Jan McNulty

I've not seen P C-K live but lots of clips on IG stories make it look as though it should be wonderful. I very much admired James Pett's dancing with Company Wayne McGregor pre-pandemic. Sadly I can't get to these performances - I am hoping against hope that they do some other UK dates (I think the smaller Quays theatre at The Lowry would be ideal). Please let us know what you think.

Links - Thursday 25 April, 2024 Interview - Cathy Marston, AD Zurich Ballet, ahead of the world premiere of Atonement: Emily May, Pointe Magazine Review - Polish National Ballet, Pinokio, Warsaw: Graham Watts, Bachtrack Preview - Northern Ballet, Romeo and Juliet, London: Stephi Wild, Broadway World Preview/Feature - Alonzo King LINES Ballet, Deep River, Santa Barbara: Callie Fausey, Santa Barbara Independent Preview/Feature - Royal Winnipeg Ballet, T’el, Winnipeg: Temur Durrani, Globe and Mail Preview - Let’s All Dance, Goldilocks The Ballet, London: Teresa Guerreiro, Culture Whisper News - American Ballet Theatre announces Spring Gala: Ballet Brilliance, New York: Chloe Rabinowitz, Broadway World News - The Australian Ballet on tour, Australia: Staff, Limelight News - Rome Opera Ballet to visit Paris, Dubai, Barcelona & Liège: Graham Spicer, Gramilano Feature - Evelyn Robinson, Charlotte Ballet, on learning Swan Lake for the first time: Virginia Brown, AOL via Charlotte Observer Feature - How breakdancing became the latest Olympic sport: Mikhail Batuev, The Conversation Feature - Vietnamese contemporary ballet celebrates Europe Day: Staff, Vietnamnet Season Announcement - A Twyla Tharp world premiere is part of Northrop's 2024-25 dance season, Minneapolis: Sheila Regan, Star Tribune Historic Essay from 2022 - The late Liam Scarlett’s Swan Lake and the Royal Ballet’s loss of direction: Alastair Macaulay, Blog

PRESS RELEASE 24 April 2024 BIRMINGHAM ROYAL BALLET’S ASSISTANT DIRECTOR SWAPS STAGE FOR THE BOXING RING Image: Dominic Antonucci - credit Tyrone Singleton Dominic Antonucci, Assistant Director with the city’s acclaimed Birmingham Royal Ballet, will be swapping the stage for the boxing ring next month courtesy of TV’s well-known football and boxing presenter Gary Newbon MBE. The event will take place at Cleary’s Boxing Gym in Leamington Spa on 5 May with three rounds of ‘sparring’ with Lewis Williams, a promising upcoming heavyweight boxer, who recently won a gold medal at the Commonwealth Games in Birmingham 2022. Lewis who is 6 foot 6 inches tall has been tipped as ‘the future of heavyweight boxing’. Dominic, former Principal Dancer with BRB, has danced some of the most challenging roles in the company’s repertoire using speed, strength and technical ability learnt through weekly ballet training at BRB studios in Birmingham. Dominic had incorporated boxing into his training as a dancer to great effect during his career onstage. Long-time close friend Gary Newbon, a regular supporter of BRB, introduced Dominic to respected boxing trainer Jon Pegg and Dominic began training at Birmingham’s Eastside Gym. Working alongside world champion boxers, Dominic attended strict gym sessions which included boxing drills, circuit training, workouts on the heavy bag, instruction from Jon Pegg and intense sparring sessions with professional boxers. Dominic said “I was not able to take part in matches whilst performing due to the obvious risk of injury but found that boxing training helped me tremendously as a dancer and a few years ago I finally decided to go for it and a had a proper match which I won.” Gary Newbon commented “I found out that Dominic celebrated his 50th Birthday recently so secretly arranged for him to face Lewis Williams in the ring to help celebrate this milestone.” Dominic added “Thanks to Gary I’ve since returned to Eastside Gym to train for the bout on 5 May. I’m learning the hard way as the young world class boxers take it very seriously indeed. It’s a great experience though and I’m loving every minute of it.” Gary who has presented on Sky Sports and Central ITV will be showing his support when Dominic faces Lewis Williams in the ring on 5 May. BRB is currently on tour in the UK with Sir Peter Wright’s The Sleeping Beauty and will return to the company’s home base at Birmingham Hippodrome later this year with the world premiere of Carlos Acosta’s new ballet Luna and Sir Frederick Ashton’s La Fille mal gardée What's on | Birmingham Royal Ballet (brb.org.uk) Dominic Antonucci – Assistant Director Born in Athens, Ohio, and brought up in Akron, Dominic Antonucci, attended the Nan Klinger School of Dance and the School of American Ballet. He performed with American Ballet Theatre from 1991 to 1994, joined Birmingham Royal Ballet in 1994 as a Soloist and was promoted to Principal in 2003. He was appointed to Ballet Master in 2009. Dominic danced all of the leading male repertoire and was particularly prominent in the ballets of Sir Peter Wright and Sir David Bintley. He has staged Sir David Bintley’s Take 5 at the National Ballet of Japan as well as teaching and rehearsing that company in Ashton’s Cinderella. Birmingham Royal Ballet Based at Birmingham Hippodrome, Birmingham Royal Ballet is the United Kingdom’s leading touring ballet company performing a range of traditional, classical and heritage ballets as well as ground-breaking new works with the aim of encouraging choreographers of the future. The Company’s Director since January 2020 is the internationally renowned Carlos Acosta. Birmingham Royal Ballet standardly performs at Birmingham Hippodrome for approximately ten weeks of the year and the remainder of the year tours throughout the United Kingdom and overseas. On average, the Company performs 100 shows a year nationally and internationally.

