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Found 9 results

  1. BIRMINGHAM ROYAL BALLET ANNOUNCES 2019/20 SEASON 10 productions, 11 venues, 127 performances, including first time collaborations with Ballet Black and newly appointed Director Carlos Acosta. It’s a season that’s bursting with brilliance! Birmingham Royal Ballet’s 2019/20 season marks an exciting period of transformation. For the first time in the company’s history, the season has been created in partnership with leaders from across the world of dance, including Ballet Black and Birmingham Royal Ballet’s newly appointed Director Carlos Acosta CBE, who bring fresh perspectives to the programme, and herald a new era and a bright future ahead. The 2019/20 season marks the transition between David Bintley’s Directorship and Carlos Acosta’s first season, which will be in 2020/21, and creates opportunities for the Company to experiment with new partnerships to grow and inspire audiences, as well as presenting some of its best loved classics including works by Director Laureate Sir Peter Wright. The first full-length production in the 2019/20 season is David Bintley and Galina Samsova’s exquisite production of Giselle (25 Sep – 2 Nov), swiftly followed by the welcome return of Sir Peter Wright’s stunning Swan Lake (29 Jan – 4 Apr). The end of the season marks a new beginning, as new Director Carlos Acosta is welcomed by Birmingham Royal Ballet’s inaugural performances of his ravishing comedy Don Quixote (19 - 27 Jun), which receives its first UK performances outside London. Carlos will also curate an energising and celebratory festival at Birmingham Hippodrome and Sadler’s Wells, London in June 2020. TWO BALLET NOW WORLD PREMIERES The 2019/20 season features two world premieres in the Ballet Now talent development programme. The first, by Queensland Ballet’s Jack Lister, appears alongside Cathy Marston’s critically-acclaimed The Suit(performed by Ballet Black) and Twyla Tharp’s sizzling tribute to ‘Old Blue Eyes’, Nine Sinatra Songs. This exciting mixed programme is performed in Birmingham and London (19 Sep - 30 Oct). Jack Lister said: “I’m really looking forward to working with BRB’s incredibly talented dancers and alongside such highly respected choreographers. To be given this platform for my first international commission and to collaborate with such a truly gifted creative team is a dream come true." Artistic Director & Founder of Ballet Black Cassa Pancho MBE said: “I'm thrilled that Ballet Black will be joining Birmingham Royal Ballet for their mixed programme in autumn 2019. It's a wonderful opportunity to collaborate with one of the most established British ballet companies, and for our own brilliant dancers to work alongside the world-class talent at BRB." The season’s second world premiere, choreographed by Daniela Cardim, is part of a mixed programme curated by incoming Director Carlos Acosta as part of his soon-to-be revealed festival. This bill is completed by George Balanchine’s exuberant Theme and Variations and Goyo Montero’s Chacona. Created for Uruguayan company National Ballet Sobre in 2017, Chacona is a thrilling, physical piece set to violin, guitar and piano which receives its UK premiere in this programme. This mixed programme is presented at Sadler’s Wells, London (11 – 13 Jun). Further programme announcements for the Carlos Acosta / Birmingham Royal Ballet festival will be revealed in due course. THE RETURN OF THE NUTCRACKER & EVENING OF MUSIC AND DANCE Sir Peter Wright’s acclaimed production of The Nutcracker returns to Birmingham Hippodrome for the festive season (22 Nov – 14 Dec), transporting the audience beyond the theatre to a realm of giant Christmas trees and dancing snowflakes. The acclaimed Royal Ballet Sinfonia takes centre stage once more for a spectacular Evening of Music and Dance (14 & 15 Feb) in Birmingham and Northampton. This popular annual gala includes well-loved gems and hidden classics selected by the Royal Ballet Sinfonia conductors alongside danced excerpts from Birmingham Royal Ballet’s repertory. FOR FAMILIES Birmingham Royal Ballet will once again be embarking on a spring tour (May 2020) to