Jan McNulty Posted March 12, 2017 Share Posted March 12, 2017 Links - Sunday 12 March, 2017 Reviews - San Francisco Ballet, Fusion, Salome (Pita), Fearful Symmetries, San Francisco: Claudia Bauer, DanceTabs Janice Berman, SF Classical Voice Review - Royal Danish Ballet, Infra, Falling Angels, Vertical Road, Copenhagen: Eva Kistrup, Danceview Times Review - Sarasota Ballet, The Two Pigeons, Scenes de Ballet, Sarasota: Carrie Seidman, Sarasota Herald Tribune Review - Ballet Black, House of Dreams, Captured, Red Riding Hood, London: Bruce Marriott, DanceTabs Feature - Robert Fairchild, star of American in Paris & NYCB: Debra Craine, Times Video feature - The wigs for Northern Ballet’s Casanova: Alex Stanger & Claudia Redmond, BBC Reviews - Company Wayne McGregor & Paris Opera Ballet, Tree of Codes, London: Jeffrey Taylor, Express Alice Morby, Dezeen Review - Julie Cunningham & Company, Returning, To Be Me, London: Judith Mackrell, Guardian Preview - National Ballet of Canada, Pinocchio, Toronto: Madalina Hubert, Epoch Times Feature - Steven McRae, Royal Ballet: Alley Pascoe, Herald Sun Feature - Steve Cantor on the making of Dancer (the Polunin Documentary): Shilpa Ganatra, Irish Independent Preview - Pittsburgh Ballet Theatre & Dance Theatre of Harlem, mixed programme, Pittsburgh: Sara Bauknecht, Pittsburgh Post Gazette Review - Complexions Contemporary Ballet, mixed programme, Kingston: Richard Johnson, Jamaica Observer Review - Dana Tai Soon Burgess Dance Company, Confluence; Korea National Contemporary Dance Company, Immixture, Washington: George Jackson, Danceview Times Review - Melbourne Ballet Company, Architecture of Loss, Being and Time, Four Ballet, Sydney: William Abela, Tuckerman Times Review - Charlotte Ballet, Sleeping Beauty, Charlotte: Lawrence Toppman, Charlotte Observer Preview - Ballet Victoria, Luminous, Victoria: Adrian Chamberlain, Times Colonist Link to comment Share on other sites More sharing options...
Jan McNulty Posted March 13, 2017 Author Share Posted March 13, 2017 Links - Monday 13 March, 2017 Reviews - Northern Ballet, Casanova, Leeds: Mark Brown, Telegraph Beverley Haigh, Reviews Hub Review - National Ballet of Canada, Pinocchio, Toronto: Michael Crabb, Toronto Star Review - Paul Taylor American Modern Dance, Sacre du Printemps (The Rehearsal), Ports of Call, The Open Door, New York: Apollinaire Scherr, FT Review - Paul Taylor American Modern Dance, Airs, Black Tuesday, Syzygy, New York: Carol Pardo, Danceview Times Review - Company Wayne McGregor & Paris Opera Ballet, Tree of Codes, London: David Dougill, Times Review - Alvin Ailey American Dance Theatre, r-Evolution Dream, Untitled America, Ella, Revelations, Joshua Walker, Huffington Post Review - Julie Cunningham & Company, Returning, To Be Me, London: Luke Jennings, Observer Reviews - Aakash Odedra, Echoes, I Imagine, London: Lynette Halewood, DanceTabs Gerard Davies, Dancing Review Review - Trisha Brown Dance Company, In Plain Site Los Angeles, Los Angeles: Jeff Slayton, See Dance Review - Joffrey Ballet, Winning Works Choreography Competition, Chicago: Lauren Warnecke, Chicago Tribune Review - Cloud Gate Dance Theatre, Rice, Auckland: Raewyn Whyte, NZ Herald Review - Matthew Bourne’s New Adventures, Early Adventures, Poole: Staff, Bournemouth Echo Preview - Nat Cursio, Tiny Slopes, Melbourne: Annabel Ross, Brisbane Times Link to comment Share on other sites More sharing options...