Links - Wednesday 24 April, 2024 Obituary - Bill Atkinson, dancer & teacher: Sarah Hodges, People Newspapers Review - Carlos Acosta, On Before, Sarasota: Carrie Seidman, Fjord Review Review - Estonian National Ballet, Anna Karenina, Tallinn: Maggie Foyer, Bachtrack Review - Ballet West, Blake Works 1, Red Angels, The Green Table, Salt Lake City: Les Roka, The Utah Review Review - Hwa Gang Dance Troupe, Twilight Whispers, Taipei: David Mead, Seeing Dance Interview - Jonzi D, Founder and Artistic Director of Breakin’ Convention: Lyndsey Winship, Guardian Reports - YAGP’s 25th Anniversary Gala, New York: Caedra Scott-Flaherty, NY Observer Staff, Harlem World Magazine Report - Colorado Ballet, 63rd Anniversary Season at The One Gala including Bolero, Denver: Joanne Davidson, Colorado Ballet Preview Feature - Liam Mower performs Edward Scissorhands in his home town, Hull: Deborah Hall, Hull Daily Mail Preview Feature - Sarasota Ballet, Lyric Pieces (Lang) (+ The American, Sinfonietta), Sarasota: Jay Handelman, Sarasota Herald Tribune Preview - New Jersey Ballet, triple bill, Newark: Staff, New Jersey Stage Preview - Dance Week 2024: AusDance ACT, Week 1, Canberra: Michelle Potter, ... on dancing Video Preview - Grand Rapids Ballet, Serenade, In the Upper Room, Grand Rapids: Staff, YouTube Preview - American Repertory Ballet, A Midsummer Night’s Dream, New Brunswick: Staff, Bucks County Herald Preview - International Dance Day Festival, Manila: Ricky Toledo, Chito Vijandre, Philstar Brief Preview - Gauthier Danse, Swan Lakes, Minus 16, Montreal: Staff, Montreal Online Report - Dance Data Project, Women-founded US ballet and classically-based companies 2024: Staff, Dance Data Project Report - Research from the Royal Ballet School: Finding the optimal strength training frequency for adolescent dancers: Danielle Trigg, Business Cheshire Featurette - Ballet instructor from Cuba helps train ‘Next Generation’ dancers: Mark Wilson, Fox 13 News

