Occasional Dance Links - Features, Previews, Reviews, etc
#1
Posted 28 January 2012 - 03:51 PM
#2
Posted 28 January 2012 - 03:54 PM
Canadian Outsider Dazzles As Onegin
by Patricia Boccadoro
"Physically, they were right together, McKie’s lithe, powerful frame contrasting with Dupont’s slight, delicate body, all poise, womanliness and shining movements. The chemistry passed between the two of them…."
Culturekiosque
Film Review: "Balanchine in Paris"
by Patricia Boccadoro
"… a loving demonstration of how he maintained close ties with the Paris Opera Ballet throughout his life, returning regularly for Ravel and Stravinsky ‘festivals’ and to stage the danced sections of the operas Orfeo and Eurydice and Faust. "
Culturekiosque
Review: NYCB - Balanchine and Robbins Programme
Three Stars Flaunting Their Styles: Flirty, Serene and Mysterious
by Gia Kourlas
"For such dancers who last, ballet is a living picture: each performance takes on a different shade of color, of intensity, of alertness."
NY Times
2 Reviews: "Men in Motion"at Sadler's Wells:
The media storm around one of its dancers doesn't stop this tribute to male movement from leaping with playful charm
by Judith Mackrell
"This is a slender evening but it's also one of real intelligence and surprising moments of passion. And it makes a pretty wonderful case for the male dancer."
Guardian
Men in emotion a more apt title as Royal Ballet star escapee takes his first steps off the leash
by Ismene Brown
"… essentially the dance numbers are five variants on being all by yourself in the moonlight and not, to be honest, dashing about in the thrilling way that ballet chaps usually tend to do."
Arts Desk
#3
Posted 28 January 2012 - 11:04 PM
(Edit: and personally, I'm happy for people to alert us to anything of particular interest in The Times - and anything else locked behind a paywall, for that matter)
Edited by alison, 28 January 2012 - 11:06 PM.
#4
Posted 29 January 2012 - 02:21 PM
Feature: Mark Morris and Alexei Ratmansky
Two Reasons The Patient Is Still Kicking
by Alastair Macaulay
"Today Mr. Morris and Mr. Ratmansky are the most important choreographers under 70…..Both are clever and prolific, with gifts for comedy and poetry, an intense awareness of historical precedent and a modern feeling for the sexes..."
NY Times
2 Reviews: "Men in Motion" at Sadler's Wells
Sergei Polunin is a man in motion
byLouise Levene
"Even if the Russian visitors had danced, I doubt they could have outshone Daniel Proietto whose mesmerising performance of Russell Maliphant's Afterlight was a welcome reminder that ballet does not have a monopoly on physical virtuosity"
Telegraph
Runaway Polunin bounds all too briefly into boys-only pop-up
by Jenny Gilbert
"But technical polish is nothing without good material. And that was in short supply in this peculiar venture. Of Putrov's own foray into choreography, a trio which seemed to be about a man who can't decide if he's gay or straight, the least said, the better."
Independent
Review: "Draft Works" - Choreography by RB Dancers and others
by Luke Jennings
" Given that seven of the choreographers are company dancers, there's an unsurprising tilt in favour of classically derived work, but this doesn't mean a shortage of original ideas."
Observer
Interview: Jorden Morris on Royal Winnipeg Ballet's "Moulin Rouge"
by Molly Glentzer
"Now there's lots of nudity and girls with snakes at the Moulin Rouge, but there wasn't in the 1880s. We keep it in context. Translating the cancan to pointe shoes was a big challenge."
Houston Chronicle
Interview: Actor Tom Skeritt on being Don Q for Pacific Northwest Ballet
Ballet is a 'wonderful challenge'
by Moira Macdonald
" He knew that Ratmansky preferred to have actors, rather than dancers, play the roles of Don Quixote and Sancho Panza."
Seattle Times
If you remember when/things were really hummin':
Chubby Checker awaits reward for life of twists
by Joel Selvin
"The 70-year-old creator of the twist, the greatest dance sensation in history, doesn't feel the respect he thinks he deserves."
