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Ian Macmillan

Dance links w/b Sunday October 14, 2018

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Links – Sunday 14 October, 2018

 

Review – Royal Ballet, Mayerlin (Hirano/Osipova), London: Luke Jennings, The Observer

 

Review , London: David Dougill, Sunday Times

Royal Ballet, Mayerling (Hirano, Osipova)

William Forsythe, A Quiet Evening of Dance

 

News – New York City Ballet replenishes its ranks: Michael Cooper, NY Times

 

News - Scottish Ballet 50th Anniversary Launch: David Mead, SeeingDance

Gallery - Foteini Christofilopoulou, DanceTabs

 

Review – Trisha Brown Dance Company, Ballet, Pamplona Stones, Working Title, New York: Gay Morris, Danceviewtimes

 

Review – Alonzo King LINES Ballet/Kronos Quartet, Handel, Common Ground, San Francisco: Janice Berman, SF Classical Voice

 

Review – Royal New Zealand Ballet, Classical & Contemporary Favourites, Nelson: Gail Tresidder, Theatreview

 

Feature – Dimitria Papaioannou, Choreographer: Sarah Crompton, Sunday Times

 

Review – Julie Cunningham, Botis Seva, Alessandra Seutin, “Reckonings” Triple Bill, London: Vera Liber, BTG

- Gallery: Foteini Christofilopoulou, DanceTabs

 

Review – Neon Dance, Puzzle Creature, London: Richard Maguire, Reviews Hub

 

A happy event – Crows Feet Dance Collective, Farewell Mona Lisa! Palmerston North:  John C Ross, Theatreview

 

 

And what looks like slightly early News:

UK Theatre Award Winners (incl Dance & Touring): Giverny Masso, The Stage

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Links - Monday 15 October, 2018

 

 

Review - Nederlands Dans Theatre 1, Shoot the Moon, Woke Up Blind, The Statement, Stop-Motion, Singapore:  Germaine Cheng, Straits Times

 

Review - Mark Morris Dance Group & Silkroad Ensemble, Layla and Majnun, Melbourne:  Rhys Ryan, Limelight

 

Review - Fall for Dance, programme on 11th October, New York:  Marsha Volgyi, Broadway World

 

Reviews - Tere O’Connor, Long Run, New York:

Alastair Macaulay, NY Times

Marina Harss, DanceTabs

 

Review - Julie Cunningham, Botis Seva, Alesandra Seutin, Reckonings triple bill, London:  Lynette Halewood, DanceTabs

 

Review - Diavolo, Voyage, Trajectoire, Los Angeles:  Jane Roseberg, Seen and Heard International

 

News/Preview - National Ballet of Canada tours to Russia:  Michael Crabb, Toronto Star

 

Review - Igor and Moreno, Idiot-Syncracy, London:  Graham Watts, DanceTabs

 

Review - Sasha Milavic Davies, Everything that rises must dance, London:  Josephine Leask, DanceTabs

 

Review - Tempo Dance Festival, FRESH, Auckland:  Felicity Molloy, NZ Theatreview

 

Feature - Ballet shows what’s wrong with Instagram:  Hanna Kozlowska, Quartz

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Links - Tuesday 16 October, 2018

 

 

Feature - The Last Dance for Richard Alston:  Debra Craine, Times

 

Review - New York City Ballet, Prodigal Son, West Side Story Suite, Fancy Free, New York:  Barnett Serchuk, Broadway World

 

News - New York City Ballet promotes 7 dancers:  Ruthie Fierberg, Playbill

 

Feature - Jerome Robbins:  Benjamin Ivry, The New European

 

Review - Fall for Dance, programme 4, New York:  Gay Morris, Danceview Times

 

Review - Akram Khan, Xenos, Ottawa:  Lynn Saxberg, Ottawa Citizen

 

Feature - Ballet Black:  Falma Bakar, Metro

 

Review - NDT2, Mutual Comfort, Sad Case, Wir sagen uns Dunkles, Subtle Dust, Berlin:  Katja Vaghi, Bachtrack

 

Review - The Trocks, Swan Lake Act 2, Patterns in Space, Esmerelda Pas de Six, The Dying Swan, Paquita, Buxton:  Staff, Derbyshire Times

 

Reviews - Julie Cunningham, Botis Seva, Alesandra Seutin, Reckonings triple bill, London:

Louise Levene, FT

Donald Hutera, Times

Graham Watts, Bachtrack

 

Reviews - Lucy Guerin Inc, Split, New York:

Deborah Jowitt, Arts Journal

Tom Phillips, Danceview Times

 