PRESS RELEASE 23 April 2024 FORCED ENTERTAINMENT Forty years of tearing up the rulebook GLOBALLY CELEBRATED THEATRE COMPANY CONFIRM 2024 UK DATES FIRST 2024 UK DATES WILL TAKE PLACE AT BIRMINGHAM REP WITH ONLY UK PERFORMANCES OF TO MOVE IN TIME UK PREMIERE OF NEW SHOW SIGNAL TO NOISE PLAYS IN LONDON, CAMBRIDGE AND BRIGHTON MULTI-SHOW LONDON SEASON OF PERFORMANCES AND COLLABORATIONS AT THE SOUTHBANK CENTRE, BATTERSEA ARTS CENTRE AND THE PLACE LONDON SEASON INCLUDES SIGNAL TO NOISE, GO ON LIKE THIS, SHOWN & TOLD, L’ADDITION, 12AM: AWAKE & LOOKING DOWN AND IF ALL ELSE FAILS Globally celebrated theatre company, Forced Entertainment have today confirmed 2024 UK dates as part of their European tour marking 40 years of creating work. Birmingham Rep will host the only UK performances this year of Tim Etchells’ To Move in Time (23 & 24 May). To Move in Time is a dizzying monologue performed by Forced Entertainment Associate Artist Tyrone Huggins in which an unnamed protagonist speculates playfully about what he’d do if he were able to travel in time. From fantasies of changing the present, to obsessions with everyday events in the past, to dreaming up ways to get rich from knowledge of the future, the text is an unfolding compulsive thought process. A multi-venue London season of performances and collaborations will begin with the UK premiere of Forced Entertainment’s new work Signal to Noise at the Southbank Centre’s Queen Elizabeth Hall (10 & 11 Oct). Signal to Noise is both playful and unsettling, comical and deadly serious. Six performers navigate a world of constraints, traps, behavioural habits and repeating cycles – language and music in loops, physical action as a delirious mode of escape. Celebrating 40 years of the company’s experiments and reinventions of theatre language, the show summons a dynamic situation that draws audiences into a compelling encounter with the artists. Signal to Noise is an invitation to reflect on our shared contemporary experience, developed through the group’s rigorous and intuitive collaborative process. Signal to Noise will then tour to Cambridge Junction (16 & 17 Oct) and Attenborough Centre for Creative Arts, Brighton (23 & 24 Oct). The London season of work continues with the only UK dates of Go On Like This at the Southbank Centre’s Purcell Room (12 & 13 Oct). Go On Like This is a performance encounter between artist and writer Tim Etchells and the legendary percussionist Tony Buck, founder-member of the Australian trio The Necks. The two artists share strong fascinations with the possibilities of both free improvisation and intensive repetition - Buck in the realm of mutating percussive elements and Etchells in the realm of looping language fragments. Go On Like This brings them together for an evening of loops and cacophonies blurring the lines between language as sense and language as pure sound, creating something on the border zone between their two practices. Shown and Told plays its only 2024 UK dates at London’s The Place (31 Oct - 1 Nov). Shown and Told is a dynamic but fragile performance collage built from studio improvisation, balancing fixed material and possibilities for free-play. Arising from an exchange between choreographer and dancer Meg Stuart and Tim Etchells it exposes the very different practice and sensibilities of these two artists, exploring the relationship between movement, image and performing bodies. Working with vivid and surprising images, some of them physical, some of them linguistic, the two performers develop a conversation that is tough, touching and comical by turns. Directed by Tim Etchells and devised and performed by Bertrand Lesca and Nasi Voutsas, L’Addition will then play a season over two weeks at Battersea Arts Centre (5 - 9 Nov, 12 - 16 Nov). Two performers armed with (or trapped in) a single scene – a customer orders a drink from a waiter. And then things go awry. Played again and again, the events of this stock-situation roll repeatedly with nonstop dialogue or absolute silence and the scene starts spinning out of control. Nightmarish spiral or grotesque farce? Roles and relationships of power flip back and forth, to the point that we no longer know who’s the target and who’s the aggressor, who’s serving and who’s being served. Forced Entertainment then return to the