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John Mallinson

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About John Mallinson

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  1. Foteini Christofilopoulou was at the International Draft Works 2019 photocall… Note that we have done the best we can with captioning a shoot involving many dancers and companies – what we have already represents much hard work. Dutch National Ballet at International Draft Works 2019, featuring choreography by Milena Sidorova and dancers Khayla Fitzpatrick and Giovanni Princic. ©Foteini Christofilopoulou/ROH, by courtesy of DanceTabs / Flickr  Royal Ballet of Flanders at International Draft Works 2019, featuring choreography by Drew Jacoby who used the following dancers: Tieman Bormans, Daniel Domenech, Joseph Kudra and Oscar Ramos. ©Foteini Christofilopoulou/ROH, by courtesy of DanceTabs / Flickr More… Foteini Christofilopoulou - 13 photos Discussion of the programme is here
  2. Links – Sunday April 21, 2019 Reviews - Cunningham Centennial, Night of 100 Solos, London: Sara Veale, The Observer David Dougill, Sunday Times Review - San Francisco Ballet, The Little Mermaid (Neumeier), SF: Leslie Katz, San Francisco Examiner Feature - Sydney Dance Company turns 50: Michelle Potter, … on dancing Review - Dance Massive 2019, Melbourne: Humphrey Bower, Daily Review Review - Alonzo King Lines Ballet, Art Songs, Pole Star, SF: Rita Felciano, Danceviewtimes Feature - The Legacy of the New Dance Group, performance & discussion, Washington: George Jackson, Danceviewtimes
  3. Links – Saturday April 20, 2019 Reviews - Cunningham Centennial, Night of 100 Solos, London: Jann Parry, DanceTabs Graham Watts, Bachtrack Review - Damien Jalet & Kohei Nawa, Vessel, London: Debra Craine, The Times Feature - Youth America Grand Prix fundraiser including Melanie Hamrick’s Rolling Stones ballet, NY: Rob LeDonne, The Guardian News - City Ballet ordered to reinstate male dancers fired over inappropriate texts: Michael Cooper, New York Times Preview - Dance Theatre of Harlem visits Seattle on it’s 50th anniversary tour: Moira Macdonald, Seattle Times Feature - Scottish Ballet celebrates its 50th season: Julie Currie, Galloway Gazette Film review - Jacqui Morris & David Morris, Nureyev: Frank Scheck, The Hollywood Reporter Review - Mariana Valencia, Bouquet, NY: Siobhan Burke, New York Times Feature - Pole dancing going mainstream: Siobhan Burke, New York Times
  4. Links – Friday April 19, 2019 Reviews - Cunningham Centennial, Night of 100 Solos, NY: Marina Harss, DanceTabs Apollinaire Scherr, Financial Times Review - Cunningham Centennial, Night of 100 Solos, London: Rachel Elderkin, The Stage Review - Cunningham Centennial (CNDC / Ballet West / Washington Ballet), NY: Ivy Lin, Bachtrack Review - Stephen Petronio Company, mixed bill, NY: Deborah Jowitt, DanceBeat Review - English National Ballet School, My First Ballet: Seeping Beauty, London: Vikki Vile, Culture Whisper #SpeakingInDance - Indiana Woodward, on a solo from Ratmansky’s Pictures at an Exhibition: Gia Kourlas, New York Times Review - Matthew Bourne, Swan Lake, London: Alex Ramon, The Reviews Hub Interview - Ralph Fiennes, on The White Crow: Matt Donnelly, Variety Film reviews - Jacqui Morris & David Morris, Nureyev: Martha Schabas, The Globe and Mail Irene Hsiao, Chicago Reader Review - Mark Morris Dance Group, Pepperland, Plymouth: Karen Bussell, British Theatre Guide Exhibition - Bright Side Studios, a Human Connection, in memory of Janis Claxton, Leith: Róisín O’Brian, SeeingDance Review - Tribhangi Dance Theatre, One Spirit Festival, Johannesburg: Maggie Foyer, SeeingDance Coming up - Three of the best, UK: Lyndsey Winship, The Guardian (scroll right down), and five in New York City: Gia Kourlas, New York Times