SF Chronicle
#5
Posted 30 January 2012 - 10:17 AM
An Evening of Wheeldon at NYCB: Marina Harss, The Faster Times
NYCB in a Balanchine and Robbins Program: Gia Kourlas, NY Times
Wheeldon’s new Les Carillons for NYCB: Brian Seibert, NY Times
Mark Morris's L'Allegro, il Penseroso ed il Moderato in Washington: Sarah Kaufman, The Washington Post
3-D or not 3-D – Wim Wenders’ Pina: Lewis Segal, LA Times
Bill T. Jones and John Cage: Deborah Jowitt, The Arts Journal
Rudi van Dantzig obituary: Anna Kisselgoff, NY Times
Film review, Dominique Delouche’s Balanchine in Paris: Patricia Boccadoro, CultureKiosque
Onegin at S.F. Ballet: Mary Ellen Hunt, San Francisco Chronicle
Onegin at Paris Opera Ballet: Patricia Boccadoro, CultureKiosque
Johan Kobborg’s Salute for Sarasota Ballet: Carrie Seidman, Arts Sarasota
Edited by JohnM, 30 January 2012 - 10:23 AM.
#6
Posted 30 January 2012 - 01:41 PM
Some more links to ease the withdrawal symptoms! (Whether we should continue with this depends on the response.)
What response would you like, John? Do we need to beg?
Anyway, to add to the selection, here's the Evening Standard on Men in Motion: http://www.thisislon...lls---review.do (sorry - haven't learned to prettify these yet)
#7
Posted 30 January 2012 - 02:14 PM
#8
Posted 30 January 2012 - 02:26 PM
Thanks again to you both and to anyone else who chips in.
(Watching ballet keeps me sane)
#9
Posted 30 January 2012 - 03:27 PM
I absolutely agree. Thank you. It is very much appreciated.I am very grateful for everyone's time and effort in continuing to provide these reviews, thank you.
#10
Posted 30 January 2012 - 04:06 PM
Alison, grovelling and begging always go down well!
As I'm sure you know, we were usually spending up to 3 hours a day garnering links under the old system. That was not really supportable any longer. If it's possible to snag the most important links in not more than 30 minutes each day then it might be worth carrying on just so long as people are interested in reading them (I am!). And at 30 minutes a day perhaps others might be more willing to join in and share the load. The biggest loss is the database and all the detail that holds, but extracting quotes and entering the data was one of the time-consuming elements.
If this site survives (still a big if) then I would hope that some sort of links collation might be included, though it would not be as thorough as in the past.
#11
Posted 30 January 2012 - 06:03 PM
#12
Posted 30 January 2012 - 06:08 PM
I am about to start a thread in the Future Possibilities area at the top of the site frontpage that will try to explore this issue more fully, and I would urge users who might not normally post to go there and help us understand how useful this area of content would be to the community if it is continued in some way.
#13
Posted 31 January 2012 - 09:58 AM
Wheeldon’s happy homecoming to NYCB: Jocelyn Noveck, San Francisco Chronicle
Discursive piece on the Wheeldon triple bill: Tobi Tobias, Arts Journal
Christopher Wheeldon triple bill at NYCB (Jennie Somogyi injured): Leigh Witchel, New York Post
Jennie Somogyi’s injury: Daniel J. Wakin, New York Times
Liam Scarlett’s Viscera for Miami City Ballet: Alastair Macaulay, NY Times
Ivan Putrov’s Men in Motion at Sadler’s Wells: Clement Crisp, Financial Times; Clifford Bishop, Evening Standard; Zoe Anderson, The Independent; Laura Thompson, Telegraph
What is black dance? Interview with Ishmael Houston-Jones: Gia Kourlas Time Out NY
Obituary of Paul DeMasson, Australian dancer: Fiona Tonkin, The Australian
Bolshoi Ballet’s Sleeping Beauty, Moscow: Raymond Stults, Moscow Times
#14
Posted 31 January 2012 - 12:14 PM
(Watching ballet keeps me sane)
#15
Posted 31 January 2012 - 08:30 PM
#16
Posted 31 January 2012 - 11:56 PM
Great job everyone.
Thank you so much.
