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John Mallinson

Dance links w/b Sunday October 7, 2018

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Links – Sunday October 7, 2018

 

Reviews - William Forsythe, A Quiet Evening of Dance, London:

Anna Winter, The Stage

Marian Kennedy, LondonTheatre1

 

Review - Birmingham Royal Ballet, Fire & Fury, Birmingham: Luke Jennings, The Observer

 

Review - Anne Teresa De Keersmaeker / Rosas, The Six Brandenburg Concertos, NY: Deborah Jowitt, DanceBeat

 

Review - Pacific Northwest Ballet, Jerome Robbins Centennial Celebration, Male Solos with Peter Boal, Works & Process at the Guggenheim Museum, NY: Carol Pardo, Danceviewtimes

 

Review - Carlos Acosta & Acosta Danza, A Celebration, London: David Dougill, Sunday Times

 

Review - Richard Alston Dance Company, Mid Century Modern, Glasgow: Mark Brown, Herald Scotland

 

Feature - Kate Church & Alice Williamson, Skeleton Song, a dance film: Penelope Ford, Fjord Review

 

Review - Atamira, Tempo Dance Festival, Kotahi, Auckland: Sue Cheeseman, Theatreview

 

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Links – Monday October 8, 2018

 

Review - New York City Ballet, Balancing the Art of Transition: Alastair Macaulay, New York Times

 

Reviews - William Forsythe, A Quiet Evening of Dance, London:

Jann Parry, DanceTabs

Maggie Foyer, SeeingDance

John O’Dwyer, Seen and Heard

 

Reviews - Wen Hui, Red, London:

Siobhan Murphy, DanceTabs

David Mead, SeeingDance

 

Interview - Wendy Whelan: Terry Gross, NPR

 

Review - Gansu Dance Troupe, The Legend of Dunhuang, Sydney: Angus McPherson, Limelight

 

News - Queensland Ballet, 2019 season: Dance Australia

 

Review - Rebound Dance Company, Born Out of Curiosity, Wellingon NZ: Deirdre Tarrant, Theatreview

 

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Links – Tuesday October 9, 2018

 

Review - New York City Ballet, Allegro Brillante, Easy, Carousel (A Dance), La Sylphide, NY: Barnett Serchuk, Broadway World

 

Reviews - William Forsythe, A Quiet Evening of Dance, London:

Debra Craine, The Times

Graham Watts, Bachtrack

Gerald Dowler, Classical Source

 

Review - Les Grands Ballets Canadiens, Lady Chatterley’s Lover (Cathy Marston), Montreal: Rebecca Galloway, Bachtrack

 

Review - Los Angeles Ballet, Modern Moves, LA: Dany Margolies, Los Angeles Daily News

 

Exhibition - Judson Dance Theatre: The Work is Never Done, MoMA, NY: Gay Morris, Danceviewtimes

 

News - Richard Alston Dance Company to close in 2020:

Roslyn Sulcas, New York Times

Mathew Hemley, The Stage

 

Review  Birmingham Royal Ballet, Ignite, Birmingham: Leon Burakowski, Express & Star

 

Feature - Young rebels, Sadler’s Wells Young Associates: Lyndsey Winship, The Guardian

 

Feature - Pantsula, South African dance style: Lyndsey Winship, The Guardian

 

Review - Fall for Dance, programme 3, NY: Rose Marija, Broadway World

 

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Links – Wednesday 10 October, 2018

 

Reviews – Royal Ballet, Mayerling (Hirano, Osipova), London:

Debra Craine, The Times

Zoë Anderson, Independent

Mark Monahan, Telegraph

Siobhan Murphy, TimeOut London

Emma Byrne, Evening Standard

Gallery – Foteini Christofilopoulou, DanceTabs

 

Feature – Joaquin De Luz, on leaving New York City Ballet: Marina Harss, NY Times

 

Review – New York City Ballet, Jewels; Gala Triple Bill, New York: Robert Greskovic, WSJ

 

Fall for Dance, New York:

Review – Anne Teresa de Keersmaeker/Rosas, Six Brandenburg Concertos (+ other incidental mentions): Robert Gottlieb, NY Observer

 

Review – William Forsythe, A Quiet Evening of Dance, London: Sara Veale, Fjord Review

 

Review – Alonzo King LINES Ballet/Kronos Quartet, Handel, Common Ground, San Francisco: Heather Desaulniers, DanceTabs

 

Review – Martha Graham Dance Company, Several Programmes, Paris: Marisa Hayes, CultureVulture

 

Preview – Gideon Obarzanek with Dancenorth, Beijing Dance Theatre & Audience, One Infinity, Melbourne: Hannah Francis, The Age

 

Review – Queensland Ballet, A Midsummer Night’s Dream (Scarlett), Melbourne: Gracia Haby, Fjord Review

 

Interview – Tere O’Connor & Lucy Guerin, A Two-Choreographer Support System: Gia Kourlas, NY Times

 

Review – Germaine Acogny/Olivier Dubois, Mon Elue Noire: Sacre#2, Los Angeles: Victoria Looseleaf, Fjord Review

 

News – Dance at The Bessies (New York Dance & Performance Awards): Siobhan Burke, NY Times

 

Review – Fuora Dance Project, W-Hat, Touring Scotland: Kelly Apter, The List

 

Review – Wang-Ramirez Company, Dystopian Dream, San Francisco: Janice Berman, SF Classical Voice

 

Review – Kelly Nash & Douglas Wright, Between Two, Auckland: Jennifer Shennan, ... on dancing

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Links – Thursday 11 October, 2018

 