  5. Links – Saturday April 6, 2019 Reviews - English National Ballet, She Persisted, London: Lyndsey Winship, The Guardian Zoë Anderson, The Independent Neil Norman, The Stage Emma Byrne, Evening Standard Mark Monahan, The Telegraph Mark Pullinger, Bachtrack Vera Liber, British Theatre Guide Jim Pritchard, Seen and Heard International Tiffany Pritchard, The Londonist Alyson Lowe, Vogue photos - Foteini Christofilopoulou, DanceTabs Review - Martha Graham Dance Company, Herodiade, Deo, Untitled (Souvenir), NY: Apollinaire Scherr, Financial Times Review - Washington Ballet, Three World Premieres, Washington: Sarah L. Kaufman, Washington Post Review - Natalia Osipova, Pure Dance, NY: Gay Morris, Danceviewtimes Review - Scottish Ballet, Dextera, Elite Syncopations, Inverness: Bruce Marriott, DanceTabs Review - Russian Ballet Icons Gala 2019, London: Jann Parry, DanceTabs Interview - Carlos Acosta: Elizabeth Davis, Classic FM Review - Romeo and Juliet goes to the circus, Philadelphia: Stephen Pritchard, Bachtrack Review - Les Ballets Trockadero de Monte Carlo, Sarasota : Carrie Seidman, Sarasota Herald-Tribune Review - Philadelphia Ballet, Deco, Apollo, Stravinsky Violin Concerto, The Cage, Philadelphia: Nancy G. Heller, The Inquirer Review - Toronto Dance Theatre, Persefony Songs, Toronto: Collette Murray, The Dance Current Review - Milwaukee Ballet, Lambarena, Milwaukee: Elaine Schmidt, Journal Sentinel
  6. Foteini Christofilopoulou was at the photocall for Broken Wings and Nora, which with Pina Bausch's Rite of Spring make up ENB's She Persisted programme of works by female choreographers.  ENB in Stina Quagebeur's Nora. Photo ©Foteini Christofilopoulou, by courtesy of DanceTabs / Flickr Katja Khaniukova in Annabelle Lopez Ochoa's Broken Wings. Photo ©Foteini Christofilopoulou, by courtesy of DanceTabs / Flickr More… Foteini Christofilopoulou - 12 photos Discussion of this programme is here
  7. Links – Friday April 5, 2019 Feature - Dance Theater of Harlem at 50 - dancers talk: Gia Kourlas, New York Times Reviews - Natalia Osipova, Pure Dance, NY: Marina Harss, DanceTabs Siobhan Burke, New York Times Review - Martha Graham Dance Company, mixed bill, NY: Brian Seibert, New York Times Review - San Francisco Ballet, Die Toteninsel (Scarlett), Rodeo (Peck), The Bjork Ballet (Pita), SF: Rita Felciano, Danceviewtimes Review - San Francisco Ballet Program 6, Space Between, SF: Sophie Kim, The Daily Californian Review - Northern Ballet, Victoria, London: Sara Veale, Fjord Review Feature - Alex Smith, a squaddie in the ballet and other mould breakers: Lucy Bannerman, The Times Film review - The White Crow: Matt Dennis, Entertainment Focus This weekend - Seven performances in NY: Gia Kourlas, New York Times This week - Three of the best in the UK: Lyndsey Winship, The Guardian And of course … Prince Harry looks adorable in a ballet class with kids: Nicole Saunders, Harper's Bazaar