John Mallinson Posted March 14, 2017 Share Posted March 14, 2017 Links – Tuesday March 14, 2017 Review - Los Angeles Ballet, Divertimento No. 15, Who Cares?, Prodigal Son, LA: Lewis Segal, Los Angeles Times Review - Paul Taylor American Modern Dance, New York season: Deborah Jowitt, DanceBeat Reviw - Kidd Pivot, Betroffenheit, SF: Janice Berman, San Francisco Classical Voice Review - Russian Ballet Icons Gala, London: Vera Liber, British Theatre Guide Photos - Dave Morgan, DanceTabs Reviews - Northern Ballet, Casanova (Kenneth Tindall), Leeds: Graham Watts, Bachtrack Sandra Callard, on: Yorkshire magazine Reviews - Julie Cunningham & Company, Returning, To Be Me, London: Jann Parry, DanceTabs Louise Levene, Financial Times Lyndsey Winship, Evening Standard Review - San Francisco Ballet, Fusion, Salome (Pita), Fearful Symmetries, San Francisco: Leslie Katz, San Francisco Examiner Review - New York Flamenco Festival 2017, Gala Flamenca: Marina Harss, New Yorker Review - Ballet Black, House of Dreams, Captured, Red Riding Hood, London: Erin Whitcroft, The Independent Feature - Rosie Kay, MK Ultra, and the Illuminati: Judith Mackrell, The Guardian Interview - Liam Scarlett, choreographer: Daniela Sunde-Brown, Broadsheet Brisbane Review - Trisha Brown Dance Company, In Plain Site Los Angeles, LA: Jane Rosenberg, Seen and Heard Reviews - Aakash Odedra, Echoes, I Imagine, London: Neil Norman, The Stage Charlotte Kasner, SeeingDance Review - Pennsylvania Ballet, Le Corsaire, Philadelphia: Eri Yoneda, phindie Interview - Steven McRae, The Royal Ballet: Louise Schwartzkoff, Sydney Morning Herald Audio interview - Will Tuckett on his Pinocchio for the National Ballet of Canada: Tom Power, CBCradio Feature - The diversity problem in classical ballet: Jane Onyanga-Omara, USA Today Review - Les Grands Ballets Canadiens, Death and the Maiden (Stephan Thoss), Paris: Laura Cappelle, Financial Times Reviews - Melbourne Ballet Company, Being & Time, Sydney: Jill Sykes, Sydney Morning Herald Valerie Lawson, Dancelines Feature - Ahmad Joudeh, a Palestinian dancer, moves from Syria to Amsterdam: Renate van der Zee, The Guardian Review - Ellen Melaver, MARTHA, Los Angeles: Gil Kaan, Broadway World Review - Tavaziva, Africarmen, Birmingham: Philip Preece, SeeingDance News - £5 million for Birmingham Dance Hub: Tamlyn Jones, Birmingham Mail And… Review - The fate of the critic in the clickbait age: Alex Ross, New Yorker Link to comment Share on other sites More sharing options...
John Mallinson Posted March 15, 2017 Share Posted March 15, 2017 Links – Wednesday March 15, 2017 Review - Paul Taylor American Modern Dance, Le Sacre du Printemps (The Rehearsal), Ports of Call, Company B, NY: Martha Sherman, Danceviewtimes Reviews - Project Polunin, London: Katie Colombus, The Arts Desk Lyndsey Winship, Evening Standard Neil Norman, The Stage Film review - Steven Cantor, Dancer (the Polunin movie): Rosmary Waugh, Exeunt Magazine Interview - Sergei Polunin: Ella Alexander, Harper’s Bazaar Review - National Ballet of Canada, Pinocchio, Toronto: Denise Sum, Danceviewtimes Review - Julie Cunningham & Company, Returning, To Be Me, London: Ka Bradley, Exeunt Magazine Review - Flamenco Festival 2017, NY: Brian Seibert, New York Times Feature - The Cage, staging Robbins’ ballet for the Bolshoi: Gia Kourlas, New York Times Interview - Rosie Kay & Adam Curtis, re MK Ultra: Gabriel Tate, iNews DVD review - Reset, Benjamin Millepied at the Paris Opera Ballet: Jenny Gilbert, The Arts Desk Review - MoveOpolis, NY: Deborah Jowitt, DanceBeat Review - Stopgap, The Enormous Room, London: Rachel Elderkin, Fjord Review Review - BODYTRAFFIC, four pieces, Boston: Marcia B. Siegel, The Arts Fuse Review - Ellen Melaver, MARTHA, Los Angeles: Jeff Slayton, SeeDance Review - Rhiannon Newton, Bodied Assemblies, Brisbane: Jordan Beth Vincent, Brisbane Times Link to comment Share on other sites More sharing options...