Reviews – Royal Ballet, Mayerling (Hirano, Osipova), London:

Graham Watts, Bachtrack

Gerald Dowler, Classical Source

Vera Liber, BTG

Laura Freeman, The Spectator

 

Review – New York City Ballet, The Exchange, Judah, the Runaway, New York: Carla Escoda, Bachtrack

 

Interview – Chris Hampson, on Scottish Ballet’s 50th and future plans: Bruce Marriott, DanceTabs

A new Crucible: Brian Ferguson, The Scotsman

 

Review - Fall for DanceProgram #1, New York: Eric Taub, DanceTabs

- Sara Mearns, Dances of Isadora Duncan – A Solo Tribute

Boston Ballet, Bach Cello Suites

Caleb Teicher & Company, Bzzz

Cie Hervé Koubi, The Barbarian Nights, or the First Dawns of the World

 

Review – Fall for Dance, Program #2, New York: Carol Pardo, Danceviewtimes

Pam Tanowitz Dance, New Work for Goldberg Variations

Justin Peck & Patricia Delgado, Sleep Well Beast

Gemma Bond Dance, Inner Voices

Paul Taylor Dance Company, Promethean Fire

 

Review – Alonzo King LINES Ballet/Kronos Quartet, Handel, Common Ground, San Francisco: Jaime Robles, Bachtrack

- Postscript: Leah Garchik, SF Chronicle

 

Interview – Akram Khan, on Xenos for N America: Lynn Saxberg, Ottawa Citizen

 

Review – Mark Morris Dance Group, Layla and Majnun, Melbourne: Jordan Beth Vincent, The Age

 

Review – Sadler’s Wells Young Associates, Mixed Bill, London: Maryam Philpott, Reviews Hub

 

Review – The Trocks in Dublin: Sara Keating, Irish Times

 

Diary Highlights:

New York: Martha Sherman, dancelog.nyc

Portland: Jamuna Chiarini, Oregon Artswatch

Alvin Ailey, Choreography Unlocked, New York: Ruthie Fierberg, Playbill

 

And in History: Jerome Robbins and West Side Story: Angira Bharadwaj, Daily Telegraph

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Links – Friday 12 October, 2018

 

Reviews – Royal Ballet, MayerlingLondon:

Louise Levene, Financial Times  (2 Casts)

Jann Parry, DanceTabs  (Hirano/Osipova)

Joy Sable, Jewish Chronicle (Hirano/Osipova)

 

Review – Alonzo King LINES Ballet/Kronos Quartet, Common Ground, Handel, San Francisco: Rachel Howard, Fjord Review

 

On 11 October, Jerome Robbins would have been 100:

Gallery – A century in pictures: The Guardian

Video - BWW

Feature- The Quintessential Jewish genius: Talya Zax, Forward

Exhibition Video – Voice of My City: Jerome Robbins and New York: Ruthie Fierberg, Playbill

Biography Review – Jerome Robbins, A Life in Dance by Wendy Lesser: Joel Lobenthal, WSJ

 

Review – Anne Teresa De Keersmaeker/Rosas, Six Brandenburg Concertos, New York: Carol Pardo, Danceviewtimes

 

Review – RambertLife is a Dream, Salford: Peter Jacobs, Reviews Hub

 

Review – Sadler’s Wells Young Associates, Mixed Bill, London: Rachel Nouchi, BTG

 

Diary – New York: Staff, NY Times

 

Review – Complexions Contemporary Ballet, Stardust, Bach 25, Los Angeles: Qianqian Xing, BWW

 

Review – Damaged Goods, Projecting [space[, Berlin: Katja Vaghi, Bachtrack

 

Review – Beth Gill, Pitkin Grove, New York: Martha Sherman, Danceviewtimes

 

Preview – Peter DiMuro & company, Dancing Through the Galleries, Boston: Karen Campbell, Boston Globe

 

Review – Jan Bolwell & Mona Williams, Once Upon A Dance, Palmerston North: Tania Kopytko, Theatreview

 

 

Archive (1993) Review – Sydney Dance Company, Gloria (Wright), The Protecting Veil (Murphy), Sydney: Michelle Potter, ... on dancing

 

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Links – Saturday 13 October, 2018

 

Feature – Sliding towards Tap and Taking Risks at ABT: Brian Seibert, NY Times

 

Review – Pennsylvania Ballet, Romeo and Juliet (MacMillan), Philadelphia: Ellen Dunkel, The Inquirer

 

Review – Birmingham Royal Ballet, La Fille Mal Gardée, Plymouth: Helen Tope, Reviews Hub

 

Review – RambertLife Is a Dream, Salford: David Cunningham, BTG

 

Reviews – Julie Cunningham, Botis Seva, Alessandra Seutin, “Reckonings” Triple Bill, London:

Lyndsey Winship, Guardian

Richard Maguire, Reviews Hub

Anna Winter, The Stage

 

Reviews – Clod Ensemble, PalceboSalford:

Peter Jacobs, Reviews Hub

David Cunningham, BTG

 

Review – Lucy Guerin/Lilian Steiner & Melanie Lane, Split, New York: Brian Seibert, NY Times

 

Video Preview – Arthur Pita/James Whiteside & Others, The Tenant, New York: Staff, BWW

 

Review – Oregon Ballet Theatre, Napoli, Portland: Rita Felciano, Danceviewtimes

 

Review – Sarasota Contemporary Dance, “Rooted” Mixed Bill, Sarasota: Carrie Seidman, Herald-Tribune

 

Review – Canberra Dance Theatre, MIST, Canberra: Michelle Potter, ... on dancing

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