preview – BalletMetLineage: A Collection of Short Ballets, Columbus: Peter Tonguette, Columbus Dispatch

 

Review – Steve Prickett & Dancers, Four Go Wild in Wellies, Paisley: Mary Brennan, Herald

 

Reviews – Atamira Dance Company, Pango/Black, Gisborne:

Jo Thorpe, Theatreview

Michelle Ngamoki, Theatreview

 

 

And you have to see the grand jeté in the outfield: Boston 25 News

Share this post


Link to post
Share on other sites

Links – Saturday 27 October, 2018

 

Review – LA Philharmonic & LA Dance Project, Romeo and Juliet (Millepied), Los Angeles: Victoria Looseleaf, Fjord Review

 

Feature – Misty Copeland: Will Pavia, The Times

 

Review – San Francisco Ballet, “Unbound” Program B, Washington DC: Sarah Kaufman, Washington Post  (Can’t get a better URL)

 

Reviews – Birmingham Royal Ballet, La Fille Mal Gardée, Salford: Frances Scott, Reviews Hub

 

Reviews – Northern Ballet, The Three Musketeers, Sheffield: Ruth Deller, BWW UK

 

Review – Luca Veggetti/Conservatory of Dance, Watermill, New York: Gay Morris, Danceviewtimes

 

Review – Jasmin Vardimon Company, Medusa, London: Sara Veale, Fjord Review

 

Review – New York Dance Project & Taylor 2, “Dig Dance” Mixed Bill, New York: Carol Pardo, Danceviewtimes

 

Review – Colin Dunne, Concert, London: Siobhan Murphy, DanceTabs

 

Reviews– Eva Recacha, Aftermath, London:

Lyndsey Winship, Guardian

Maryam Philpott, Reviews Hub

 

Preview – Ballet Hispanico, Carmen (Sansano), New York: Britt Stigler, All Arts

 

Review – Dein Perry, Tap Dogs, London: Jessica Wilson, SeeingDance

 

Feature – Anna Halprin, inspiring an ageless dance community: Caille Millner, SF Chronicle

 

Diary – UK Highlights: Lyndsey Winship, Guardian  (Scroll way down)

Share this post


Link to post
Share on other sites
Sign in to follow this  

×
×
  • Create New...