  8. Links – Thursday April 4, 2019 Obituary - Jonathan Taylor, dancer, choreographer, AD of Australian Dance Theatre: Michelle Potter, … on dancing Reviews - The Royal Ballet, Romeo and Juliet / Russell Maliphant, The Thread, London: Laura Freeman, The Spectator Reviews - New York City Ballet, Composer’s Holiday, Kammermusik No. 2, Opus 19, The Dreamer, Symphony in C, NY: Sarah L. Kaufman, Washington Post George Jackson, Danceviewtimes Review - Martha Graham Dance Company, Secular Games, Herodiade, Deo, I Used to Love You, NY: Ivy Lin, Bachtrack Review - Northern Ballet, Victoria, Leicester: Sally Jack, British Theatre Guide Exhibition - Lincoln Kirstein’s Modern, MOMA New York: Wendy Perron Review - Hamburg Ballet, Beethoven Project & The World of John Neumeier gala, HK: Kevin Ng, Hong Kong Economic Journal Interview - Judith Jamison, Alvin Ailey artistic director emerita: Makeda Easter, Los Angeles Times Interview - Akram Khan and the Sky Arts series Why Do We Dance: Neil Armstrong, The Telegraph Review - Akram Khan, Xenos, Montreal: Philip Szporer, The Dance Current Review - Tokyo Ballet, Swan Lake, Tokyo: Kris Kosaka, Japan Times Review - San Francisco Ballet, Lyric Voices, SF: Sophie Kim, The Daily Californian Review - Lori Belilove & The Isadora Duncan Dance Company, March Madness, NY: Joel Benjamin, TheaterScene Feature - Henry Danton, still teaching ballet aged 100: Lici Beveridge, Hattiesburg American Review - Alleyne Dance, The Other Side of Me, A Night’s Game, London: Graham Watts, DanceTabs Review - Corali Dance Company / Thick & Tight, London: Josephine Leask, DanceTabs Review - Russian Ballet Icons Gala, London: Charlotte Kasner, SeeingDance Film review - The Heart Dances: Graeme Tucker, stuff
  9. Links – Wednesday April 3, 2019 Review - San Francisco Ballet, Die Toteninsel (Scarlett), Rodeo (Peck), The Bjork Ballet (Pita), SF: Janice Berman, San Francisco Classical Voice Review - San Francisco Ballet, programs 5 & 6, SF: Paul Parish, Bay Area Reporter Reviews - Russian Ballet Icons Gala 2019, London: Vera Liber, British Theatre Guide Vikki Jane Vile, Broadway World Jim Pritchard, Seen and Heard International photos - Emma Kauldhar, Dance Europe Preview - Martha Graham Dance Company, new works by Pam Tanowitz and Maxine Doyle and Bobbi Jene Smith: Gia Kourlas, New York Times Preview - Natalia Osipova, Pure Dance: Lauren Wingenroth, Playbill Interview - Ivan Putrov on his forthcoming programme Against the Stream: Jann Parry, DanceTabs Interview - Sophie Laplane, Scottish Ballet’s resident choreographer: Kelly Apter, The List Reviews - Dorrance Dance, NY: Apollinaire Scherr, Financial Times Robert Gottlieb, Observer Review - Ballett Zürich, Nijinsky (Marco Goecke), Zurich: Maggie Foyer, SeeingDance Review - CoDance Festival 2019, Taipei: David Mead, SeeingDance Review - ICI-ICN Montpelier, une maison, Taipei : David Mead, SeeingDance Interview - Robert Een, on composing music for dance: Rachel Hellwig, ARTS ATL
  10. Dave Morgan attended the rehearsal of David Bintley's Beauty and the Beast in Southampton. Tyrone Singleton, Rory MacKay ©Dave Morgan 2019  Tyrone Singleton, Delia Matthews ©Dave Morgan 2019 Tyrone Singleton, Delia Matthews ©Dave Morgan 2019 More… Dave Morgan - 60 photos Discussion of this production is here
  11. They are, but you have to look at each performance of the triple by clicking on the dates. Osipova is down to dance 1st Movement but only on June 4 for some reason.
  12. I've always understood it as a matter of capitalisation. In the RB and some other companies 'Artist' is the entry rank, but, as you say 'artists' is a generic term though I think usually understood to not include Principal status.
  13. The Ashton Foundation has posted links to videos of the masterclasses.
  14. Brief discussion of Pepperland in BBC's Saturday Review - 26mins 27secs in.
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