regional venues with a programme of work specially designed for families. Its mid-scale tour makes ballet even more accessible for younger audiences, whilst still delighting and entertaining adults. Further details to be announced. YOUNG AUDIENCES Younger audience members can enjoy Birmingham Royal Ballet’s First Steps programme. These hour-long, interactive shows are adapted for children aged 3+. A storyteller captures their imagination, introducing the music, leading characters and some of the technical magic – the perfect introduction to ballet. Alongside the main programme, Birmingham Royal Ballet continues to introduce new audiences from touring venues across the country to their world-class dance and music. From primary schools to care homes, community centres to museums, the Company unlocks amazing opportunities for people of all ages and abilities. ENGAGEMENT & PARTICIPATION Following the success of Cinderella Dreams in 2017 and Sleeping Beauty Dreams in 2018 at Birmingham Hippodrome, Birmingham Royal Ballet will embark on Swan Lake Dreams; an ambitious engagement and participation project which will be performed on the main stage at Birmingham Hippodrome (23 February 2020), as well as at Mayflower Theatre in Southampton (2 February 2020) and Theatre Royal in Plymouth (31 March 2020). A cast of approximately 70 selected students from each of the three areas will be given the opportunity to train, rehearse and perform in a full-length ballet alongside Birmingham Royal Ballet dancers. Open to ballet students aged 9+, the Swan Lake Dreams project gives insight into the Company workings whilst aiming to develop talent and raise aspirations for dancers of all ages. Auditions will take place between July and October 2019 with intensive and weekly rehearsals from July through to the performances in 2020. The Company will partner with the Royal Birmingham Conservatoire, whose orchestra will accompany the Swan Lake Dreams Birmingham performance, conducted by Birmingham Royal Ballet’s principal conductor Paul Murphy. Julian Lloyd Webber, Principal of Royal Birmingham Conservatoire said: “I am delighted that the Conservatoire will partner with Birmingham Royal Ballet on their ground-breaking project Swan Lake Dreams. This is yet another example of the Conservatoire’s commitment to creating unique opportunities for our students to collaborate with world-class partners around the region and beyond. To alleviate barriers to participation, Birmingham Royal Ballet launched its Dreams Bursary Fund in 2018 which supports talented young dancers aged 8 -18 to fulfil their potential - whatever their background. This carefully targeted resource provides talented children with financial support to take part in any Birmingham Royal Ballet dancer development or Birmingham Royal Ballet Dreams opportunity, giving them the best possible chance to let their talent flourish and grow. The Dreams Bursary Fund is open to donations from individuals, organisations and other fund-giving organisations. Held exclusively to support access to ballet participation, a number of bursaries are considered every year and can include, but are not limited to, support for attendance, transport, accommodation and dancewear. Dance Track, Birmingham Royal Ballet’s talent identification and training programme, is now in its 22nd year, working with 50 primary schools across Birmingham. Each year the Dance Track team engages with in excess of 2,500 children age 5 and 6. The programme offers free weekly classes and uniforms plus opportunities to see Birmingham Royal Ballet in rehearsal and performance. 80 children showing particular aptitude and enjoyment in their dance classes are invited back for a further year of training, where they are prepared for auditions at Elmhurst Ballet School and The Royal Ballet School associate schemes. 