Review (Opera with Dance) - Music Theatre Wales & National Dance Company Wales, Passion (Dusapin), Basingstoke:  Tim Ashley, Guardian

 

Feature - Stroke survivors find their footing through dance:  Lyndsey Winship, Guardian

 

Review - Colin Dunne, Concert, Glasgow:  Mary Brennan, Herald

 

Review - Ailey’s Choreography Unlocked Festival, first night, New York:  Caryn Cooper, Broadway World

 

Feature - Choreographer Sharon Eyal and the ballet inspired Dior Spring/Summer 19 show:  Rachel Sharp, Grazia

 

Review - Cirque Éloize, Cirkopolis, Norwich:  Lu Greer, Reviews Hub

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Links - Wednesday 17 October, 2018

 

 

Review - New York City Ballet, Joaquin de Luz farewell performance, New York:  Alastair Macaulay, NY Times

 

Review - Fall for Dance 2018,  New York:  Robert Gottlieb, NY Observer

 

Feature Preview - Jessica Lang’s Garden Blue for American Ballet Theatre:  Marina Harss, NY Times

 

News - Sadler’s Wells announces Spring 2019 season:  Newsdesk, Broadway World

 

Feature - National Ballet of Canada in Russia:  Chris Brown, CBC

 

Feature - Darcey Bussell, I was rubbish and nearly quit ballet:  Giles Sheldrick, Express

 

Gallery - Sasha Milavic Davies, Everything that rises must dance, London:  Foteini Christofilopoulou, DanceTabs

 

Feature - Mayara Pineiro of Philadelphia Ballet:  Emily Neil, Al Dia

 

Preview - Joe Laughlin, Joe: A Solo Show, Vancouver:  Janet Smith, Straight

 

Review - Kansas City Ballet, The Wizard of Oz, Kansas City:  Hilary Stroh, Bachtrack

 

Preview - Dance Theatre of Harlem, New Orleans:  Dean M Shapiro, New Orleans Advocate

 

Review - Expressions Dance Company, Everyday Requiem, Brisbane:  Elise Lawrence, Limelight

 

Preview Feature - Daniel Lewis Dance Sampler, Miami:  Diana Dunbar, Miami Herald

 

Preview Feature - Nashville Ballet, Seven Deadly Sins, Nashville:  Michael W Aldrich, Tennessean

 

Review - Lucy Marinkovic, Lobsters, Nelson:  Ruth Allison, NZ Theatreview

 

Feature Preview - Grand Rapids Ballet, new season, Grand Rapids:  Steve Sucato, Rapidian

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Links - Thursday 18 October, 2018

 

 

Live Screen Review - Royal Ballet, Mayerling, Basildon:  Jim Pritchard, Seen and Heard International

 

Review - Matthew Bourne’s New Adventures, Swan Lake, Edinburgh:  Mary Brennan, Herald Scotland

 

News - Richard Alston announces penultimate Sadler’s Wells season:  Newsdesk, Broadway World

 

Feature - Akram Khan’s collaboration with Jordon Tannahill for Xenos:  Karen Fricker, Toronto Star

 

Featurette - Cassa Pancho, AD Ballet Black:  Moya Lothian-McLean, Stylist

 

Reviews - Dimitris Papaioannou, The Great Tamer, London: 

Donald Hutera, Times

Charlotte Kasner, Seeing Dance

 

Review - Sara Shelton Mann, ECHO/riding the rapids, San Francisco:  David E Moreno, Culture Vulture

 

Review - Kimberley Bartosik/daela, I hunger for you, New York:  Deborah Jowitt, Arts Journal

 

News - One Dance UK launches new industry awards:  Georgia Snow, Stage

 

Reviews - Dancenorth Australia & Beijing Dance Theatre, One Infinity, Melbourne:

Jordan Beth Vincent, Brisbane Times

Fiona Blair, Daily Review

 

Diary - This week’s dance in Oregon:  Jamuna Chiarini, Oregon Arts Watch

 

Preview - Miami City Ballet, Program 1: Company B, Miami:  Guillermo Perez, Miami New Times

 

Review - Charlotte Ballet, Fall Works triple bill, Charlotte:  Cecilia Whalen, Niner Times

 

Book Feature - Wendy Lesser, Jerome Robbins: A Life in Dance:  Robin Young, WBUR

 

Review - Spellbound Contemporary Ballet, Full Moon, Atlanta:  George Staib, Arts Atlanta

 

Feature - After long hiatus, Rio’s ballet dancers return to the stage:  Yahoo via AFP

 

Review - Lake Cities Ballet Theatre, Dracula, Lewisville:  Emily Sees, Theater Jones

 

Review - Dallas Neo-Classical Ballet, Horror Series, Dallas:  Cheryl Callon, Theater Jones

