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Found 19 results

  1. The season of performances opened tonight in Plymouth. All reviews and comments on here please. Over to you!
  2. I understand that Sir Matthew Bourne announced on TV earlier this morning that a version of Romeo and Juliet will be his next project: https://twitter.com/DanceTabs/status/1050294124094603264 Using the Prokofiev score? Presumably?
  3. https://new-adventures.net/news/casting-announcement-the-swan-prince-at-sadlers-wells Very excited - got tickets for one of the Ball/Mower performances!
  4. Foteini Christofilopoulou was at the dress rehearsal for Matthew Bourne’s Cinderella at Sadlers Wells, December 2017. Here are some photos: Ashley Shaw, Dominic North © Foteini Christofilopoulou. Courtesy of DanceTabs / Flickr Ashley Shaw, Dominic North © Foteini Christofilopoulou. Courtesy of DanceTabs / Flickr See more... Set from DanceTabs: Matthew Bourne’s Cinderella Courtesy of DanceTabs / Flickr
  5. Offer on top 3 ticket prices for Tuesday 10/4, Wed 11/4 and Thurs 12/4 evening performances only. With promo code cost £19.50 plus fees £2.90 and a transaction fee if booking online. If you can book in person as I did, you'll only pay £19.50 which saved me £10 on fees! Got my favourite seats too. Promo code: CINDERS
  6. I went to the opening night in Plymouth. This show ticked all of the boxes for me. The music is amazing, full of emotion and drama. I can't put into words how good it is. I saw it last night as well and it is just so moving. The interpretation of the story has taken well to stage. It is humorous, full of passion, love , drive , highs, lows, tragedy. The dancing is fantastic. For me it is a 10/10. This show is going to get better and better. Congratulations to all involved with New Adventures. I wish you luck with your tour. Well done x
  7. Has anyone been to see MB Cinderella? I have just had an email that it is touring at my local theatre and tickets went on sale yesterday for it. I would love to see a MB, but wondering if it will be OK for my nearly 10 year old, as I know some of his ballets are a little on the darker side (my husband refuses to go to the ballet with me!!!!)
  8. Sometime between 7.15 and 7.45 on Radio 4, talking about his new production of The Red Shoes.
  9. http://www.officiallondontheatre.co.uk/news/latest-news/article/item382169/matthew-bournes-cinderella-returns-christmas-2017/
  10. A DAY OF CONTRAST BETWEEN TWO NUTCRACKERS On Sunday 11th December UKMASTERCLASS has organised a day of contrast between two NUTCRACKERS. This intensive day consists of masterclasses taught by Royal Ballet dancers: VALERI HRISTOV & ITZIAR MENDIZABAL and a three hour workshop with two ​dancers from RE:BOURNE, Matthew Bourne's dance company, New Adventures. On this day you will have a taste of the repertoire from The Royal Ballet's Nutcracker, and in the afternoon, a taste of Matthew Bourne's Nutcracker. Time: 10:00am - 5:30pm Level: Intermediate/Advanced (min. 3 ballet classes p/w) Age: 14 - 18 years Girls & Boys Venue: Rambert Dance Studio, 99 Upper Ground, London SE1 9PP Early Bird booking 10% discount (till 21st October) There will also be a chance to win a scholarship for one of UKMasterclass future events! More info and to book online please visit: www.ukmasterclass.co.uk
  11. I saw the final performance at The Lowry last night of Matthew Bourne's Sleeping Beauty - re-imagined. I loved it! I had seen it a few years ago at the Liverpool Empire but the audience was a terrible distraction throughout so I remembered nothing except the baby! Last night was so much better and a quiet audience. The sets and costumes were fabulous and I especially enjoyed the first half. I felt I lost the story every so slightly in the second half, don't know if that was just me. Anyone who has watched a lot of Matthew Bourne's work will have easily recognised similarities to Swan Lake in the dances moves. I particularly liked the Red Ballroom scene as I call it - the costumes were gorgeous. In the first half the fairies were great and again they had magnificent costumes. The dance employed 2 moving conveyor belts which the dancers were able to stand and move on - these were at the rear of the stage and were used to great effect I felt. I really enjoyed the scenes with the baby which were staged marionette style - very clever. Leo (the Prince) was danced by Dominic North and Aurora by Cordelia Braithwaite . Adam Maskell played Carbosse/Caradoc - and very sinister he was too! Count Lilac was Liam Mower. For anyone considering going to the Sadlers Wells run or any other I would highly recommend it as a great night out - and not too late the show finished at 9.40pm. Would love to hear any other reviews as mine is not very exhaustive, but I wanted to flag up what a great show this is! Some nice production photos in this review http://www.manchestereveningnews.co.uk/whats-on/theatre-news/matthew-bournes-sleeping-beauty-ballet-10476268
  12. Just read on BBC website that he's going to adapt a classic British film about a ballet company:- 'He also revealed he is currently adapting a classic film for the stage - but would not reveal which one. "I've got a world premiere next year for my company," he said. "It's based on a famous British film about dance, about a ballet company. People can guess." http://www.bbc.co.uk/news/live/entertainment-arts-34556441 I'm stuck - anyone??
  13. Foteini Christofilopoulou was at the dress rehearsal for 'Car Man' at Sadlers Wells. Here are a few photos: Marcelo Gomes, Ashley Shaw © Foteini Christofilopoulou. Courtesy of DanceTabs / Flickr Zizi Strallen, Chris Trenfield © Foteini Christofilopoulou. Courtesy of DanceTabs / Flickr Kate Lyons, Liam Mower © Foteini Christofilopoulou. Courtesy of DanceTabs / Flickr See more... Set from DanceTabs: Matthew Bourne's 'The Car Man' Courtesy of DanceTabs / Flickr
  14. Lord of the Flies opened at the Lowry on Wednesday evening. I saw the performances that night and on Saturday afternoon. It is a wonderful initiative that was started in conjuction with Glasgow city council in 2011 to involve young boys/youths in a dance project. It must be so fulfilling for the boys who took part and if it inspires even one of them to go further with dance then that is a huge achievement in itself. I'm not going to try and describe the performance in detail because Sarah Crompton has done a wonderful job of that in her review in The Telegraph. I had read the book as a teenager and had found it very disturbing with its graphic description of how boys stranded on a desert island try to maintain some sort of order but then gradually descend into chaos and savagery as they try to survive. I must say that I found the production disturbing so Matthew Bourne and Scott Ambler have definitely reflected the book accurately. It is a testament to all the participants that it is so very compelling to watch. I certainly noticed more on Saturday afternoon than I had on the first night and admired very much the performances of all concerned. I totally agree with Ms Crompton that by the end you could not distinguish between the pro dancers and the youngsters involved - in fact in my case it was certainly within the first act that the boundaries disappeared. On Saturday afternoon, after several performances, this was even more the case. It is a dark story darkly and compellingly told.
  15. The tour of Matthew Bourne/New Adventures' Swan Lake opens next week in Plymouth. Could you please put your thoughts on this thread? Ian has linked this article in the Dance Links Forum: http://www.theguardian.com/stage/2013/oct/14/how-we-made-matthew-bourne-swan-lake I first saw this Swan Lake in its opening run at Sadler's Wells in 1995 with no preconceptions other than that I had read so many reviews of previous works that I really wanted to see something by Matthew Bourne. At the time there was a lot of coverage in the dance press of Swan Lake's centenary including some wonderful articles on the histroy of Swan Lake by Giannandrea Poesio. When I saw this Swan Lake for that first time, because I had been reading so much about Swan Lake, it occurred to me that, to me, the structure is very conventional! I still believe that so many years down the line. I would love to hear what other people think about this. The other thing that struck me was how much sense it made to have male swans. I love watching water birds and, beautiful and graceful though they are, I always feel that swans because of their strength (and potential aggressiveness) are masculine birds. I am really looking forward to seeing the production at The Lowry in a couple of weeks. Please do join in the conversation!
  16. Matthew Bourne's New Adventures have announced they are re staging Edward Scissorhands later this year. Details on their website here: http://www.new-adventures.net/latest_news/edward_scissorhands_returns Great news - I loved it when I first saw it! Tickets go on sale for Sadlers tomorrow (Friday 14 March) and also for Nottingham in January 2015. I assume it will tour the country.
  17. Billyelliott