135 children from north, south and central Birmingham currently attend weekly classes and 32 children attend Dance Track Plus classes. Many of the children have performed in Birmingham Royal Ballet’s productions in Birmingham and at the Royal Albert Hall, London. In the last 15 years, 17 children have been accepted into full-time vocational schools around the country. Dance Track would not be possible without generous donations from multiple trusts, foundations and individual donors and this pioneering programme continues throughout the 2019/20 season. Established in 2002, Freefall Dance Company provides high-quality training and performance opportunities for talented adults with severe learning difficulties, challenging stereotypical views of both dance and people with learning disabilities. The Company meets weekly at Birmingham Royal Ballet studios to hone their ballet technique, prepare for performances and develop leadership and facilitation skills for their own education and outreach projects. Each year, Freefall showcases its work through performances as well as at international dance-for–screen festivals with ground-breaking performance films. Freefall’s initial film in 2012, Freefall, reached an estimated 1.5million people on live-site screens across the country. Its second film One Fine Day followed in 2014 with the film being shown at over ten festivals across Europe and North America. The third film We Are Here premiered in 2017 and incorporated BRB’s principal dancers Iain Mackay and Jenna Roberts. In the 2019/20 season, Freefall Dance Company will collaborate with current Director of Birmingham Royal Ballet David Bintley and award-winning film director Ross MacGibbon on a new landmark dance-for-screen project. Further details to be announced. Mixed Programme New Lister | The Suit | Nine Sinatra Songs September – October 2019 New Lister – a co-production with the Queensland Ballet Choreographer: Jack Lister Composer: Tom Harrold Designer: Thomas Mika Lighting: Alex Berlage The Suit Choreography: Cathy Marston Music: Philip Feeney Designs: Jane Heather Lighting: David Plater Dramaturgy: Edward Kemp Nine Sinatra Songs Choreography: Twyla Tharp Songs sung by: Frank Sinatra Scenic Design originally by: Santo Loquasto Original costumes by: Oscar de la Renta Lighting originally by: Jennifer Tipton Birmingham Hippodrome Hurst St, Southside, Birmingham, B5 4TB; 0844 338 5000 birminghamhippodrome.com Thursday 19 – Saturday 21 September Sadler’s Wells, London Rosebery Avenue, London, EC1R 4TN; 020 7863 8000 sadlerswells.com Tuesday 29 – Wednesday 30 October Giselle September – October 2019 Choreography: Marius Petipa, Jean Coralli, Jules Perrot, David Bintley Music: Adolphe Adam Production: David Bintley, Galina Samsova Designs: Hayden Griffin Lighting: Mark Jonathan Birmingham Hippodrome Hurst St, Southside, Birmingham, B5 4TB; 0844 338 5000 birminghamhippodrome.com Wednesday 25 – Saturday 28 September Theatre Royal Plymouth Royal Parade, Plymouth, PL1 2TR; 01752 267222 theatreroyal.com Wednesday 23 – Friday 25 October Sadler’s Wells, London Rosebery Avenue, London, EC1R 4TN; 020 7863 8000 sadlerswells.com Friday 1 – Saturday 2 November Peter and the Wolf October 2019 Choreography: Ruth Brill Music: Sergei Prokofiev Designs: Spike Kilburn Lighting: Peter Teigen Theatre Royal Plymouth Royal Parade, Plymouth, PL1 2TR; 01752 267222 theatreroyal.com Saturday 26 October Sir Peter Wright’s The Nutcracker November – December 2019 Choreography: Peter Wright, Lev Ivanov, Vincent Redmond Music: Pyotr Ilyich Tchaikovsky Production: Peter Wright Designs: John F. MacFarlane Lighting: David A. Finn Birmingham Hippodrome Hurst St, Southside, Birmingham, B5 4TB; 0844 338 5000 birminghamhippodrome.com Friday 22 November – Saturday 14 December On sale now Swan Lake January – May 2020 Choreography: Peter Wright, Lev Ivanov, Marius Petipa Music: Pytor Ilyich Tchaikovsky Production: Peter Wright, Galina Samsova Designs: Philip Prowse Lighting: Peter Teigen Mayflower Theatre, Southampton 22-26 Commercial Rd, Southampton, SO15 1GE; 023 8071 1811 mayflower.org.uk Wednesday 29 January – Saturday 1 February On sale 30 January 2019 Birmingham Hippodrome Hurst St, Southside, Birmingham, B5 4TB; 0844 338 5000 birminghamhippodrome.com Wednesday 19 February – Saturday 29 February The Lowry, Salford Lowry Outlet, Pier 8, The Quays, Salford, M50 3AZ; 0843 208 6000 thelowry.com Wednesday 4 – Saturday 7 March Sunderland Empire High Street West, Sunderland, SR1 