Southbank Centre with 12am: Awake & Looking Down (9 Nov), last seen in the UK at the Tate Modern over 20 years ago. Five silent performers endlessly reinvent their identities using cardboard signs to name themselves and a vast store of jumble sale clothing. Jack Ruby crosses the stage his hands under his coat as An Air Stewardess Forgetting Her Divorce, sits crying, wrapped in a towel. Frank (Drunk) collapses, The Hypnotised Girl stares into the space and A Bloke Who’s Just Been Shot staggers past. 12am: Awake & Looking Down is a performance marathon during which the audience may arrive, leave or return at any time. In a combination of inventiveness and dogged endurance, its performers create a unique event that is comical, mesmeric and moving; a kaleidoscope of characters and implied stories unfolding over many hours. Entry to the performance is free. The 2024 London season concludes with the only 2024 UK dates for If All Else Fails at Battersea Arts Centre (19 - 23 Nov). Two performers engage in an absurd test that seems to shift and change as they work their way through it. Fragments of a language lesson. Questions from a personality quiz. Slogans from some future society. The performers laugh, hesitate, ask for more time. The test continues. As the clock ticks it’s not even certain if the subjects of the test are the audience or the performers. Comical and tangled, If All Else Fails is a new collaboration between Sheffield’s Forced Entertainment and dancer/maker/choreographer Seke Chimutengwende. Performed by Chimutengwende and Cathy Naden, one of the founder members of the group, the piece is an interrogatory dialogue of speech and movement, questions and answers. It’s an extraordinary record: six artists sustaining a unique partnership and creating work together for over 40 years. From its beginnings in Sheffield in the 1980s, through four decades of work in venues and festivals across the world, the multi-award-winning Forced Entertainment has earned a reputation as a unique UK contemporary performance company reinventing theatre on the international stage in simple and complicated ways. In this 40th birthday year, Forced Entertainment plan to explore and (re)discover not only the company’s history but also its future. For more information and tickets visit forcedentertainment.com. Listings Information 23 & 24 May To Move in Time Birmingham Rep 10 & 11 October UK Premiere Signal to Noise Southbank Centre’s Queen Elizabeth Hall 12 & 13 October Go On Like This Tim Etchells & Tony Buck Southbank Centre’s Purcell Room 16 - 17 October Signal to Noise Cambridge Junction 23 - 24 October Signal to Noise ACCA Brighton 31 Oct - 2 Nov Shown and Told The Place 5 - 9 November 12-16 November L’Addition Battersea Arts Centre 11 November 12am: Awake & Looking Down Southbank Centre’s Clore Ballroom (Royal Festival Hall) 19 - 23 November If All Else Fails Battersea Arts Centre Notes to Editors Signal to Noise Conceived and devised by the company Director Tim Etchells Devised and performed by Robin Arthur, Seke Chimutengwende, Richard Lowdon, Claire Marshall, Cathy Naden and Terry O’Connor Dramaturgy Tyrone Huggins Lighting Design Nigel Edwards Production Management Jim Harrison Producer Eileen Evans Touring Technical Manager Alex Fernandes L’Addition Director Tim Etchells Text Tim Etchells with Bertrand Lesca & Nasi Voutsas Devised and performed by Bertrand Lesca & Nasi Voutsas Lighting Design Alex Fernandes Composer & Sound Design Graeme Miller Production Management Forced Entertainment Producer Eileen Evans To Move in Time Writer & Director Tim Etchells Performer & Collaborator Tyrone Huggins Assistant Director Hester Chillingworth Lighting Design Jim Harrison Production Management Jim Harrison Producer Eileen Evans If All Else Fails Conceived and devised by the company Director Tim Etchells Devised and performed by Seke Chimutengwende & Cathy Naden With input from Robin Arthur, Richard Lowdon, Claire Marshall and Terry O’Connor Dramaturgy Tyrone Huggins Lighting Design Jim Harrison Sound Design John Avery, Tim Etchells Production Management Jim Harrison Producer Eileen Evans Go On LIke This A Time Etchells & Tony Buck Collaboration 12am: Awake & Looking Down Conceived and devised by Forced Entertainment Director Tim Etchells Performers Robin Arthur, Richard