#17
Posted 01 February 2012 - 11:47 AM
Apollinaire Scherr Financial Times
Robert Gottlieb New York Observer
Deborah Jowitt Arts Journal
Sergei Polunin to lose UK work permit? Telegraph
Ethan Stiefel, AD of RNZB: mainly a style piece Dominion Post
#18
Posted 02 February 2012 - 10:09 AM
Review: Royal Ballet “The Dream/Song of the Earth” Ismene Brown Arts Desk
Review: San Francisco Ballet “Onegin” Geri Jeter California Literary Review
Review: NYCB Balanchine/Robbins programme Claudia La Rocco NY Times
Review: NYCB All-Wheeldon Programme Robert Johnson NJ Star-Ledger
Review: ABT Mixed Bill Sarah Kaufman Washington Post
Review: “Men in Motion” Gerald Dowler Classical Source
Preview: Russell Maliphant “The Rodin Project” Judith Mackrell Guardian
+ slideshow companion piece Guardian
New York: Dance on Camera Festival Robert Johnson NJ Star-Ledger
Video + Article: Move Tube – Josephine Baker Judith Mackrell Guardian
Reviews: “Midnight Tango”
Clement Crisp Financial Times
Laura Thompson Telegraph
Clifford Bishop Evening Standard
Zoe Anderson Independent
Neil Norman Express
Reviews: Jin Xing “Shanghai Tango”
AlastairMacaulay NY Times
Leigh Witchel NY Post
#19
Posted 02 February 2012 - 11:16 PM
#20
Posted 03 February 2012 - 01:41 AM
#21
Posted 03 February 2012 - 09:27 AM
Reviews
Royal Ballet : “The Dream & Song of the Earth” Zoë Anderson Independent
Judith Mackrell Guardian Clifford Bishop Evening Standard
NYCB: Balanchine/Robbins Programme Claudia La Rocco NY Times
San Francisco Ballet: “Onegin” Paul Parish Bay Area Guardian
Scottish Ballet : “Sleeping Beauty” Sean Watson Edinburgh Journal
Cedar Lake Contemporary Ballet: Mixed Bill Laura Capelle Financial Times
Interview: Akram Khan Roslyn Sulcas NY Times
“Pina” reaches Washington DC Sarah Kaufman Washington Post
Dance in Movies: “Pina” and others Marina Harss Faster Times
Chunky Move’s New AD, Anouk van Dijk Philippa Hawker Sydney Morning Herald
Bolshoi Ballet Academy to see first U.S. graduate. Chicago Tribune
Australian Ballet: Couple vie for ballet's top gong! The Australian
Edited by Ian Macmillan, 03 February 2012 - 09:29 AM.
#22
Posted 03 February 2012 - 11:30 AM
And Zoe Andersen in The Independent
Oops, clearly having a mental block last night. I meant Anderson, of course. Sorry.
#23
Posted 03 February 2012 - 01:30 PM
http://www.yorkshire...lenge_1_4209024
http://www.yorkshire...apher_1_4208999
We were lucky enough to see Kenneth Tindall's Project#1 at Northern Ballet's choreographic show last year and it's super. Here are details of the mixed programme:
http://northernballe...erpetual-motion
(Watching ballet keeps me sane)
#24
Posted 03 February 2012 - 02:59 PM
#25
Posted 03 February 2012 - 07:31 PM
The Telegraph is clearly being very slow off the mark with regard to its review of the Dream/Song triple bill, but has at least got an obituary for Rudi van Dantzig online now: http://www.telegraph...an-Dantzig.html
There was a review in the hard copy Telegraph today but it's not online. It's by Laura Thompson and she gives it 4* . She described most of the cast of Dream as looking "vaguely shell-shocked" & McRae "seemed uncharcteristically overwhelmed by his spinning solos." Of Carlos and Tamara in Song she says "What true, intelligent artists these two are..." Hopefully it will appear online soon.
#26
Posted 03 February 2012 - 08:27 PM
There was a review in the hard copy Telegraph today but it's not online. It's by Laura Thompson and she gives it 4* . She described most of the cast of Dream as looking "vaguely shell-shocked" & McRae "seemed uncharcteristically overwhelmed by his spinning solos." Of Carlos and Tamara in Song she says "What true, intelligent artists these two are..." Hopefully it will appear online soon.
It's online now:
http://www.telegraph...den-review.html
#27
Posted 03 February 2012 - 10:16 PM
#28
Posted 03 February 2012 - 11:47 PM
Edited by JohnM, 03 February 2012 - 11:48 PM.