John Mallinson Posted March 16, 2017 Share Posted March 16, 2017 Links – Thursday March 16, 2017 Review - Northern Ballet, Casanova (Tindall), Leeds: Roger Foss, The Stage Review - Company Wayne McGregor/Paris Opera Ballet, Tree of Codes, London: Bruce Marriott, DanceTabs Review - Russian Ballet Icons Gala, London: Charlotte Kasner, SeeingDance Review - Tree of Codes / Russian Ballet Icons Gala: Louise Levene, The Spectator Reviews - Sarasota Ballet, Scènes de ballet, The Two Pigeons, Sarasota: Mary Cargill, Danceviewtimes Carolan Trbovich, Broadway World Review - San Francisco Ballet, Fusion, Salome (Arthur Pita), Fearful Symmetries, SF: Rita Felciano, Danceviewtimes Interview - Tamara Rojo: Lyndsey Winship, Evening Standard Reviews - Project Polunin, London: Clement Crisp, Financial Times Mark Monahan, The Telegraph Graham Watts, DanceTabs Siobhan Murphy, Londondance Vera Liber, British Theatre Guide Anna Winter, Exeunt Magazine Debra Craine, The Times Judith Mackrell, The Guardian Photo feature - Project Polunin, a backstage view: Sarah Lee & Matt Fidler, The Guardian Review - National Ballet of Canada, Pinocchio, Toronto: Kathleen Smith, NOW Review - Arthur Pita & HeadSpaceDance, Stepmother/Stepfather, London: Graham Watts, Bachtrack Photo gallery - Christopher Wheeldon, An American in Paris: Dave Morgan, DanceTabs Review - Danza Contemporanea de Cuba, Reversible, The Listening Room, Matria Etnocentra, Edinburgh: Mary Brennan, The Herald News - Patricia Delgado leaving Miami City Ballet: Jordan Levin, Miami Herald Review - Melbourne Ballet Company, Being & Time, Sydney: Deboraj Jones, FollowSpot Preview - Australian Ballet, Faster, Infra, Squander and Glory: Annabel Ross, Brisbane Times Preview - DEMO: Song & Dance, Washington: Broadway World Preview - Juilliard Dances Repertory 2017: Gia Kourlas, New York Times Review - 2017 Taiwan International Festival of the Arts, Taipei: David Mead, SeeingDance Feature - MOVE IT 2017, London: Rhiannon Brace, Londondance Review - Roberta Dean at Nottdance 17, Brocade, Nottingham: Paul Hughes, Exeunt Magazine Link to comment Share on other sites More sharing options...