Lowdon, Claire Marshall, Cathy Naden and Terry O’Connor (TBC) Direction Tim Etchells Design Richard Lowdon Lighting Design Nigel Edwards and Richard Lowdon Soundtrack John Avery Producer Eileen Evans Shown and Told Created and performed by Meg Stuart and Tim Etchells Technical realisation Gilles Roosen and Jitkse Vandenbussche Production manager Annabel Heyse Production Damaged Goods Biographies Forced Entertainment Forced Entertainment is a group of six artists based in Sheffield. Touring and presenting their ground-breaking provocative performances across the UK, mainland Europe, North America, Japan, Australia and further afield, the group have sustained a unique collaborative practise for more than thirty-five years. Led by the artist and writer Tim Etchells, the Forced Entertainment company includes designer and performer Richard Lowdon alongside performers Robin Arthur, Claire Marshall, Cathy Naden and Terry O’Connor. Over the years this core ensemble has been augmented by contributions from many guest artists and performers. Forced Entertainment’s work explores and often explodes the conventions of genre, narrative and theatre itself drawing influence not just from drama but from dance, performance art, music culture and popular forms such as cabaret and stand-up. The group operate at different scales, shifting from intimate two-performer works focused on text, to spectacular productions with large numbers of people onstage. We also work with young people in Sheffield and other cities in workshops and longer projects, to help them develop creative skills and thinking and to make performances and other works of their own. Exciting, challenging, entertaining and questioning, Forced Entertainment has been a key player in the development of a truly contemporary theatre language, and is recognised as a world leader in the field of contemporary performance practice - contributing enormously to the growth and development of British theatre, the debate about the form itself, as well as influencing several generations of younger artists who have been inspired by the work. In 2016 the group were awarded the International Ibsen Award, which honours an individual, institution or organisation that has brought new artistic dimensions to the world of theatre, joining distinguished previous winners Peter Brook, Heiner Goebbels, Jon Fosse, Ariane Mnouchkine and Peter Handke as recipients of this prestigious prize. Tim Etchells Tim Etchells is an artist and a writer based in the UK whose work shifts between performance, visual art and fiction. Etchells has worked in a wide variety of contexts, notably as the leader of the world-renowned Sheffield-based performance group Forced Entertainment. Recent publications include Vacuum Days(Storythings, 2012) and While You Are With Us Here Tonight (LADA, 2013). Etchells’ work has been shown recently at Cubitt, Hayward Gallery and Bloomberg SPACE in London, at Turner Contemporary and Compton Verney in the UK, at Witte de With, Rotterdam, Netherlands Media Art Institute (Amsterdam) and MUHKA (Antwerp). Currently Professor of Performance & Writing at Lancaster University, he was a Tate / Live Art Development Agency 'Legacy: Thinker In Residence’ Award winner in 2008, Artist of the City of Lisbonin 2014 and he received the prestigious Spalding Gray Award in February 2016. Bert and Nasi Bertrand Lesca and Nasi Voutas are a contemporary performance duo that met in 2015 and have since created an entire repertoire of shows in the midst of a period of national and international austerity. Their work, in turn, is stripped back and minimalist though it deals with complex ideas and emotions. Their shows lie somewhere between performance, dance and theatre but if you had to pin them down on it, they'd probably say it's theatre. In each of their shows, they celebrate the encounter with the audience deconstructing the model of live performance. They always seek to create a sincere and intimate connection with the spectators. Their shows have a nostalgic feel of an old friendship that you didn't know existed. Together they have performed their shows on the international stages of PuSh Festival (Canada), Festival de Otoño (Spain), Sarajevo Mess (Bosnia), Adelaide International Festival (Australia), InTeatro (Italy), Avignon Festival (France) as well as MiTsp (Brazil). In 2020, Bert and Nasi received the Forced Entertainment Award in memory of Huw Chadbourn, which celebrates the work of contemporary artists reinventing theatre and performance in new ways and for new audiences. https://bertandnasi.com Tony Buck Tony is regarded as one of Australia’s most creative and adventurous exports, with vast experience across the globe. As a drummer, percussionist, improviser, guitarist, video maker and producer, he has been involved in a highly diverse array of projects but is probably best known around the world as a member of the trio “The Necks”. Apart from The Necks he has played, toured or recorded with Jon Rose, Otomo Yoshihide, John Zorn, T. Cora, Phil Minton, Haino, Even Parker, The Machine for Making Sense, Lee Ranaldo, Ne Zhdall, The EX, Clifford Jordan, Ground Zero … Current projects include a LIVE solo adaption of the UNEARTH music, incorporating installations, video, drums and guitar; “Spill” with Magda Mayas; “Transmit” (a guitar driven post-rock project); New York based trio “Glacial” (with David Watson and Lee Ranaldo); “Circadia” (with Kim Myhr, David Stackenas and Joe Williamson); a long standing duo with Axel Doerner as well as a continuing in ad hoc and improvised performance settings. Seke Chimutengwende Seke Chimutengwende is a choreographer, performer, movement director and teacher; he has performed for numerous dance companies including DV8 Physical Theatre and Lost Dog. He is currently working as a performer with Forced Entertainment and Sue MacLaine Company. Seke has also been practising completely improvised performance, using movement and text, since 2006. He has performed over 70 solo improvisations internationally and has performed ensemble improvisation with numerous dancers, actors and musicians. His recent choreographies include Black Holes, a collaboration with Alexandrina Hemsley, (British Council’s Edinburgh Showcase 2019), the solo Plastic Soul (The Yard Theatre 2019), and Detective Work, a duet with Stephanie McMann (commissioned by NEUROLIVE 2021). Seke is currently making It begins in darkness, which will premiere in September 2022, a group choreography looking at ghosts and haunted houses as metaphors for how histories of slavery and colonialism haunt the present. He will also be making a new group work for Candoco Dance Company in 2022. Seke regularly teaches improvisation at The Rambert School of Ballet and Contemporary Dance, London Contemporary Dance School, The Royal Central School of Speech and Drama, and Goldsmiths University, among others. Seke studied dance at Lewisham College 1999 - 2001 and London Contemporary Dance School 2001 – 2004 and went on to train extensively in improvisation with a variety of practitioners and with Andrew Morrish in particular. www.sekechimutengwende.com Tyrone Huggins Tyrone has over 40 years’ experience as an actor and performer. He was co-founder of the experimental, visual theatre company Impact Theatre Co-operative in 1979, touring nationally and internationally in thirteen devised productions over five years before working with other companies including Temba, People Show, Hesitate & Demonstrate, Talawa, Paines Plough and Graeme Miller Company. He has predominantly performed in new writing. Recent acting credits include Black Men Walking by Testament for Eclipse Theatre (with Royal Exchange/Royal Court); Always Orange by Fraser Grace and Fall of the Kingdom, Rise of the Foot Soldier by Somalia Seaton for RSC; Opening Skinner’s Box devised for Improbable (with Northern Stage/West Yorkshire Playhouse); The Honey Man by Tyrone Huggins for Judy Owen Ltd. (with Birmingham Repertory Theatre). www.tyronehuggins.com Meg Stuart (Damaged Goods) Meg Stuart is a choreographer and dancer who lives and works in Berlin and Brussels. In collaboration with her company Damaged Goods she has realised over 30 productions, moving freely between the genres of dance, theatre and visual art. Tim Etchells is an artist and a writer based in the UK whose work shifts between visual art, performance and fiction. He is the leader of the world-renowned Sheffield-based performance group Forced Entertainment. After having collaborated on texts for her pieces for many years, Shown and Told is Tim’s first joint creation with Meg Stuart.