3EX; 0844 871 7627 atgtickets.com/venues/sunderland-empire Thursday 12 – Saturday 14 March Theatre Royal Plymouth Royal Parade, Plymouth, PL1 2TR; 01752 267222 theatreroyal.com Wednesday 1 – Saturday 4 April An Evening of Music & Dance February 2020 Symphony Hall, Birmingham Broad Street, Birmingham, B1 2EA; 0121 780 3333 thsh.co.uk Friday 14 February, 7.30pm Royal & Derngate, Northampton 19-21 Guildhall Rd, Northampton NN1 1DP; 01604 624811 royalandderngate.co.uk Saturday 15 February, 7.30pm Mixed Programme Theme and Variations | Chacona | New Cardim June 2020 Theme and Variations Choreography: George Balanchine Music: Pyotr Ilyich Tchaikovsky Designs: Peter Farmer Lighting: Peter Teigen Chacona Choreography: Goyo Montero Music: Johann Sebastian Bach Costume design: Verena Hemmerlein New Cardim Choreographer: Daniela Cardim Composer: Paul Englishby Designer: April Dalton Lighting: Peter Teigen Sadler’s Wells, London Rosebery Avenue, London, EC1R 4TN; 020 7863 8000 sadlerswells.com Thursday 11 – Saturday 13 June Don Quixote as part of the Carlos Acosta Festival June 2019 Choreography: Carlos Acosta after Marius Petipa Music: Ludvig Minkus Arranged and orchestrated by: Martin Yates Production: Carlos Acosta Designs: Tim Hatley Lighting: Hugh Vanstone Birmingham Hippodrome Hurst St, Southside, Birmingham, B5 4TB; 0844 338 5000 birminghamhippodrome.com Friday 19 – Saturday 27 June NOTES TO EDITORS: Birmingham Royal Ballet Based at Birmingham Hippodrome since 1990, Birmingham Royal Ballet is the United Kingdom’s leading classical ballet touring company performing a range of traditional, classical and heritage ballets as well as ground-breaking new works with the aim of encouraging choreographers of the future. The company’s Director is the award-winning David Bintley, CBE and Music Director is Koen Kessels. Birmingham Royal Ballet performs at Birmingham Hippodrome for approximately ten weeks of the year and the remainder of the year tours throughout the United Kingdom and overseas. The Royal Ballet Sinfonia is Britain's busiest ballet orchestra, playing for Birmingham Royal Ballet's wide-ranging programme in the UK and abroad. The Sinfonia also plays frequently for The Royal Ballet and many of the world's other leading ballet companies, including regular performances with; The Royal Ballet, Paris Opéra Ballet, New York City Ballet, Australian Ballet, Les Grands Ballets Canadiens, the Kirov, Norwegian Ballet, Atlanta Ballet, San Francisco Ballet and La Scala Ballet.
  2. As well as San Francisco Ballet, lots of other ballet and dance performances for Spring 2019 have been announced by Sadler's Wells: http://newseason.sadlerswells.com/?utm_source=wordfly&utm_medium=email&utm_campaign=MKTEB181016&utm_content=version_A&sourceNumber=2560
  3. Does anyone know when official details of the 2018/19 Season will be announced? And, pending that, does anyone have any idea (perhaps some advanced inside knowledge) of what is likely to be included?
  4. Today at the press conference Nikolaj Hubbe announced the plans for the coming season 2018-19. Here it's possibly to see all the items: 2018-19 season I believe, it' s just in Danish right now, but the titles of the performances don't need translation. Personally I'm quite content with the coming season and plan to visit Copenhagen as often as my finances and work schedule will permit it.
  5. Today I have received my renewal notice for my subscriptions. The Birmingham season comprises: 27-30 September - mixed programme comprising Elite Syncopations, Concerto. Penguin Cafe 03-07 October - Aladdin 24 November - 13 December - Nutcracker 13-24 February - Sleeping Beauty 20-23 June - mixed programme - comprising Kin, new work, Upper Room 26-30 June - Romeo and Juliet
  6. https://www.sfballet.org/season/2019-season Includes a premiere by Scarlett.
  7. I see on the ROH website at the bottom of the page where the seasons are they have the 2017/18 season there. Obviously nothing in it yet but does anyone have any idea when it will be announced? I know it's usually the beginning of April but I thought as the outline was already there it may mean it's a bit early this year.