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Links - Friday 19 October, 2018

 

 

Review - New York City Ballet, Joaquin de Luz farewell performance, New York:  Mary Cargill, Danceview Times

 

Reviews - English National Ballet, Manon, Manchester:

Mark Monahan, Telegraph

David Cunningham, British Theatre Guide

Rebecca Cohen, Reviews Hub

 

Review - American Ballet Theatre, Opening Night Gala, New York:  Alastair Macaulay, NY Times

Feature - American Ballet Theatre unveils women’s movement at Fall Gala, New York:  Misty White Sidell, WWD

 

Review - Royal Ballet, Mayerling, London:  Hari Mountford, Londonist

 

Review - Sidi Larbi Cherkaoui, Sutra, New York:  Gay Morris, Danceview Times

 

Review - Fall for Dance, Programme 3, New York:  Marianne Adams, Danceview Times

 

Interview - Richard Alston on closing his company:  David Mead, Seeing Dance

 

Reviews - Joffrey Ballet, Swan Lake, Chicago:

Hedy Weiss, WTTW

Kyle MacMillan, Chicago Sun-Times

Gallery - News Desk, Broadway World

 

Reviews - Sydney Dance Company, Frame of Mind, Forever & Ever, Sydney:

Jill Sykes, Sydney Morning Herald

Martin Portus, Daily Review

 

Diary - 10 dance performances to see in New York this weekend:  NY Times

 

Feature - Two critics reflect on ballet’s #Metoo moment:  Gia Kourlas & Siobhan Burke, NY Times

 

Preview Feature - Max Westwell talks about being the Swan in Matthew Bourne’s Swan Lake:  Staff, Press and Journal

 

Review - Joel Brown & Eve Mutso, 111, Glasgow:  Mary Brown, Herald Scotland

 

Review - Via Katlehong Dance & Gregory Maqona, Via Kanana, London:  Siobhan Murphy, DanceTabs

 

Video Feature - Ballet San Antonio, Beauty and the Beast, San Antonio:  News 4 SA

 

Review - Dancenorth Australia & Beijing Dance Theatre, One Infinity, Melbourne:  Rhys Ryan, Limelight

 

Preview Feature - Ballet Manila, Le Corsaire, Manila:  Anjie Ureta, ABS-CBN

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Links – Saturday October 20, 2018

 

Feature - American Ballet Theatre meets the #MeToo era: Apollinaire Scherr, Financial Times

 

Review - William Forsythe, A Quiet Evening of Dance, Melbourne: Rhys Ryan, Limelight

 

Exhibition - Judson Dance Theater, The Work is Never Done, MoMa NY: Alastair Macaulay, New York Times

 

Review - New York City Ballet, Joaquin De Luz’s final performance, NY: Barnett Serchuk, Broadway World

 

Review - Matthew Bourne’s New Adventures, Swan Lake, Edinburgh: Kirsty Morgan, Bachtrack

 

Review - National Dance Company Wales & Music Theatre Wales, Passion (Pascal Dusapin), Sara Veale, DanceTabs

 

Review - Dimitris Papaioannou, The Great Tamer / Le Patin Libre, Threshold, London: Lyndsey Winship, The Guardian

 

Review - Dimitris Papaioannou, The Great Tamer, London: Emma Byrne, Evening Standard

 

Review - Alonzo King Lines Ballet, Handel, Common Ground, SF: Rita Felciano, Danceviewtimes

 

Reviews - Neon Dance, Puzzle Creature:

Rachel Elderkin, The Stage (London)
David Mead, SeeingDance (Birmingham)

 

Reviews - Sydney Dance Company, Frame of Mind (Bonachela), Forever & Ever (Anthony Hamilton), Sydney:

Michelle Potter, …on dancing

Martin Portus, Daily Review

 

Video feature - #SpeakingInDance, Liz Gerring, Field: Gia Kourlas, New York Times

 

Interview - Max Westwell on dancing Matthew Bourne’s Swan Lake: The Press and Journal

 

Preview - Damien Jalet, Vessel, London : Robert Dex, Evening Standard

 

Feature - Kate Whitley, composer, ‘igniting dance’: Sarah Kirkup, The Gramophone

 

Review - Spellbound Contemporary Ballet, Full Moon, Atlanta: George Staib, ArtsATL

 

Review - Eryc Taylor Dance, New Choreography Grant winners, NY: Cindy Sibilsky, Broadway World

 

Review - LakeCities Ballet, Le Ballet de Dracula, Lewisville TX: Emily Sese TheaterJones

 

News - Three of the best dance shows, UK: Lyndsey Winship, The Guardian

 

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