Hello @Kenco and welcome to the Forum! I've moved your query to the more appropriate Doing Dance forum where all things about doing dance are discussed.

What do people think of conductors who hum along to the music?

I'm very much looking forward to seeing BRB2 in Cheltenham with my best friend in a few weeks. I had to miss my scheduled performances last year so I'm interested to see how it matches up to my expectations.

I've just nearly had a whoopsie!! I am going to Leeds by train tomorrow - even got a reminder from TP Express this morning. Imagine when I got in before to find an email from TP Express talking about ongoing engineering works and possible impact on my journey - this less than 24 hours beforehand. I used the WhatsApp query facility and have been assured that my journey is not affected. Please keep your fingers crossed for me!

Thanks for your wonderful review Sabine. What a lovely thing to do for your parents for their diamond wedding anniversary.

That's what I'd assumed too.

What a coincidence - I went from The Famous Five to Rider Haggard!!

Very sad news. RIP

Hello @Balletbasics and welcome to the Forum!

It was a genuine suggestion. Musing is all very well but it doesn't provide an answer that only Carlos Acosta can give about his level of commitment.

I've no idea but you could write and ask him.

Hello @BalletCloud and welcome to the Forum!

Very sad news. RIP

Birmingham Royal Ballet does have its own separate funding from ACE and has done for many years. I don't know how often Carlos Acosta visits Elmhurst but I know that he does. He seems passionate about the education of children in dance.

Hello @Theatrefan I've moved your request to the more appropriate Doing Dance forum and added the tag "Intensives" at the top. If you click on that it may give you some ideas. I don't know what area you are looking for but one of our members @tutugirl runs intensives in the summer in Yorkshire. I'm not sure if she has any places left. Also the Malvern Ballet Seminars seem highly regarded. https://malvernballetseminars.co.uk Moorland may be another possibility: https://moorlandballetacademy.com/programmes/summer-intensive-2024/

But did you enjoy it @alison? I had one of those "worried it won't match up to Samsara" moments while I was driving over to The Lowry but I need not have worried. It equalled if not bettered Samsara.

I was privileged indeed to see the performance of Mehek at The Lowry on Tuesday evening. Mehek is the story of a forbidden love between a younger man and an older woman. The cast consists of Aakash Odedra, Aditi Mangaldas, 3 musicians and a singer. The set consists of hanging pieces of what look like mirrors but are perspex pieces, the lighting is mostly used to pinpoint the dancers (and is extremely effective) and everything is an integrated whole. The performance starts with Aakash Odedra sitting at the front left corner of the stage playing with a piece of "mirror" sending rays around the auditorium. Gradually he is lit up by spotlights. Back into darkness and Audit Mangaldas is highlighted behind some of the "mirrors". Gradually the 2 meet and there is the most intense duet of kathak moves from slow and gentle to whirling across the stage. At times they join together. The movement of their hands was mesmerising as was the slapping of the feet that gave such a percussive sound. The three musicians appear in front of Aditi Mangaldas and try to keep her away from Aakash Odedra but love seems to win out. I found this performance intense, mesmerising, sensual and, in parts, profoundly moving. These are truly great artists and it was such a privilege to see them.

A belated welcome to the Forum @TiaBallerina.

And also covered in the Links today:

Congratulations to all the nominees!