  8. English National Ballet 2018 Spring/Summer Season • World premiere of new work by William Forsythe created especially for English National Ballet. • To be performed in Voices of America: Robbins/Forsythe/Barton, a new mixed bill dedicated to neoclassical ballet with an American accent. • Alongside his new work, English National Ballet perform Forsythe’s Approximate Sonata 2016 for the first time. • Voices of America also includes Jerome Robbins’ shocking ballet The Cage, and a reworked version of Aszure Barton’s Fantastic Beings. • Kenneth MacMillan’s The Sleeping Beauty to be performed at the London Coliseum. • New version of My First Ballet: Swan Lake to tour the UK. English National Ballet today announces its 2018 Spring/Summer Season. In April 2018, English National Ballet will present the world premiere of a new work by one of the most revered choreographers working today, William Forsythe. His first creation for a UK ballet company in over 20 years. Forsythe’s new work will be presented as part of Voices of America, a new mixed bill dedicated to neo-classical ballet with an American accent, featuring works with audacious attitude from three generations of choreographers. Alongside his new work, English National Ballet will also perform Forsythe’s Approximate Sonata 2016. Originally created in 1996, Forsythe recently reworked this piece for Paris Opera Ballet. A series of pas de deux that deconstruct the classical ballet vocabulary, Approximate Sonata 2016 is accompanied by a new version of the original score by Thom Willems. Voices of America sees another work new to English National Ballet, Jerome Robbins’ The Cage. One of Robbins’ most shocking and intense ballets, The Cage looks at the rites and rituals of a species where the female considers the male to be prey, featuring 14 female and two male dancers. Originally created in 1951, The Cage is set to Stravinsky’s Concerto in D for String Orchestra, performed live by English National Ballet Philharmonic. Completing the mixed bill is a reworked version of Aszure Barton’s Fantastic Beings. Originally created as part of English National Ballet’s She Said programme in 2016, Fantastic Beings is a mysterious, magnetic work that sees 16 dancers take to the stage, accompanied by Mason Bates’ dynamic score performed live by English National Ballet Philharmonic. Of Voices of America Tamara Rojo CBE, Artistic Director of English National Ballet said: “For a while now I have wanted to dedicate a programme to the abstract, neoclassical style of ballet that is born out of America. It gives me great pleasure to now be doing so with a new work created especially for us by the genius that is William Forsythe, alongside his Approximate Sonata 2016. “I am excited that these Forsythe works will be accompanied by Jerome Robbins’ brilliantly shocking ballet The Cage, and a revival of Aszure Barton’s fabulous Fantastic Beings. I cannot wait for audiences to experience the power and emotion of these ballets next spring.” In June 2018, English National Ballet revives Kenneth MacMillan’s The Sleeping Beauty at the London Coliseum. This classical dark fairy-tale ballet offers “some of the most ravishing steps in 19th century repertory” (The Guardian). Featuring stunning sets by Peter Farmer, elaborate costumes by Nicholas Georgiadas, and Tchaikovsky’s ravishing score played live by English National Ballet Philharmonic. This revival coincides with the recent anniversary of MacMillan’s death, and follows the Company’s performances of MacMillan’s masterpiece Song of the Earth in the autumn/winter. Returning for its ninth consecutive year is English National Ballet’s Emerging Dancercompetition, which will be held at the London Coliseum for the first time on 11 June 2018. Recognising the excellence of the company’s artists, this annual celebration remains vital to developing and nurturing young talent within the Company. Over the years Emerging Dancer has grown significantly in popularity, with last year’s Facebook livestream receiving over 89,000 views worldwide. Next spring, English National Ballet will present a brand-new version of the ever-popular My First Ballet: Swan Lake, which premieres at London’s Peacock theatre before touring to seven venues across the country. Created in partnership with English National Ballet School, the My First Ballet series reworks popular ballet titles to make them accessible to children as young as three. Since