    lord of the flies - Matthew Bourne's

    Has anyone's DC on the forum danced in this ? Just wondering what the experience is like ! I'm about to find out ........????
  18. Matthew Bourne's Sleeping Beauty arrived at the Lowry tonight after its world premiere in Plymouth last week. It is described as a Gothic Romance and Lez Brotherston's sets and costumes are lavishly gothic and utterly fabulous and really set the scene. Our Sleeping Beauty is born in 1890 (the prologue) and comes of age (and is sent to sleep ) in 1911. The reawakening takes place in 2011. I don't want to ruin everyone's voyage of discovery by disclosing that "the butler did it" but I will say that the opening scenes with the baby Aurora are just brilliant. There are six fairies - 3 men and 3 women. Lilac is Count Lilac. Carabosse is only in the prologue and the dark fairy role is then taken over by her son Caradoc (played by the same dancer). I just LOVED the fairy costumes. The solos for the six fairies gave a tantalising hint of the Petipa choreography we all know and love - especially the 5th and 6th variations. There isn't a rose adagio but there is a lovely duet for Aurora and a gardener to that music. The "pricking of the thumb" is achieved by a rose, which makes perfect sense. There are several twists to the standard story which I won't reveal except to say that it all ends happily! Matthew Bourne certainly knows how to put a show together and on first viewing this has become one of my favourites! It has similarly sly references to royalty as those contained in Swan Lake and there are some fun scenes at Aurora's party (which takes the form of a garden party with tennis). I felt a degree of sympathy with Caradoc which I do not usually feel for Carabosse in more conventional productions. Tonight we saw Hannah Vassallo as Aurora, Dominic North as Leo, Chrisopher Marney as Count Lilac and Ben Bunce as Carabosse/Caradoc. Both Ben Bunce and Christopher Marney had enormous stage presence and really seemed to be manipulating the action. Hannah Vassallo and Dominic North were sublime in their roles. What more can I say - I ABSOLUTELY LOVED IT!
  19. This had its first performance at Sadler's Wells on Thursday night (was that the press night? I don't know). Has anyone seen it yet, and if so, what did you think?
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