John Mallinson Posted March 17, 2017 Share Posted March 17, 2017 Links – Friday March 17, 2017 Reviews - American Ballet Theater, Whipped Cream (Alexei Ratmansky, premiere), Costa Mesa: Alastair Macaulay, New York Times Paul Hodgins, Orange County Register Feature - Mark Ryden, and the designs for Whipped Cream: Angelica Frey, Hyperallergic Reviews - Mark Morris Dance Group, Curlew River, Dido and Aeneas, NY: Brian Seibert, New York Times Gay Morris, Danceviewtimes Video feature - Laurel Lynch in Dido and Aeneas: New York Times Photo gallery - The Royal Ballet, The Human Seasons, After the Rain, Flight Pattern (Crystal Pite, premiere): Dave Morgan, DanceTabs Feature/interview - Kenneth Tindall and his Casanova for Northern Ballet: Mary Brennan, The Herald Reviews - Russian Ballet Icons Gala, London: Jann Parry, DanceTabs Naomi Cockshutt, Londondance Review - Kidd Pivot, Betroffenheit / San Francisco Ballet, Programs 4 & 5: Paul Parish, Bay Area Reporter Feature/interview - Misty Copeland: Moira Macdonald, Seattle Times Review - Gauthier Dance, Nijinski (Marco Goeke), NY: Apollinaire Scherr, Financial Times Review - Arthur Pita & HeadSpaceDance, Stepmother/Stepfather, London: Rachel Elderkin, Fjord Review Reviews - James Cousins Company, Rosalind, London: Judith Mackrell, The Guardian Siobhan Murphy, DanceTabs Review - Danza Contemporanea de Cuba, Reversible, The Listening Room, Matria Etnocentra, Edinburgh: Róisín O’Brien, SeeingDance Review - Tom Gold Dance, Served, Counterpoint, Oasis, NY: Mary Cargill, Danceviewtimes Review - BOLD Festival, Canberra: Michelle Potter, …on dancing Review - Dance Massive Festival, Nick Power, Between Tiny Cities, Melbourne: Andrew Fuhrman, Brisbane Times Preview - Graeme Murphy & MADE, Frock, Tasmania: Debbie Cuthbertson, Sydney Morning Herald Link to comment Share on other sites More sharing options...
John Mallinson Posted March 18, 2017 Share Posted March 18, 2017 Links – Saturday March 18, 2017 Reviews - The Royal Ballet, Flight Pattern (Crystal Pite premiere), The Human Seasons, After the Rain, London: Hanna Weibye, The Arts Desk Mark Monahan, The Telegraph Judith Mackrell, The Guardian Graham Watts, Bachtrack Siobhan Murphy, TimeOut Martha Schabas, The Globe and Mail Review - American Ballet Theatre, Whipped Cream (Ratmansky premiere), Costa Mesa: Claudia Bauer, DanceTabs Interview - Alexei Ratmansky: Kaitlin Wright, Daily Breeze Interview/feature - Mikhail Baryshnikov on Joseph Brodsky: Neil Munshi, Financial Times Preview - Paul Taylor’s American Modern Dance, Icons: Graham, Cunningham, Taylor, NY: Gia Kourlas, New York Times Interview/feature - Wayne McGregor & Max Richter prior to the performance of Infra by Australian Ballet: Nick Miller, Sydney Morning Herald Feature - An American in Paris, the background to Christopher Wheeldon’s adaptation: Sarah Crompton, The Guardian Feature/preview - Ashley Bouder Project to highlight female choreographers and composers: Chloe Angyal, Huffington Post Review - Svetlana Lunkina & Friends, Toronto: Penelope Ford, Fjord Review Review - Richard Move and MoveOpolis, Martha@20, XXYY, NY: Leigh Witchell, dancelog.nyc Reviews - James Cousins Company, Rosalind, London: Debra Craine, The Times Vera Liber, British Theatre Guide Reviews - Project Polunin, London: G.J. Dowler, ClassicalSource Hamish Bowles, Vogue Q&A - NYCB’s Tiler Peck: Peter Stamelman, Brooklyn Daily Eagle Feature - Ian Webb’s travails restaging Ashton’s Apparitions for Sarasota Ballet: Carrie Seidman, Sarasota Herald-Tribune Review - Royal New Zealand Ballet, L’Arlésienne, Carmen, Palmerston North, NZ: Tana Kopytko, NZ Theatreview Review - Houston Ballet, Director's Choice: Legends and Prodigy, Houston: Joseph Campana, Culturemap Houston Link to comment Share on other sites More sharing options...
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