Jump to content

Dance*is*life

Members
  • Content Count

    806
  • Joined

  • Last visited

Community Reputation

1,831 Excellent

About Dance*is*life

  • Rank
    Dance*is*life
  • Birthday August 15

Profile Information

  • Gender
    Female
  • Interests
    My family, ballet, theatre and musical theatre, music, books,films etc etc.

Recent Profile Visitors

760 profile views
  1. Dance*is*life

    Unqualified teachers

    Well Invisable Circus I agree with you - the RAD may have been talking about unqualified teachers, because well that's what they advocate, but I come from a dancer background and never attended a teachers course. I did get qualified right at the beginning when the RAD decreed that you had to be, I even took their teaching exams to do it properly, but I personally believe that experience and your own knowledge gathered from years of training is what's important. There are some wonderful teachers out there, who may, like you, be considered 'unqualified' but whilst theoretical knowledge taught on a teaching course is obviously good to have, I would suggest that that alone does not make you a qualified teacher - it's the years of hard work and experience that follow. Of course one of the main problems in all this is that the majority of parents don't really understand whether the teacher is good, bad or indifferent. All you lovely parents on here excepted of course ! But I once nearly lost a good friend because when she asked me along to her daughter's recital, I'm afraid I told her in no uncertain terms that it was dreadful - not a single child knew any actual dance steps even the older ones! This was a highly intelligent woman, who simply had no knowledge of what her child should be learning. And indeed why should she? So whilst it may help to check out a teacher's credentials, it is and will remain a problem.
  2. Dance*is*life

    Unqualified teachers

    I think some of the remarks are referring to older children joining a school without basic technique. I think the article is a bit misleading, but it is very true that correct teaching from the word go is vital, no matter what age the child. I started at 3 and 4 months with a brilliant teacher of "babies" , Nancy Robinson in Streatham and that wonderful start set me off on a lifetime of dance. In my year alone most continued on to professional careers. My Great Niece started going to ballet around the corner from her home. She was there four years without advancing significantly - the student teachers working with the class just shouted corrections and orders the whole lesson. The qualified teacher in charge didn't seem to check on them. Such a waste. There's nothing wrong with having teenage assistants, but they shouldn't be running the classes in my opinion.
  3. I wanted to add to my post above and for some reason can't edit it. My response was to what Peanut said that training in sports is similar to professional training and a career in dance. The demands on our bodies are sometimes just too great. Gymnasts sadly pay an even higher price in damage to their bodies. I suppose that's the price of excellence. I know someone who was actually crippled from being a super efficient stenographer. It is very sad when it happens to someone like Andy Murray who achieved so much and has given so much to his chosen sport. He is still young and hopefully he will eventually find another outlet for his talents - perhaps in coaching - teaching is very rewarding.
  4. When I got married I turned to teaching. I always said that when I gave up dancing I would become a teacher, but in the end I have carried on dancing all my life, without, I am grateful to be able to say, any major problems. I often think the fact that I only had a short performing career, but kept up taking classes, put less strain on my body. I often read about dancers almost crippled from overuse of their joints- it's very sad. With all the modern methodology getting purportedly better results, I still feel that our old fashioned training was somehow gentler on the body.
  5. Dance*is*life

    Recommendations for where to stay for Central

    Great! Thanks very much everyone.
  6. Dance*is*life

    Recommendations for where to stay for Central

    I was going to recommend Premier Inn to the mother, but some of them are more expensive than others. I'll mention Old Street then. Is that the nearest Premier Inn to Central do you know? What is the nearest tube station? I visited years ago and simply don't remember. Thanks so much for your help!
  7. Hi just wondering if anyone can recommend a good place to stay near Central for the summer school. Student will be with a parent. Hotel/b/b/ flatlet whatever. Thanks.
  8. Dance*is*life

    Seasons Greetings

    Happy Christmas and a wonderful 2019 full of joy and ballet!
  9. Dance*is*life

    Question about "Sleeping Beauty"

    Well I just wanted to say thank you for posting this variation - it is amazing! What I love about Baryshnikov is how he achieves perfection with seemingly no effort whatsoever! As someone wrote above - he just floats in the air! About the terminology used in non English speaking countries, I think you'll find they stay the same, just the counting and connecting words are in the country's own language. Well done for wanting to get it right - it always annoys me when authors use totally impossible combinations of steps, just to try and make it appear authentic, presumably believing that the reader won't know the difference.
  10. Dance*is*life

    Summer School in Brussels?

    Thank you all very much! Most useful!!
  11. Dance*is*life

    Summer School in Brussels?

    Has anyone heard of a good summer school in Brussels? I promised a student that I would find out for her. Thanks.
  12. Dance*is*life

    Spanish inspired ballet music

    I discovered quite by chance on youtube a spanish piece by Elgar! It's called Sevillana Scene Espagnole. I used it for my pointe dance last recital and it was a huge success!
  13. Dance*is*life

    RAD Intermediate Exam

    The latest RAD syllabi are very different from the old ones and certainly the choreography is far more creative than it used to be. There is one free enchainement and the format has just been changed slightly. The examiner can choose between three focal steps and use whatever she likes from a list of linking steps. There is a choice of two dances, one classical or one neo/modern. Demi-pointe shoes must be worn, but they can be old pointe shoes with the inner sole removed. The actual pointe work is fairly simple. 3 exercises on the barre and two in the centre, plus the reverence......... put simply wearing demi-pointes prepares you for working in pointe shoes on stage.ointework
  14. Dance*is*life

    Which companies generally prefer the tall/short dancers?

    Yup - I can vouch for that! My husband and three sons totally make me feel like Tiny Tim!
  15. Dance*is*life

    Which companies generally prefer the tall/short dancers?

    Definitely an important point! In the 60s when I was looking for work I lost several possibles because of height - my lack of! Although I was 1.62m which isn't too bad. I remember doing a class audition with the Stuttgart Ballet and feeling totally as if I were in the land of giants! Marcia Haydee, their star, was tiny and all the corps were tall in order to emphasize this. Although they liked me, they couldn't accept me, because I wasn't ready to start as anything but corps. Such is life! Of course the bonus was that I often got picked at RBS to be Wayne Sleep's rep and pas de deux partneršŸ˜Š
×