inception in 2012 over a quarter of a million people have seen a ballet from the series. English National Ballet continues to present the very best of British ballet to audiences across the world next season when it tours Akram Khan’s Giselle internationally for the first time. In March 2018, the production will headline the Auckland Arts Festival in New Zealand before opening the Dublin Dance Festival in Ireland in May 2018. Last season English National Ballet toured Le Corsaire, Coppélia, and Ballet Bold, a mixed bill that included Adagio Hammerklavier, In the Middle, Somewhat Elevated, and The Sleeping Beauty (Act 3) internationally to over 18,000 people in Japan and Poland respectively. Tickets for The Sleeping Beauty and My First Ballet: Swan Lake’s national tour go on sale to Friends of English National Ballet at 10am on Wednesday 6 September 2018. General on sale is 10am, Monday 11 September 2018. Tickets for Voices of America and My First Ballet: Swan Lake at the Peacock, London go on sale to Friends of English National Ballet at 10am on Monday 30 October 2018. General on sale is 10am, Monday 6 November. On sale date for Emerging Dancer to be announced shortly. For information on how to become a Friend of English National Ballet see www.ballet.org.uk/support-us Listing information for English National Ballet 2018 Spring/Summer Season Voices of America: Robbins/Forsythe/Barton Sadler’s Wells, London Thursday 12 – Saturday 21 April 2018 Box office: 020 7863 8000 or www.ballet.org.uk Tickets: from £12 (on sale Autumn 2017) My First Ballet: Swan Lake Peacock Theatre, London Thursday 29 March – Saturday 7 April 2018 Box Office: 020 7863 8222 or www.ballet.org.uk Tickets: from £10 My First Ballet: Swan Lake Churchill Theatre, Bromley Saturday 14 – Sunday 15 April 2018 Box Office: 020 3285 6000 or www.ballet.org.uk Tickets: from £15.50 My First Ballet: Swan Lake New Theatre, Oxford Saturday 21 – Sunday 22 April 2018 Box Office: 0844 871 3020 or www.ballet.org.uk Tickets: from £11.50 My First Ballet: Swan Lake Opera House, Manchester Saturday 28 – Sunday 29 April 2018 Box Office: 0844 871 3018 or www.ballet.org.uk Tickets: from £11.50 My First Ballet: Swan Lake The Grand Theatre, Blackpool Saturday 5 – Sunday 6 May 2018 Box Office: 01253 290190 or www.ballet.org.uk Tickets: from £10 My First Ballet: Swan Lake New Victoria Theatre, Woking Saturday 12 – Sunday 13 May 2018 Box Office: 0844 871 7645or www.ballet.org.uk Tickets: from £11.50 My First Ballet: Swan Lake Princess Theatre, Torquay Saturday 19 – Sunday 20 May 2018 Box Office: 0844 871 3023 or www.ballet.org.uk Tickets: from £11.50 The Sleeping Beauty London Coliseum Wednesday 6 – Saturday 16 Jun 2018 Box Office: 020 7845 9300 or www.ballet.org.uk Tickets: from £14 Emerging Dancer London Coliseum Monday 11 June 2018 Box Office: 020 7845 9300 or www.ballet.org.uk Booking fees may apply. About English National Ballet English National Ballet has a long and distinguished history. Founded in 1950 as London Festival Ballet by the great English Dancers Alicia Markova and Anton Dolin, it has played a major role in the growth and history of ballet in the UK. Today, English National Ballet is renowned for taking world-class ballet to the widest possible audience through its national and international tour programme, offsite performances at festivals including Glastonbury and Latitude, its distinguished orchestra English National Ballet Philharmonic, and being a UK leader in creative learning and engagement practice and delivery, building innovative partnerships to deliver flagship programmes such as English National Ballet’s Dance for Parkinson’s. Under the artistic directorship of Tamara Rojo, English National Ballet has gained new acclaim as it introduces innovative new works to the Company’s repertoire while continuing to honour and reinvigorate traditional ballet. English National Ballet is an Associate Company of Sadler’s Wells.
  9. According to interview with O'Hare in Sunday Times today, to include: Revival of Carbon Life New McGregor to Steve Reich Revival of Strapless New Crystal Pite A main thread of the season is a celebration of McGregor's tenth anniversary as resident choreographer. Acosta's Carmen is not scheduled to return. Edit: the link to the official announcement is in post 48: http://www.balletcoforum.com/index.php?/topic/12179-royal-ballet-1617-season/?p=165589
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